Traditional Culture Encyclopedia - Photography and portraiture - I don't need feelings, but loneliness is really unbearable. How many mistakes do I have to make?

I don't need feelings, but loneliness is really unbearable. How many mistakes do I have to make?

This is part of my personal favorite domestic movie, and I personally think it is the best youth movie or romance movie so far.

This film is defined as a youth film or a romance film. Are Jiang Wen and Wang Shuo really talking about the "Cultural Revolution" in this film, but their youth and love during the Cultural Revolution? The title of the film Sunny Days speaks for itself-in that special era, there was really no sunny moment, but we need to look at the statue of the great leader, if his thumb is at the beginning of our movie: "... the world is yours, but in the final analysis, you and your young people are at eight or nine o'clock ..." Just like the sun, because of these. There is no teacher's constraint, only beer, Kuomintang, cigarettes, resorting to violence and internal reference films during the Cultural Revolution, just let them enjoy their children's endless freedom, which seems to be the sunniest life. But the echoing colors are black and white, maybe Jiang Wen's movies and color movies. The "Cultural Revolution" should be the most colorful time in Ma Xiaojun's life. Compared with now, her most dissolute life has lost its gorgeous color, even though he drives a Cadillac.

Because it is a youth film, love is of course essential. The scene of picking a lock actually means Ma Xiaojun's curiosity. When love was just budding, of course, he pried open the first lock and locked the condom in the drawer, which led to curiosity and exploration out of control until I met Milan. To be exact, it should be a photo of Milan. In the scene of the classic drama "The Telescope", Ma Xiaojun brilliantly discovered the opposite sex for the first time, and saw the photos of Milan in color, which was actually experienced by people at that time, but it should be remembered that it was not a color photo until the early 1980s, or it was just a luxury, like the mysterious Milan gradually disappearing. Her photos were the first scene when Ma Xiaojun's eyes lost their luster to the original black and white. Obsessed with Milan, Ma Xiaojun also heard about the "deeds" of his hometown Milan, but a good impression made him not care about these rumors, but bitter the ambiguous relationship between Milan and Liu Yi. The man in Milan, the swimming pool, was jealous, and all his good impressions of Milan were broken again and he entered the swimming pool again. Milan kicked and kicked clearly. Ma Xiaojun said that she was contemptuous and disgusted at the moment.

Corresponding to another plot: Milan's debut, in the eyes of Ma Xiaojun, her gait is so light, mysterious and unattainable, but at the end of the film, Milan climbs into the pool to show her body, and the audience will pay attention. From Ma Xiaojun's point of view, Milan's role of climbing into the pool is so embarrassing that the audience will feel the same way just what Marek Jun thinks of her vision lens. His she is so fat, this is the first time I have seen her wear it. The memory gap from thousands of miles away is so great. In the past, Ma Xiaojun was able to get close to Milan, and nothing was more loved by the opposite sex than asking him to pour shampoo or bicycle and take her to the farm. All the mysteries have disappeared. Ma Xiaojun finally got rid of the long-lost feeling of rushing into Milan's house, tore open his heart-rending key chain, and Milan's ankle was tied. In the version shown in domestic cinemas, Ma Xiaojun's desire to vent his youth was deleted by Milan's semi-nude lens, which also witnessed the hazy feeling of love at that time.

The sunshine of the Cultural Revolution was too bright to be true in that particular era. The movie in the warm tune film just seems unreal in the rain, maybe unreal. In this case, Ma Xiaojun's illusory fantasy became a real scene in the rain. Ma Xiaojun inadvertently carefully changed his past and called out the name of Milan loudly. Milan asked him, "What's the matter with you?" In the movie, he did not hesitate to say that the sentence on her face was the only one that haunted him all the time-"I like you!" " "Milan hugged him as he wished, which was the only reassuring hug in the whole movie. However, it is so unreal, because a rainy sunny day looks so unreal. In this storm, Milan is still enduring Liu Yi's flirting with him. His fantasy is actually wishful thinking, a birthday party and a tragic battle scene in Liu Yi, but he also tries to bless Ma Xiaojun's heart! In fact, there has never been a warm rain, never been such a brilliant sunshine, never been such a vigorous youth!

Gu Changwei's photography skills are brought into full play at the end of the film-Ma Xiaojun kicks the swimming pool. He is helpless in the water, but it also symbolizes his isolation. In the lens with a strong sense of airflow, there is a sense of suffocation, but in the lens, it shows a little sinking and alienation. If they express the feeling of thinking, it may be a response to the complacency of Ma Xiaojun's childhood friends driving famous cars after the movie.

Last but not least, Ma Xiaojun walked on the sad roof, rode the orange sunset through the Woods and walked on his beloved Milan path. The background music is the episode of "Country Knight" in Mattuscan opera, which first comes from the classical music of foreign operas and the love of China Cultural Revolution. This kind of coordination department, the earliest first episode "Angry Bull", but I don't think this is suitable for this song. .

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Fortunately, I saw the old man's martial arts masterpiece Hero in Shenzhen and Nanguo Film City for the first time. Fortunately, needless to say, two limited editions of 50(50! ), the ticket price in 50 yuan is high, which shows my excitement. 50 yuan is so worth it.

At the beginning of the film, his heart was already shocked by the vast scene. Unknown was ordered to see the king of Qin. Dark horses raised their hoofs, and dark clouds were gathering. Zhang Ziyi soldiers, with black flags facing the wind, made a long shot, and an unknown appeared. Thousands of people in Qin Gong stood in front of the temple, and the scene was spectacular. To cope with this trend, good music and folk music (especially the feeling of drums) are indispensable. Composer Tan Dun, drums faintly sounded, creating a very chilling atmosphere. That's not enough. The theme song of the film is Itzak Perlman, the world's top violinist. ! After watching Schindler's List, you will never forget his music, just like 1 can't forget that history). This explanation is enough to murder your heart. What a tragic atmosphere, which contains the feeling of an ancient desert in ancient China. How about playing the high-pitched violin and the ancient string alternately? ! !

I have always admired Maggie Cheung, the people who appreciate it, because it appreciates its excellent interpretation of various roles. When it comes to martial arts films, the best performance is "New Longmen Inn", which is pungent and frank, but not exaggerated. Please refer to the protagonist's expectation for the happiness of the film in the last film —— Did Maggie Cheung see the feeling behind the waterfall for the first time in The Snowy broken arrow? Finish the rope? ┟ Yue Liang? -Great! ! ! Seeing her "hero" role, we will make you dumbfounded and laugh it off. There is really no way! At present, it is difficult, difficult and difficult for domestic actresses to surpass her.

What people expect most is not only amazing, but also the most important theme, martial arts movies-action. Jet Li is the most striking. The chess researcher "World War II" in Unknown and Sky took a different road with personality and ambition. The first action scene of this film is the nameless sword between two people, the big chessboard courtyard where the silver spear fights the sky, the black space and the dark clothes, which are very beautiful. The biggest change between Cheng Xiaodong Wushu and the legendary swordsman, Dongfanghong and Xinlongmen Inn is that it is more atmospheric, beautiful and romantic. Quaint type, ancient painting style, action design with strong aesthetic feeling and rhythm. Jet Li is also known as the "hero" kung fu peak, which is lightning current! ! ! "I really like the flow of colors!" A visual feast of harmony —— The famous photographer Du Kefeng and the famous composer Tan Dun said.

Interestingly, Qin Shihuang, played by Chen, is by far the best body double. He became a very objective child. When Canjian gave up the opportunity to assassinate him, he suddenly said sympathetically, "But most people know my people, and I want to be a fugitive most, not a civilian and soldier with a lower rank." -than he played Kangxi.

Someone questioned Tony Leung Chiu Wai's acting skills, and I was anxious with him. I believe that if the eclipsed "hero" disappeared, the hero in his spiritual world with superb martial arts and peerless sword did not intentionally kill the king of Qin. Xue was very angry and blamed the remnant sword for discouraging the unknown sword opposite. In order to prove their brotherhood, broken arrow felt distressed when he blew it.

He expressed deep affection and complex unforgettable feelings except grief.

Lao Mouzi's movies look magnificent and beautiful, and he can't forget the sensational feeling-the nameless Lingyan with a broken arrow passes through the clouds, splashing like water drops on a big stream, and the feelings and poetry of two Xiangxi. Falling on a snow-white face, tears ache faintly outside music and painting-your eyes are wet. ...

& ltBR/ Laomouzi became famous for his rural theme and reached the peak. This is a change in his debut. What he presents you is a brand-new operation mode: rhythm, whether it is a hearty fighting action or an artistic aesthetic picture. The old man is an old man. He is the master, the master and his eyes. His creation is not limited to the simple "chivalrous" theme, but has risen to the height of our country and nation, which is not rigid or inclusive. Through the development of the story, he was deeply shocked by this gradual and subtle communication. Crouching Tiger, Hidden Dragon Crouching Tiger, Hidden Dragon is a great success in Hollywood, but there seems to be no other action. Are there many things that people can really remember? Chen Kaige's martial arts master The Story of Lu Bu and Diusim has become a "freak", and the old schemer's "hero" will succeed for many reasons. It is said that in foreign countries, some foreign filmmakers were moved by it. Hero is a complete martial arts masterpiece with inherent historical elements. Lao Mouzi said, what's the reason why it's not successful to let China's films go global and let the world know the unprecedented charm and outstanding commercial value of China's film "Hero"?

It is "hero" and "moved", which is unmatched by individuals. The old story of Touch makes people feel that computer graphics is particularly licensed. What should I say? "The costumes and props of heroes are comparable. Oh, that's incomparable.

It is also the same as "hero" and "closed", which I personally think is inappropriate. "Hero" is entertainment, but it also contains culture. "So Closed" simply imitates Hollywood's successful model and beats the Asian version of Charlie Hebdo, that's all.

There are many reasons and feelings, because the pen is clumsy and it is difficult to elaborate. I want everyone to know that Hero can't be watched. Hero has conquered you and me at the same time, and it has reason to complete its full mission-conquering Hollywood! ! ! ! ! !

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After watching In the Mood for Love, I have been thinking, my other half came together, they love each other, why can't they be together, and finally, why is it so difficult for them to be together? Later, I went online and explained in words "In the Mood for Love-the irresistible beauty of the East". In the first culture, they are still loyal to his moral bottom line. Despite their other half of the railway, they insisted: "We don't like them." They are afraid of other people's eyes, and there is nothing wrong with it, because they dare not go out despite gossiping and others being trapped in the room. In fact, why should you care about other people's opinions? Another reason for this change is undoubtedly their weakness. The simple truth is that the lady still didn't beat her husband hard. Zhou Muyun decided to call her and teach her a lesson. They came together and went to the scene with their thoughts derailed to explore how they came together. The plot of the movie that Miss Mu Yun rehearsed for several weeks is ingenious and creative, but they are cowards who dare not face the reality. They are afraid of others and even more afraid of their own emotions. The two sides of reality finally collide with the spark of love, but what about the limitations of the most basic moral concepts? Society, afraid of this feeling, Zhou Mu Yun chose to flee. The preview of the breakup results showed that when they learned that they loved each other deeply, Ms. Su burst into tears. He wants to take her away. Even so, he asked such a subtle, Wong Kar-wai-style dialogue-if I had one more vote, would you come with me? Feelings, right or wrong, are often the most hurtful. This movie reminds me of those burning years and my younger brother. He is loved by his wife, but he still doesn't understand that he suppresses his feelings, is free and unrestrained, challenges the society and doesn't care about other people's opinions. He seems to have a strong sense of guilt about his younger brother. Images of extramarital affairs, subtle depression; Legendary performances and unrestrained enthusiasm do not help to embrace and kiss Tan Huangjia-Wei's movies enthusiastically. I have to mention that even in the small details of life, he can shoot such a beautiful artistic conception, such as incense bought in a lunch box, but it also makes people see the camera saying that the characters below are coming slowly and moving very slowly. To shoot a dark alley and walk with a charming woman, such a plot, but look at it from MS action. This shot, the background music of the movie, touches our heartstrings rhythmically. When we look at it, it brings us closer to their lives, their inner world and their emotional struggles. It can be said that music, beautiful pictures and background music make the film not boring, and the success of background music is beyond doubt. Every now and then is a movie, and every note touches my heart and is full of power. There is no doubt that chemical action gently produced our story. Music gives people a story rhythm, while nostalgic and aesthetic images give people a visual feast, which we can't keep up with. Listening to this story and watching them look sad and helpless, I was thinking that even if you don't watch movies or listen to music, I can enjoy a minute and a half. Even if I only see a few beautiful pictures in the movie, I can be satisfied. He watched so many slow-motion movies for a long time, sometimes in the scene of the protagonist's face, the back of his hand stayed for so long and the rhythm was so slow, but the content of the movie was only one and a half minutes long. I can't help telling stories step by step, but I admire Wong Kar-wai's good movies for doing so. Even in details, when I heard that Ms. Zhou Mu Yun was ill, a few simple clips matched her quick pace and nervous look. In fact, she was always worried that he would not say anything to prove such a quick clip, which slowly stood out from the street lights and rainy nights in focus plane-ambiguous preparation. More than once, the film featured dim lights in the alley, and even for a few seconds, the camera stopped there, and sometimes it rained lightly. A man and a woman were trapped on the roof of a rainy night and did not change. The street lamp was emitting dim light, and no one could escape. Standing there, the ambiguous atmosphere is surging slowly, and they want to escape from each other's emotions. In this space, they not only have to face the extramarital love disease mentioned in the article. I'm thinking, there is no loyalty in this world. Perhaps it is impossible for human emotions to be loyal, but responsible emotions will feel subtle changes when they see another opposite sex in contact with a man's other half, but a sense of responsibility will make him stop looking at her and miss it, and will not deepen your feelings. Maybe it's not loyalty, only depth. Humanization. "Do you know people are old? If I have a secret, I don't want people to know it. They will go to the mountain to find a tree, dig a hole, talk about it and seal it in the mud. The secret will stay on the tree forever. No one knows. " Later, Zhou Mu Yun went to a distant foreign land and told his secret in front of a silent ancient building and a hole pillar, and the music began to pick up. I can't help but indulge in romantic movies. All he can do is say that they are in this mood. What kind of feeling is it now? Only Kong knows, maybe what the director wants to say is, "I have special memories, who doesn't want to share them, but I want to tell them". The story has already begun. We are all in the mood for love. Once we look back at the pattern of love, memory is a melancholy face, as gentle as a breeze, leaving no trace.

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This is a simple story, so simple that I can guess it. What kind of world was this in the United States in the 1960s? Heroes who have just graduated from college are full of confusion about the future. Congratulation to family and friends is only a past tense, so it does not bring satisfaction, but more emptiness and confusion.

The party who lured Mrs Robinson into the WTO was not a deep-seated hero class and could not bring satisfaction, but more guilt and confusion were not eliminated, accompanied by frequent contact and deepening between them.

God is merciful (maybe a little objective idealism), and people finally understand what they want. Just blindly pursuing sexual satisfaction will only bring more emptiness. He is true love, not abnormal sex. This is an American story that happened in the 1960s. Well, if it can happen in China, I think we can call it a miracle.

Think about it. People with such a high level of consciousness 40 years ago, look at us after 90, and feel good about themselves. There are too many things they don't know, and they lack. They live in a huge material, but the material has been satisfied, and the spiritual life of spiritual emptiness is extremely scarce. I think this leads to the ignorance of the post-90 s.

Following the blog post, I feel that my sense of responsibility is more than my sense of self-kindness and irresponsible accomplishment, which is a wrong value.

Minority is not easy to write, please be conscious and should not be retained.