Traditional Culture Encyclopedia - Photography and portraiture - Ask for a movie name ~ ~
Ask for a movie name ~ ~
France TF1FLMS &; Produced by TPS Cinema 2002
cast
Cordelia Tatu Angelique
Semili Bihan Loic
Isabelle Carre Rachel
Clement Siboni David
Sophie Gillette Heloise
Eric Savin Julian
Michel Gare Claire Belmont
Alodi Navarra Anita
Catherine Sé E le Jenny
Mathilde blache Leah
Charles chevalier Arthur
Michael Murot Jean Louis
Jannicke Arnet Jean Timbo
Natalie krebs Sonia Jasmine
List of labor force
Director Letitia Colombani
The original script "Letitia Colombani"
Screenwriter Caroline Thivel
Casting director Pierre-Jacques Beniciu
Photography Director Pierre Aime
Photographer BERTO LECLUYSE
Jean-Claude RalfLose
Radio artist Marc Antoine Beldente
JEAN-MARC KERDELHUE, production designer
Jacqueline bouchard, Fashion Director
Makeup Instructor (cordelia Tatu)
Annike Legut, makeup artist
Hairstyle Instructor (cordelia Tatu) John Nolette
Hairstylist Jean-Pierre Caminade
Split VERONIQUE PARNET
Mixed Cyril Holtz
Original music Jerome Cullert
Producer Dominic Bruner
Making TELEMA
Jointly produced tf 1 film production and TPS cinema.
Producer Charles Gassot
International Sales TF 1 International
Angela is a student at the University Academy of Fine Arts. She thinks of her lover, cardiologist Loire. She happily drove to the flower shop and bought a bunch of flowers for her lover. Ah, she loves him so much. Her love is real and unforgettable. In every sketch of her body, Loire's face hangs on a different body. But unfortunately, Loire is married. His wife is not Angela! ! She was jealous. Fortunately, she found that Loire and his wife had quarreled, and she was very happy. But during this time, Loire's life was full of misfortunes-separation from his wife, miscarriage of his wife, beating patients, access to doctors' qualifications ... all kinds of misfortunes seemed to come to him at once, but were these misfortunes just accidental? It happened that all this was caused by this woman who loved him deeply! !
The ingenious structure of the film makes the story unexpected, but it is reasonable. It can be said that it is a game of film editing structure.
This film can be divided into three parts, which we can say are viewed from different angles. The first part looks at the whole event from Angela's point of view. The second part looks at the whole time from Loire's point of view, and at the end of this part, it also reveals some reasons for the matter; The third part is to put two people together, which is the perspective of the general movie story, that is, the third-person perspective to see the last event (the perspective here refers to the psychological state of the parties and the perspective refers to the audience's perspective), and there are flashbacks in time and space.
These three parts are:
The first part is the romantic stage. At this stage, we always look at the story from Angela's point of view, from her buying flowers for her lover, chatting with her lover at the dance, sitting quietly on the grass during morning exercise, watching her lover jogging on the park path, while she sketched for him. At the same time, Angela silently endured the relationship between her lover Loire and his wife, and he even began to hate her. She was very excited when she learned that Loire had fallen out with his wife. At this point, the film is still a romantic story with a little sadness.
Suddenly, the whole movie took a turn for the better-the movie suddenly returned to the time when we were most sympathetic to Angela, and returned to the plot where Angela bought flowers. At this point, the film became a surprise film.
The second part is the stage of surprise, when we begin to look at the whole problem from the perspective of Loire. He is a cardiologist. He has a decent job, a good salary and a happy family. He goes to all kinds of upper-class dances.
Once he received a bunch of flowers at work, which he thought was from his wife, but when he got home, his wife didn't mention anything, and his life changed forever. He often receives some strange things. Once he received an arrow that went through his heart. At this time, his wife broke up with Loire because she received a woman's love story, and she separated. Loire has also become more and more neurotic. He began to doubt every opposite sex around him. Finally he broke out-he beat a patient who had bored him, so his doctor's license was revoked.
By chance, he saw Angela in the hospital, which reminded him of something. He met Angela at a dance and said something puzzling to him, so he investigated Angela. In Angela's home, Loire found his portraits everywhere. A rose reminded him that on the day when he knew that his wife was pregnant, he excitedly bought a bunch of flowers. He met Angela on his way home, so he gave her one.
So the problem is, everything is Angela's fantasy.
So the film entered the third film. Loire, who knew the truth, just wanted to make up with his wife, but he was driven out of the hospital. When he was about to leave the office, Angela appeared and asked him to go with him. The Loire River immediately broke Angela's self-love. Angela, who could not accept all this, shot a sculpture at the head of the Loire River. ...
Later, the recovered Loire and her family lived a quiet life in the country, and Angela was admitted to a mental hospital.
The end: After several years of treatment, Angela was discharged from the hospital, but the story seems to be not over yet. While cleaning Angela's ward, the staff found a portrait of Loire composed of pills and pills. It turns out that over the years, Angela has been thinking about Loire without taking medicine, but fortunately, she finally understands that Loire has always been just a phantom made up by herself. ...
If the film separates every story, it will be meaningless, and his beauty lies in putting two stories with completely different styles together, so that the audience and Angela get a mental illness together.
The key of this film lies in a transition in the film. If this paragraph is omitted, it is difficult to relate him to the story before and after, but in this way, we can further feel the panic of Loire after suffering from mental illness, because we will not associate these bad things with Angela until the end.
Although the shooting technique of this film is not novel, he can make the transition so natural and smooth, and naturally bring the audience's emotions into different roles at different stages, which also shows the director's skill.
In a word, although this film can't be said to be a classic, it is still innovative and enjoyable. Friends who don't have time to watch this movie, after watching romantic love, suddenly experience a shock.
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