Do you recommend any shots for travel photography?

I still like to take a 7O-2OO lens when traveling, which is convenient and practical. The success rate of close-up and close-up is much higher than other shots. Without this lens, the following picture can't be taken.

I'm glad to answer your question.

This problem has been bothering people who travel abroad. More lenses are too heavy, and less lenses are not enough.

My suggestion is:

If you are a professional photographer, you need to bring a big three yuan or a small three yuan to ensure the quality of your work.

If you want to take some good quality photos during your trip, 24-70 is basically enough, and people and scenery can handle it.

If you are mainly traveling and don't want to bear too much burden, you can take a 28-300 lens, or you can take a lens with a small fixed focus of 35 or 85 to ensure the image quality.

Travel, as far as photography is concerned, is nothing more than scenery, portraits and humanities.

Scenery and humanities even go to special places for street shooting, and a small wide-angle lens will solve the problem. If someone looks like it, the focal length can be longer. So if you only bring one lens, 24-70 is almost the same. The wide-angle end will shoot landscapes and humanities, and the telephoto part will shoot portraits.

Whether it is a telephoto end or a wide-angle end, if a half-frame fuselage is used, the focal length of 24-70 needs to be multiplied by a factor (Nikon 1.5, Canon 1.6). At this time, the 24 at the wide-angle end may not be too wide, and the field of vision will become smaller, but the scenery is the scenery, and it is completely possible to take pictures.

In fact, it's good to take portraits with a wide angle when traveling, as long as people don't stand too far. It should be noted that since it is a tour, the portrait is different from the usual portrait. They are not portraits with small depth of field, and they are completely dominated by people. I think tourists should focus on scenery, and people should be accompanied. Of course, everyone has a different opinion. Welcome to discuss.

The wide-angle end can shoot a humanistic film like the one above.

The telephoto end can take some photos of environmental figures.

So if there are no special requirements, a 24-70 is enough, or a wide-angle to telephoto zoom lens is enough.

It's purely personal, welcome to discuss.

I am the face of the south, welcome to pay attention.

I usually have two, a wide angle and a telephoto of 28-300.

The first principle of travel is portability. If you don't shoot scenery, it is not recommended to bring too many lenses:

Because the subject did not say the model of the machine, it is not good to make specific recommendations. Personally, I am familiar with Nikon. Let's take a semi-SLR with relatively prominent portability as an example to illustrate. This theme is based on my own machine brand and specifications:

I. Mirror Configuration: 18- 140

Wide focal length, fair quality and light weight. Generally, all kinds of tourist themes can be filmed.

Double-mirror configuration: Sigma 17-50+ Nikon 55-300 If there is further requirement for image quality, Sigma 17-50 can be considered, and the comprehensive image quality is better than Longteng A16;

Travel can be hung 1750, and medium telephoto can supplement Nikon 55-300. If you travel to grasslands and other places, it is strongly recommended to take a long focus. There will be demand:

In my experience, I only take one fuselage when I go out, with a telephoto lens of 80-200mm, a wide-angle lens of 16-35mm and a fixed focus of 35mm. There is also a drone.

Before last year, I took two bodies, two sets of lenses, a tripod, a computer and a charger. A backpack weighs at least ten kilograms. Those who climb mountains and wade with these toys on their backs will fall asleep as soon as they go to bed at the end of the day.

Unless a documentary about human nature is made, some scenes need to be captured. At this time, two bodies are needed. Now I sometimes "lazy" with only a telephoto lens, a fixed-focus lens, plus a drone and a mobile phone.

As you can see, the telephoto lens is already my standard. The reason is simple, its convenience is irreplaceable in travel photography. Whether shooting scenery or capturing humanities, telephoto lenses can play an important role.

Morning with a yellow flag. (80-200mm)

For travel, telephoto lens is essential and a good lens for shooting scenery. Sometimes twisting to the focal length of 200mm can just complete the composition of the whole snow mountain. It is difficult to get close to the subject when there are many people. At this time, the telephoto lens is the best capture weapon.

Wide-angle lenses are actually used only once or twice a day. The telephoto segment is used the most.

Sometimes, I use my mobile phone as a wide-angle lens. Thanks to the panoramic shooting function of the mobile phone, the picture angle will be wider than that of the wide-angle lens.

In addition, drones can also undertake the heavy responsibility of shooting from a large angle of view.

Ma Touqin Manual Craftsman (35mm)

35mm fixed focus is also the lens I take with me every time I go out. Many of my pictures of humanities are done with this lens.

Many friends asked what lens to take when traveling. If you only have one camera, a telephoto lens is necessary. If you have more than two cameras, one is a telephoto lens, and the other is a wide angle or fixed focus, you don't have to consider changing lenses most of the time.

If you are going to the plateau, you'd better go into battle lightly. A camera, a telephoto lens and a mobile phone are enough!

Hello, this question is something that bothers many people. Travel a lot, shoot by myself, and try different lens combinations. I have some experience. Let me give you an answer.

A machine, a mirror.

You can only take one lens, so this lens can be a lens like 24- 105, or a lens that travels around the world like 18-200. This will be very convenient and avoid the trouble of changing lenses.

One machine, two or three mirrors.

I personally recommend this combination, because the above combination is a bit difficult to produce, and the third combination I want to talk about is not for everyone, so this combination is the best I think.

Two mirrors: 16-35 or 1 1-24+70-200 or 100-400. This combination can shoot magnificent scenery, also can shoot some close-ups, distant views, or small landscapes and humanities.

Three mirrors: on the basis of the above, add a large aperture lens, such as 50 fixed focus, which can take into account small scenes and portraits.

Three. Two machines, two mirrors or three mirrors

Adding a camera on the basis of seconds can greatly reduce the time for changing lenses and quickly switch to taking your favorite photos.

However, such a combination will increase the weight and is generally not recommended.

The above is my own experience, I hope it will help you ~

Many friends have asked me how to bring equipment when traveling. Today I'm going to tell you something about my experience.

I'll give you three travel equipment schemes for your reference. Please choose according to your needs:

1. Take a photo here: mobile phone;

2. I want to take some more effective commemorative photos: a high-performance card camera;

3. The quality and effect of photos are very demanding: small ternary wide-angle lens+travel lens or small ternary wide-angle lens +50mm fixed focus+small ternary telephoto.

4. There is commercial demand for photo quality and effect: large ternary wide-angle lens +50 fixed focus+small ternary telephoto or full set of large ternary.

Personally, I think that traveling pictures should not only be provided to travel and photography magazines, but also meet the needs of high-end photo libraries. So pixels, image quality and portability are all my considerations.

At present, Nikon D850, 16-35 F4, 70-200F4 and 50MM F 1.4 lenses are used in travel. Small machine Fuji X-T2 with 23MM F 1.4 lens.

D850 has the best picture quality and pixels, and both F4 lenses support high pixels, with good optical quality and moderate volume and weight. 50MM large aperture shooting is humanized and small and fresh. The focal lengths of the three lenses are reasonable and the matching is complete.

As for Fuji's micro-single, it is a sharp weapon that can eat people and scenery, and it is small in size, making street shooting easier and more portable.

I've always advised everyone to travel easily and take photos simply. Light photographic equipment is the development direction. At present, the picture quality and pixels of micro-single can fully meet the needs of most people. For ordinary travel photographers, I suggest a micro camera and a few small lenses are enough. Don't let the heavy camera bag become a burden for your travel photography.

I am traveling abroad. Generally, there is only one 35mm lens.

Don't let equipment become a burden when traveling abroad. If you take less lens, you will concentrate on using the lens in your hand and give full play to its best performance.

To be honest, you can also bring a telephoto lens. A telephoto lens can capture the details of the scene. I think some friends go out to shoot a lot, but they really only use one or two. Traveling light is the best choice for tourism photography.

Some friends will ask, can I bring a zoom lens? Of course, the most practical one is 24-70. This shot is best for traveling. Can cope with all kinds of shooting occasions. Why don't I travel without this lens? Because I don't have this lens, hehe)

Summary: Take 24-70. If physical strength permits, you can bring a telephoto. If not, you can still make a good film with a fixed focus of 35 or 50!

I am a sword dance image, welcome to pay attention, let's exchange photos together! Pure travel take 2470 or micro-single em 10 1240, which is easy to carry. Put the rest in the car.