Traditional Culture Encyclopedia - Photography and portraiture - What kind of person is Tetsuya Nakashima, the director of the Japanese film Confessions, and what ideas does his script express?

What kind of person is Tetsuya Nakashima, the director of the Japanese film Confessions, and what ideas does his script express?

Tetsuya Nakashima is not a prolific director. It takes an average of two years to release a new film. Tetsuya Nakashima is good at creating the atmosphere of fairy tale world in movies. Even a tragic story like The Life of Unwanted Pine Nuts can be made as easily as a comedy. It seems that Nakajima's films always give people a distinct style orientation from the beginning.

The film Confessions expresses human nature and is very profound. Specifically, you can see the article written by Cao Huaining's psychological counselor. In short, I have just learned a lot from the article and my thinking is clearer.

In addition, I admire this movie very much. It easily reminds me that I don't like the life of pine nuts.

I have to say that these two films are very similar in expression.

For example, cheerful and almost illusory music is interspersed as the main soundtrack of the film. On the contrary, it makes me feel the emptiness in human nature and the heavy and depressing tone of the whole movie. The selfish, indifferent, ignorant and even dark side of the students in the class is vividly displayed through these clips.

Use very beautiful shots to show cruel and even violent scenes. In slow motion, you can clearly see the details such as the death and blood spatter of the characters and the disintegration of the objects. These scenes remind people of the essence of this gloomy work, and at the same time show a collapsed aesthetic, which is very touching. The director's exquisite composition and unique aesthetic taste bring a peculiar visual enjoyment.

I also have a good grasp of color tones. As the main color, cool color has always existed, leading the atmosphere of the whole movie. The warm color fragments interspersed in the middle are so ironic compared with reality.