Changchun: Two museums you can't afford.

? Changchun is not only an automobile city, a university city and a movie city, but also a city with four distinct seasons. To describe Changchun in one sentence is that there are white flowers in spring, red leaves in autumn, cool breeze in summer and snow in winter. There are several museums worth seeing behind the scenery of the four seasons. Before introducing the museum, let me briefly introduce Changchun.

Changchun has four distinct seasons.

Changchun is a young city with a history of more than 200 years since it was founded in the fifth year of Jiaqing (1800). In the history of more than 200 years, Changchun has gone through a difficult development process. Before the establishment of Changchun, this place belonged to the fief of the former Mongolian maharaja Golros Qianqi. During the years of Qianlong and Jiaqing, a large number of affected Han people came to the northeast, forming a wave of "refugees" with Han people as the main body. After the Revolution of 1911, the government of the Republic of China unified the provincial, provincial and county administrative organs in 19 13, and changed the provincial capitals, ministries and prefectures into counties, and Changchun Prefecture into Changchun County. After the "September 18th Incident", the Japanese imperialists occupied the Northeast, and in 1932, the Japanese puppet government designated Changchun as the puppet capital. While retaining the administrative establishment of Changchun County, some urban buildings in Changchun will be designated as cities, first called "New Beijing City" and then changed to "New Beijing Special City". Since then, Changchun has been an administrative institution where cities and counties coexist and the cities and counties are divided. 1948 65438+1October19 Changchun was liberated. Changchun1October 2 1 was changed to Changchun Special City, and in March 1949+0 1 was changed to Changchun City, all of which belonged to the Northeast Administrative Committee. May 9 1949 transferred to Jilin province. 195210 June 14, Changchun county was abolished and its jurisdiction was merged into Changchun city. 1 953 August 1 to1954 August1Changchun was changed to a municipality directly under the central government and managed by the Northeast Administrative Committee. 1On September 27th, 954, the government of Jilin Province moved to Changchun and became the capital city of Jilin Province. 1958165438+10-19665438+10. With the approval of the State Council, the five counties of Shuangyang, Jiutai, Dehui, Nong 'an and Yushu were placed under the jurisdiction of Changchun City, and the city and county were unified. After the reform and opening up, Changchun was listed as a city under separate state planning in February 1989, giving provincial economic management authority. 1992, the State Planning Commission identified Changchun as an open city along the border, enjoying the same preferential policies as coastal open cities. 1July 2, 993 Changchun plans to cancel the cities under separate state planning, but still retains the sub-provincial establishment and becomes one of the four sub-provincial cities in Northeast China.

Puppet Palace Museum

In the northeast corner of the city, there is a building complex completely different from modern buildings. It was the former palace site of China's last emperor, Aisin Giorro Puyi, when he was the puppet emperor of Manchukuo. As a historical witness of Japanese imperialism's invasion of northeast China and Puyi and the royal tragedy of his empresses, it has been approved by the Jilin provincial government as a national key cultural relics protection unit and has now become an important tourist attraction in Changchun. The predecessor of the pseudo-palace was actually the cloud-lacking department of Jihei, which gave birth to the folk saying that "the little emperor lived in a salt warehouse and had fish to spare".

Puyi was a puppet here for 14 years from 1932 to 1945 on the eve of the August 15th recovery, and it was here that Puyi successively signed the Secret Treaty of Manchuria in Japan and the Protocol of Manchuria in Japan, dedicating this great country in Northeast China to the Japanese. The architectural pattern of the general palace must be very clear to everyone, that is, the front faces the back bedroom, the left ancestors and the right houses, the Wu doors in the three dynasties, and the central axis is strictly symmetrical. But Puyi's palace faces the back bedroom, and the bedroom runs to the front of the office building, but the place where ancestors are sacrificed is dedicated to Japanese gods. This shows that Puyi was not ordered by the Emperor of Heaven. The land area of the pseudo-palace reached 6.5438+0.2 million square meters. After the defeat of Japan, the puppet palace was damaged to varying degrees, and some buildings were occupied by nearby units and residents. Now the area we visited is about 45,000 square meters.

Changchun film studio Museum

There is often a saying among the post-50s, post-60s and post-70s, that is, "We all grew up watching movies from Chang Ying factories". I have great interest in Changchun Film Factory, a feeling of deja vu, but the content is gradually forgotten. Many of my parents' movie feelings are related to the movies in Chang Ying factory. Today, I took my comrades-in-arms and son to visit again, which ignited many feelings and surprises.

Changchun film studio 1945 10 was established. Its predecessor was the "Manchu Film Association" during the Puppet Manchukuo period. Chang Ying Factory is known as the "cradle of new China movies", which has produced more than 1000 feature films and translated more than 1 100 from more than 50 countries. At present, this museum located in the original site of changchun film studio completely retains the basic features of the original "Manying" building 1937. With a building area of 46,000 square meters, the museum is a national key cultural relic protection unit and a national 4A tourist attraction, and a complete record of changchun film studio's historical development. The interior design of the museum has extremely high Chen Zhan specifications, including Chang Ying Film Art Museum, Chang Ying Studio, Chang Ying Printing Workshop, Chang Ying Cinema and Chang Ying.

There are many exhibition halls in the whole museum, and the tour route is also very dramatic. After watching it, you will feel like watching a movie with plot clues. There are not only movies and movie stars, but also a comprehensive introduction of shooting tidbits, props, background stories and historical environment. There are many information contents, covering many social levels and cultural and artistic fields. The whole exhibition begins with the "comprehensive reflection" of Japanese architecture in Manchukuo. After the liberation of Changchun, New China took over the equipment and technology of "Full Screen", and some Japanese technicians also joined in. The filmmakers in New China gradually grew up and began to create all kinds of film and television works in the new era of New China. Here you can see the story behind the movie story, the evolution of the main theme of the times, and a large number of photos and scenes of the shooting process. In the era of paying attention to glamorous actors, we actually don't have many opportunities to understand the stories behind these movies. It is like a window, which allows us to have a glimpse.

Changchun film studio started from the oldest factory in the pioneering period, and gradually expanded the scale of the factory, forming the top domestic film production strength at that time. It should be said that there were all kinds of progressive film talents in China at that time. They got a systematic training and creative platform, and produced a large number of classic films that we are familiar with, leading the rhythm of the times. In the exhibition hall of the museum, you can see the scenery of the old cinema, and you can also see many movie posters and props that can be called cultural relics. The display effect arrangement is very clever. In the exhibition hall, you can not only see the introduction of movie story characters and actors, but also many unknown behind-the-scenes tidbits such as directors, screenwriters and shots. Some movies are not only box office masterpieces, but also scripts and photography are compulsory viewing courses of China Film Academy, which rekindles people's interest in watching many neglected old movies. The scenery and lighting art design of the museum are unique, and the colors of each exhibition hall are exquisitely designed. The scene has both connotation and artistry, and many layouts are very beautiful. The whole museum can take photos freely, and the atmosphere of the visit is very good. It is a very recommended tourist attraction in Changchun.

Remarks: The movie recommended to everyone is also what I want to see next. I hope you like it.