What is new objectivism photography?

Neo-objectivism photography is also called "dominant photography" and "new realistic photography". It is a school of photography art that appeared in the 1920s. The artistic feature of this school is to seek "beauty" in ordinary things. Through close-up and close-up, the subject is "separated" from the whole, highlighting a certain detail of the subject. Accurately and truly depict its surface structure, so as to achieve dazzling visual effects. It does not think that the essence of art lies in the essence of objects, so its history of aesthetic thought belongs to naturalism. Strand, the theoretical pioneer of neo-objectivism, made the following provisions on the artistic characteristics of objectivism: "Neo-objectivism is the essence of photography, and it is also the product and boundary of photography". He believes that photography "has a strong expressive force on life and needs to observe the eyes of things." To this end, it is not based on perfunctory processes and operating methods, but must use pure photography. "The pioneers of new objectivism are Ajie and Steichen, but in fact the founder is Pachu. 1923, photographer Pacho took a close-up shot of the locomotive shaft, showing the state of the locomotive shaft in operation. Because the picture abandons other details, it gives the audience a strong visual impression. Pacho objected to photography relying on painting. He emphasized that the art of photography must rely on its own characteristics, and believed that the aesthetic value of photography was hidden in its own characteristics. Only by giving full play to their own characteristics can we create beauty. He said: "Painting should be painted casually by artists. Only according to its inherent characteristics can we create independent photographic works, and there is nothing to borrow in painting. "The achievement of neo-objectivism photographers is to urge people to study and explore the characteristics of photography itself and bring photography back to real life from the illusory world of aesthetics. However, due to over-emphasis on the description of the surface structure of detailed materials, it provided a germination soil for later abstract photography. Around 1925, due to the appearance of large-caliber small cameras, the performance field of neo-objectivism has made new development, resulting in many portrait works and works reflecting social life and natural scenery. Famous photographers of neo-objectivism include Sander, Lasky, Haig, Hirsch, Huliman Hope, Eft, Weston Adams and so on.