Traditional Culture Encyclopedia - Photography and portraiture - Brief introduction and details of love beyond time and space
Brief introduction and details of love beyond time and space
Guan Gong's murder took place in Guan Gong Temple, and Liu Yi Road was responsible for the investigation. He traveled through time and space to the Three Kingdoms and became Zhuge Liang. There he met the girl again. That's it. For a bosom friend. Liu Yi Road risked his life several times. After all kinds of adventures, he wandered between the Three Kingdoms period and today. After experiencing many difficulties and obstacles and life and death tests, he also staged a homosexual love.
Finally, he returned to modern times and decided to quit his job as a detective and become an indifferent ordinary citizen. Finally, in order to help the dead actress whose life was ruined by a wealthy businessman, she was unfortunately hit by a dying rich man. On his deathbed, he saw Su Qun reach out to him and said with a smile, "We can finally be together ..."
Liu Yi Road Tony Leung Chiu Wai Profile: Crossing the Three Kingdoms is Zhuge Liang.
Voice: Qing Ye.
Introduction to Theresa L Solomonson Gi Gi: Crossing the Three Kingdoms is Zhang Fei.
Voice: Su Baili.
Introduction to Eun-sook Cho, Su Qun: Crossing the Three Kingdoms is Monroe.
Introduction to Lin Shangyi: It was Hu Jinding, the wife of Guan Yu, who crossed the Three Kingdoms.
Introduction to Liu Yida, Fei Da: Liu Bei crossed the Three Kingdoms.
Martin & #183; Introduction to Liang Chaoman: When Wu's deserters crossed the Three Kingdoms.
Brief introduction of Zheng Sisi's sister Li Feng: It was Zhao Yun who crossed the Three Kingdoms.
Introduction of Xu Jing, Ye Jingsheng, Guan Yu and Wang Weiguo: Crossing to Modern Chen Qiang.
Sun Quanli's staff table producer Liao Tengfang, director's deputy director (assistant) Chen Weiqiang, Shi Ailing's screenwriter photography, Ye Boying's score and editing props Zhou Min, Sun's art designer Liu Xiongmin's lighting, and Wang Yongzhi's live commentary on the film review. Although this film is still extremely exaggerated compared with previous Hong Kong films, it is not as cool as it was in the middle and early 1990s, and the rude abuse has been restrained a lot. In this film, Tony Leung Chiu Wai plays a plainclothes policeman. He has never given true love to anyone, and it seems that it doesn't matter. To put it bluntly, he is afraid of disappointment. Unexpectedly, he fell in love with a dead man for the first time, and he met the ghost of a suicide girl during his OBE in Shen Yuan. It is for this bosom friend that he risked his life several times, and even returned to the ancient Three Kingdoms through time and space, bringing out a same-sex love. One of the most symbolic scenes is the scene of suicide jumping off a cliff, which shows that once life and death are connected, the gate of hell can be an open-minded idea on Xiangyang Avenue. If we want to talk about "post-1997" Hong Kong movies, this movie should be the one with the deepest feelings. No hysterical emotional exaggeration, no self-pity. Instead, it pretends to laugh at Hong Kong at the right time, and at the same time, it is full of sympathy for the poor who are struggling to survive in the cracks.
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