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Climb Mount Tianmu in my dream.

Year: Tang Author: Li Bai

A sailing tourist will talk about Japan, which is hidden in water and fog and inaccessible.

But the more people talk about the mother mountain, the clouds are light or visible.

On a straight line leading to heaven, its peak enters heaven, topped with five sacred peaks, and casts a shadow across China.

The Paradise Terrace Mountains are 100 miles long, and it is here that they begin to extend to the southeast.

My heart and my dream are in Wu Heyue, flying over Jinghu Moon overnight.

The moon lit up my shadow and I came to Yanhe.

Xie 'an is still there, with a loud voice and rippling blue waves.

I wore Xie's earliest spiked shoes and climbed the Qingyun ladder.

Halfway through the sunny ocean, the sacred rooster crows in space.

Thousands of turns, flowers lure me, stones slow me down. The day suddenly ended.

Bears, dragons and storms on mountains and rivers disturb forests and shake mountains.

Clouds are darkened by rain, and streams are pale by fog.

God of thunder and lightning, the mountains are crumbling. Cave stone gate, drain in tiankeng.

An impenetrable shadow, but now the sun and the moon light up the gold and silver terrace.

Wearing rainbow clothes and riding the wind, all the queens of the clouds came and came down one by one.

With the tiger as the harp and the phoenix as the dancer, the images of fairies are arranged in rows.

I moved, my soul flew and suddenly began to grow.

My pillow and mat are the lost clouds in which I once lived.

This is the consistent way of human happiness, and all kinds of things will always flow to the east like water.

When will you return it when you leave, but let me raise a white deer on my green slope.

When I need you, ride to you, great mountain. Oh, how can I bow and scrape to those high-ranking people?

A person who will never be seen with a sincere face.

works appreciation

Precautions:

Yingzhou: One of the legendary Three Fairy Mountains on the sea, the other two are Penglai and the abbot. Tianmu: The mountain name is in the east of Xinchang County, Zhejiang Province. Chicheng: The mountain name is located in the north of Tiantai County, Zhejiang Province and the south of Tiantai Mountain. Jinghu Lake: Also known as Jianhu Lake, is located in the south of Shaoxing City, Zhejiang Province. Tongxi: The name of water is in the south of Sheng County, Zhejiang Province. Xie: Southern Dynasty poets Xie Gong and Xie Lingyun. According to the "Biography of Southern History Xie Lingyun", he "seeks mountains and must build dozens of heavy stones in the secluded mountains, so he is prepared to climb to the top. Always wear clogs, pull out your front teeth when you go up the mountain, and pull out your back teeth when you go down the mountain. " Jinyintai: refers to the residence of immortals. White deer: the legendary beast.

Brief analysis:

Li Bai wrote this poem in the second year after he was excluded from Chang 'an, that is, in the fourth year of Tianbao (745), when he was preparing to go south from Donglu (now southern Shandong Province) to express his feelings for his friends. The whole poem is not only about dreams, but also about reality. Clever in conception and rich in imagination, it wonderfully interweaves myths and legends with reality. This is the poet's yearning for the immortal world after repeated setbacks, and he feels that only dreams are more worthy of nostalgia; However, dreams always wake up, and once they come into contact with reality, they can only shout "Oh, how can I solemnly bow and scrape to those who are officials and people in high positions". The whole poem is full of enthusiasm, full of feelings, completely free from the constraints of form, and only a great poet like Li Bai has such a magnificent momentum. The title of this poem is also "Don't be Dongdong".

This is a dream poem as well as a fairy poem. The magnificent artistic conception, unpredictable, colorful artistic images and novel expression techniques have always been told by people and are regarded as one of Li Bai's masterpieces.

The title of this poem is "Biedonglu Zhu Gong", which was written after the Imperial Academy. In the third year of Tianbao, Li Bai was given gold by Emperor Xuanzong of the Tang Dynasty, which was a major political failure of Li Bai. After leaving Chang 'an, he made friends with Du Fu, Gao, Liang, Song, Qi, Lu and Dong Lu. At this time, Donglu's home is quite big, so you can enjoy killing time at home. But Li Bai didn't do it. He has an unstable soul, and he has a higher and further pursuit, so he left his home at the east foot and embarked on a wandering journey again. This poem was written when he bid farewell to Duke Lu Dong. Although it has been many years since I left the Imperial Academy, my anger and resentment against political setbacks are still smouldering, so at the end of the poem, I made such a radical voice.

Li Bai walked between mountains and rivers all his life, loved mountains and rivers and realized his dreams. The sleepwalking described in this poem may not be completely illusory, but whether it is illusory or not, sleepwalking is more suitable for being divorced from reality and more convenient for exerting his imagination and exaggerated talent.

"A sailing tourist will talk about Japan, and water and fog are hidden outside the method; However, the more people talk about Tianmu Mountain, the deeper the clouds are. " At the beginning of the poem, Yingzhou, an overseas wonderland in ancient legend, is illusory and cannot be found; In reality, Tianmu Mountain is hidden in clouds and neon lights, which is really better than fairyland. Virtual reality highlights the scenery of Tianmu Mountain and implies the poet's yearning for Tianmu Mountain. The writing style is full of magic and fascinating.

Tianmu Mountain is near Tunxi. According to legend, climbers have heard the song of the immortal Tianmu Mountain, hence the name. Tianmu Mountain is opposite to Tiantai Mountain, with steep peaks. Looking up at it is like looking up at the sky and falling into a fairyland, which is easy to arouse tourists' reverie. The landscape of eastern Zhejiang is the place that Li Bai yearned for when he was young. When he first came out of Sichuan, he said, "This trip is not a bass, but a famous mountain." Before entering Hanlin, he traveled more than once. He not only likes the scenery here very much, but also is very familiar with it.

Tianmu Mountain, known as the miracle, is a beautiful land in eastern Vietnam. But compared with other mountains, such as Wuyue, the five famous mountains in China, its position in people's minds is still dwarfed. However, in his poems, Li Bai boasted that "he climbed to the top of the five mountains and penetrated China", which was even more tall and straight than the five mountains. The famous Tiantai Mountain leans as if it fell at the foot of Tianmu Mountain. This Tianmu Mountain is about standing out from the crowd and soaring into the sky, which is unusual. This dream of Tianmu Mountain should be said to be the illusion of strange mountains and strange mountains that Li Bai experienced all his life. It is the exaggerated shadow of Tianmu Mountain in the reality described by Li Bai.

Then it shows a magnificent and changeable wonder: Tianmu Mountain is hidden in clouds and neon, which arouses the poet's desire for exploration. The poet entered a dream, as if he had flown over a mirror-like lake under the bright light of a moonlit night. Mingyue reflected his shadow on Jinghu Lake and sent him down to the place where Xie Lingyun once stayed. He put on Xie Lingyun's special clogs and climbed the stone road that Xie Gong had climbed in those years-the Qingqu ladder. "Halfway through the sunny ocean, the sacred rooster crows in space. Thousands of turns, flowers lure me, stones slow me down. The day suddenly ended. Bears, dragons and storms on mountains and rivers disturb forests and shake mountains. Clouds are dark because of rain, and streams are light because of fog. " Following the flight, I wrote down what I saw in the mountains, the stone path circled, the light in the deep mountains was dim, I saw the sea and the rising sun, and I saw the cock crow. This is a dawn; But in the charming mountain flowers, leaning against the stone for a moment, I suddenly feel that dusk is coming and how sudden the change is. In the twilight, bears roared and sang, shook in the valleys, the deep forest trembled, and the roof started up. Not only the living bears and dragons express their feelings with songs and roars, but also the roofs and deep forests will tremble and call the police. Smoke, water and Qingyun are full of gloom, and they are integrated with the poet's feelings to form a unified atmosphere. The front is a romantic description of Tianmu Mountain, which is both high and strange; Here is a romantic lyric, both deep and far. This strange realm is shocking enough, but the poet did not stop there, but the realm of poetry changed from strange to absurd, and the whole poem entered a climax. In the deep and frightening twilight, in an instant, "the hills collapsed", a fairy world "vented in the sinkhole" and "an impenetrable shadow, but now the sun and the moon reflect a gold and silver platform. Wearing rainbow clothes and riding the wind, the queen of all clouds came and fell one after another. " The cave is blessed with land, appearing here. "Cloud King" is wearing a rainbow, driving a long wind as a horse, a tiger as a drum, and a phoenix as a car. It's all a grand gathering of poets ordering people to go to Xianshan. What a grand and warm scene this is. "Row after row, like hemp, lined with fairy figures"! The immortals seem to line up to welcome the poet. The golden platform, the silver platform and the sun and the moon complement each other. The scenery is magnificent and colorful. How shocking and dazzling! The grand occasion of fairy mountain is a reflection of human life. In addition to the impression of Qianshan, the ancient legend, the inspiration and influence of Qu Yuan's poems, and the traces of three years' court life in Chang 'an, these are all condensed together through the extraordinary imagination of romanticism, which leads to such a wonderful description.

It is worth noting that this poem written in fairyland is different from ordinary fairy poems. It has deep feelings and fierce protests. It does not really rely on illusion, but still focuses on reality in the illusory description of the celestial world. I am wandering in the fairyland in the sky, but I feel that "this is the consistent way of human happiness".

Wonderland suddenly disappeared, the dream was shattered, and the poet finally returned to reality in shock. After the dream is shattered, people don't fly lightly in the dream as they please, but lie heavily on the pillow. "Thousands of waters flow eastward in Qian Shan" contains the poet's helplessness and deep feelings about life. At this moment, the poet is most gratified by "but let me raise a white deer on my green slope and ride to you when I need you, Dashan". The pleasure of traveling in the mountains and water is the fastest meaning, that is, in the Preface to the Spring Banquet in the Peach Blossom Garden, it is said: "The ancients walked by candlelight at night, good." Originally, poetry seems to have been exhausted, but in the end, I added two sentences angrily: "Oh, how can I seriously bow and scrape to those high-ranking officials who will never be shown an honest face!" I spit out the depression of Chang 'an for three years. The pen falling from the sky lit up the theme of the whole poem: yearning for famous mountains and fairyland, from the struggle against powerful people, and singing the voices of many talented people in feudal society. In the hierarchical feudal society, how many people bow to the powerful and how many people are buried in obscurity! Compared with other dynasties, the Tang Dynasty was more open-minded and attached more importance to talents, but only in comparison. At that time, talents still could not get rid of the humiliating position of "the footman was in the gas chamber". The word "bend over" came from Tao Yuanming in the Eastern Jin Dynasty. Because he didn't want to be humiliated, he gave it the meaning of "going home". Although Li Bai was loved by the emperor, he was only a ci minister. We can get some news about his humiliation in court from these two poems. The feudal monarch claimed to be the "son of heaven" and ruled the world, raising himself to the supreme position, but denied the dignity of all people. Li Bai's resolute attitude here is a glance of contempt for feudal rulers. In feudal society, not many people dare to think and say so. Li Bai said and did, and this is his extraordinary greatness.

The content of this poem is rich and tortuous, fantastic and changeable, and the images are colorful, which constitutes the romantic artistic conception of the whole poem. Its subjective intention was originally to publicize the negative thought that "thousands of waters flow eastward in Qian Shan", but its style is high-spirited and vigorous, with an indomitable spirit running through it, without any feeling of depression.

[Note] ① Jingmen in autumn. (2) According to the Biography of Southern History Xie Lingyun: "If you look for the ridge, you will build a quiet and steep place with dozens of stones, so you must be prepared for climbing. Always wear clogs, stop the mountain to pull out its front teeth, and pull out its back teeth down the mountain. "

Tianmu Mountain in Xinchang County, Shengxian County, Zhejiang Province, was named after the legend that climbers had heard the singing of the immortal Tianmu Mountain. Climbing Mount Tianmu in a dream, or sleepwalking in Mount Tianmu, is also called Zhu Gong on Biedong Road. In the autumn of the first year of Tianbao (742), Li Bai was summoned by Emperor Xuanzong of the Tang Dynasty to Chang 'an, the capital of Beijing, to summon the Hanlin. In fact, he has nothing to do but write poems and "travel with many companions", so he can't display his political ambitions. Li Bai is getting more and more tired of this boring life of imperial literati, and at the same time, because poets despise powerful people, they are constantly being squeezed out and vilified. Facing the corrupt court, Li Bai clearly realized that he not only had no hope of serving the country, but also disaster was coming. The poet knew that it was difficult for the imperial court to get close to him. Three years ago, Tianbao wrote to invite him back to China in March. Xuanzong returned the gold with his "Fei Lang Temple". After leaving Chang 'an, Li Bai returned to the east foot of his second hometown, feeling sad and angry. The following year (745), he decided to go south. When he left, he wrote a poem "Climbing Mount Tianmu in a Dream" for his friends at the east foot. This is a poem about dreams and a romantic poem about immortals. Li Bai was an outstanding romantic poet in ancient China. This poem depicts the charming realm of roaming Tianmu Mountain in a dream in a romantic style. The scene is magnificent, fantastic and unpredictable, full of passionate passion and imaginative spirit, showing the poet's rich imagination, expressing his cynical rebellious spirit, dissatisfaction with the dark reality and contempt for feudal dignitaries, and expressing his strong desire for freedom and pursuit of personality liberation. ?

The whole poem is divided into three levels. ?

The first level, from "a sailing tourist will talk about Japan" to "at this moment, he began to turn to the southeast", describing the extraordinary momentum and yearning heart of the legendary Tianmu Mountain. This is the reason for sleepwalking. Overseas tourists talk about the wonders of Yingzhou Fairy Mountain, which is fascinating, but difficult to pursue. However, it is possible to see the dark clouds and obscurity of Tianmu Mountain that Zhejiang people said at that time. Tianmu Mountain towering into the sky, across the sky, the momentum is simply beyond the Five Mountains and Gaiding Chicheng. Tiantai Mountain, adjacent to Tianmu Mountain, is as high as 48,000 feet above sea level, but compared with the majestic Tianmu Mountain, it is also small and humble, as if it were going to fall at the southeast foot of Tianmu Mountain. "A seafaring tourist will talk about Japan, and the water and fog are hidden in inaccessible ways" is a contrast technique used by the poet-Yingzhou is "it's hard to find a letter", but Tianmu Mountain is so spectacular and real, and it has a considerable charm in "Yun Ni is dying", so roaming Tianmu Mountain has become the poet's dream. In fact, although Tianmu Mountain is a beautiful place in the East, its height and majesty are far less than those of Wuyue Mountain, and it is difficult to compare with Tiantai Mountain. However, in Li Bai's works, it covers the mountain peaks, which is the poet's emotional factors at work. The poet's real intention is not to reproduce a real Tianmu Mountain, but to express the gap between the beauty of dreams and reality with his imagination. ?

The second level, from "My heart and dreams are in Wu and Yue" to "Row upon row, like hemp fields, listing immortal figures", is the whole process of sleepwalking in Tianmu, which is the main content of the whole poem. It can be divided into three layers. The first layer (eight sentences of "My Heart and My Dream are in Me and Yue") writes the route of sleepwalking. After crossing Jinghu Lake, I arrived at Tunxi River, followed Xie Lingyun's footsteps in climbing, climbed the "green ladder", photographed the moonlight on the lake, and "rippled water waves" showed the beauty of nature. The second level (the sentence of "half way to the sunshine ocean") describes what you saw and heard in the mountains. First, write about the height and strangeness of Tianmu Mountain: halfway up the mountain, you can see a rising sun breaking out of the sea, and the pheasant crows beautifully in your ears. Then I wrote that the mountain is deep and the road is far away: the mountain road is rugged and steep, and the gorgeous mountain flowers are fascinating, and I don't know it's getting late by leaning on the stone. In the twilight, the roar of bears and the chirping of dragons rumble in the valley of rock springs like thunder, which makes the dense forest tremble and the peaks tremble. The third floor (twelve sentences "Clouds are dark with rain") enters the realm of wandering immortals. "Clouds are darkened by rain, and streams are lightened by fog. God of thunder and lightning, the hills collapse. " It is the atmosphere when the poet dreams of a fairyland: clouds and mist, hookah, lightning and thunder, and the mountains are about to be destroyed. "Cave in the sky, draining the sinkhole" is the Taoist name for the immortal's residence, which means that the stone gate of the immortal's residence cracked with a bang. "It's an impenetrable shadow, but now the sun and the moon shine a gold and silver platform. Wearing rainbow clothes and riding the wind, the queen of all clouds came and fell one after another. " It means: the blue sky is boundless, the sun and the moon shine on the balcony embedded with gold and silver where the fairy lives, and the cloud god rides from the sky in neon clothes. At this time, "the tiger is the piano, the phoenix is the dance, and there are rows of immortals, such as the field of hemp." The tiger is the cloud god and the phoenix is the cloud god, and many immortals line up to welcome the arrival of the poet. Wonderland attaches so much importance to the poet, which is in stark contrast to the poet being relegated and sent away! The more the heaven values talents, the more it thinks of talents, the more it shows that powerful people in reality are jealous and reject dissidents, which lays the foundation for the expression of anger at the end of the poem. ?

The third level, from "I moved, my soul flew" to the end, write the feeling after waking up. The dream of wandering immortals was suddenly disillusioned at the climax, similar to the experience of Li Bai being called and sent! The king met the scholar, and the honor and disgrace of people seemed fleeting. Therefore, from the disillusionment of his dream, Li Bai aroused the feeling that "life is like a dream with thousands of waters flowing eastward in Qian Shan", which condensed the poet's deep helplessness. Writing here, the poet did not stop there, and then set off a more thrilling emotional wave. "But let me, on my green slope, raise a white deer" indicates that he wants to give up his dark career and return to nature. Looking at the mountains and water, looking for spiritual comfort. His escape from reality and his obsession with mountains and rivers just show his inner anguish that he can't find a way out in reality. The heroic famous sentence "Ah, how can I bow and scrape to those high-ranking officials whose sincere faces will never be seen?" It is the total eruption of resentful magma in his chest after he was depressed to the extreme. It shows Li Bai's rebellious spirit against erin brockovich, a feudal dignitary, and also reflects his contempt and rejection of the filth, vulgarity and ugliness of the upper class at that time. Dream on Mount Tianmu is one of Li Bai's representative works. Its main artistic features are the combination of beautiful and bizarre myths and legends, strong exaggeration and high imagination, creating a fantastic and magnificent artistic environment. ?

At the beginning of the poem, Yingzhou Fairy Mountain was used as a wedge and foil, which made people feel close and yearning for Tianmu. Then, the poet described the extraordinary majesty of Tianmu in extremely exaggerated language: "On a straight line leading to heaven, its peak enters heaven, with five sacred peaks on top, casting a shadow across China. The Paradise Terrace Mountains are 100 miles long, and it is here that it begins to turn to the southeast. " Through such exaggerated writing, Tianmu Mountain became a surreal and unique artistic image, which rendered the atmosphere for later sleepwalking. Sleepwalking in the second paragraph is composed of legends and fairy tales and the poet's amazing imagination. In particular, the combination of myths and legends such as "Cockcrow", "Bear Gun Long Yin", "Cave Stone Leaf", "Jinyintai", "Cloud King", "Tiger Drum" and "Bailuyuan" with amazing imagination is absolutely wonderful. The combination of exaggeration, imagination and myths and legends makes the poet's self-image in the poem more charming, arrogant and bold, and enhances the romanticism of the whole poem. This poem is uneven in level, cadence and rhythm. The whole poetic style ranges from four words, five words, six words, seven words to nine words, with style, coquettish, parallel prose, prose and prose, which are freely used, varied and eclectic. The rhyme of this poem is also very particular. The twelve rhymes used in the whole poem are smooth and scattered, which shows the ups and downs of the poet's feelings and is more likely to resonate with readers. ?

This poem, written in fairyland, is different from ordinary fairy poems. Full of deep feelings and fierce protests. It does not really rely on illusion, but still focuses on reality in the illusory description of the celestial world. I am wandering in the fairyland in the sky, but I feel that "this is the consistent way of human happiness". Wonderland suddenly disappeared, the dream was shattered, and the poet finally returned to reality in shock. After the dream is shattered, people don't fly lightly in the dream as they please, but lie heavily on the pillow. "Thousands of waters flow eastward in Qian Shan" contains the poet's helplessness and deep feelings about life. At this moment, the poet is most gratified by "but let me raise a white deer on my green slope and ride to you when I need you, Dashan". The pleasure of traveling in the mountains and water is the fastest meaning, that is, in the Preface to the Spring Banquet in the Peach Blossom Garden, it is said: "The ancients walked by candlelight at night, good." Originally, poetry seems to have been exhausted, but in the end, I added two sentences angrily: "Oh, how can I seriously bow and scrape to those high-ranking officials who will never be shown an honest face!" I spit out the depression of Chang 'an for three years. The pen falling from the sky lit up the theme of the whole poem: yearning for famous mountains and fairyland, from the struggle against powerful people, and singing the voices of many talented people in feudal society. In the hierarchical feudal society, how many people bow to the powerful and how many people are buried in obscurity! Compared with other dynasties, the Tang Dynasty was more open-minded and attached more importance to talents, but only in comparison. At that time, talents still could not get rid of the humiliating position of "the footman was in the gas chamber". The word "bend over" came from Tao Yuanming in the Eastern Jin Dynasty. Because he didn't want to be humiliated, he gave it the meaning of "going home". Although Li Bai was loved by the emperor, he was only a ci minister. We can get some news about his humiliation in court from these two poems. The feudal monarch claimed to be the "son of heaven" and ruled the world, raising himself to the supreme position, but denied the dignity of all people. Li Bai's resolute attitude here is a glance of contempt for feudal rulers. In feudal society, not many people dare to think and say so. Li Bai said and did, and this is his extraordinary greatness. ?