Kong Yu photography

Li Bai, also known as Li Taibai, gender, year of male death: 70 1 ~ 762' s, country of the Tang Dynasty, published works in China, other books on chivalry, Li Bai studied Li Bai and the culture of the Tang Dynasty.

Li Bai (70 1 ~ 762) was a poet in the Tang Dynasty. The word is too white, and the number is purple. Mian Governor Long (now Jiangyou, Sichuan), his father Li Ke, his life story is unknown. When Li Bai was young, his family was rich and generous. Some modern Li Bai researchers speculated that his father Li Ke made a fortune by doing business in the Western Regions, but this was not confirmed. Li Bai read widely in his youth. In addition to Confucian classics and ancient literary and historical masterpieces, he also browsed hundreds of books and was good at fencing (Book of Jingzhou with Han Dynasty). The song "Chivalrous Man" reflects his idea of advocating Ren Xia. He believed in Taoism, which was popular at that time, and liked to live in seclusion in the mountains and seek immortality to learn Taoism. At the same time, he has the political ambition to make contributions, claiming to "learn from Yan Guan's words, seek the skills of the emperor and strive for the wisdom of the emperor". He is willing to help him, make the atlas area stable and Hai Xian clear "("Dai Shoushan answers Meng Shaofu's book "). On the one hand, it is necessary to be a hermit immortal beyond the secular world, on the other hand, it is necessary to be an assistant to the monarch, which has formed the contradiction between being born and entering the WTO. However, actively joining the WTO and worrying about the country and the people are the mainstream of his life thoughts and the ideological basis for the progress of his works. Li Bai's poems written in Shu during his youth have not been handed down from generation to generation, but articles such as Dai Tian's Visit to Taoist Temple and Emei Mountain's Moon Song show outstanding talents. Li Bai traveled in eastern Sichuan when he was about twenty-five or twenty-six. In the following ten years, he roamed many places in the middle and lower reaches of the Yangtze River and Yellow River, and married the granddaughter of then prime minister Xu in Anlu (now Hubei), so he lived in Anlu for a long time. Later, he moved the capital to become a city (now Jining, Shandong). Li Bai didn't want to take the imperial examination and get an official position like ordinary scholars at that time. Instead, he tried to cultivate his reputation and gain the appreciation of the emperor by living in seclusion in the mountains and making extensive friends, which was not customary. In the eighteenth year of Kaiyuan (around 730), he once arrived in Chang 'an to strive for a political outlet, but he returned in frustration. In the first year of Tianbao (742), due to the recommendation of Princess Yu Zhen, Xuanzong was called to worship the Hanlin in Chang 'an as a minister of civil affairs and participated in the drafting of documents. At first, Li Bai was emotional and wanted to do something, but in the last years of Xuanzong, politics became increasingly corrupt and dark, and Li took power, gradually forming a decadent ruling group in the court, and talented people were repeatedly rejected and persecuted. Li Bai was slandered because he was honest by nature and could not flatter the dark forces. After staying in Chang 'an for less than two years, he was forced to resign and leave Beijing. During this period, Li Bai's poetry and song creation tends to be mature, and his representative works include Long Gan Xing, Hengjiang Ci, Wuqi Qu, Difficult Road to Shu, Midnight, Antique, Car Flying Dust, Difficult Travel, and Poem of Liang Yuan, etc. Li Bai was frustrated and depressed in Chang 'an. 1 1 years later, he continued to wander in the middle and lower reaches of the Yellow River and the Yangtze River, "wandering around the world, adapting himself to poetry and wine" (Liu Hanlin in Tang Dynasty). He still cares about state affairs and hopes to be re-appointed by the court. In the fourteenth year of Tianbao, the Anshi Rebellion broke out, and Li Bai lived in seclusion in Xuancheng (now Anhui) and Lushan Mountain. At that time, Xuanzong appointed his sixteenth son, Wang Yong Lilin, as our ambassador to Shannan East Road, Lingnan Road, Qianzhong Road and Jiangnan West Road, and served as the viceroy of Jiangling, responsible for defending and managing the central region of the Yangtze River. With the desire to eliminate rebellion and restore national unity, Li Bai took part in the work of Wang Yong shogunate led by Jiangling Dong. Unexpectedly, Li Lin didn't listen to Su Zong's orders and wanted to take the opportunity to expand his power. The result was destroyed by Su Zongbing. Li Bai was also convicted and imprisoned in Xunyang (now Jiujiang, Jiangxi) and soon exiled Yelang (now Tongzi, Guizhou). Fortunately, I met an Amnesty on the way and was able to return to the East. I was 59 years old then. Living in Jiangnan area in his later years. At the age of 6 1, I heard that Qiu Li Guangbi led an army out of the city to attack the Anshi rebels and went north to join the army to kill the enemy. He turned back halfway due to illness. The following year, he died in the apartment of his uncle Dangtu (now Anhui) county magistrate Li. The representative works of this period include Climbing Mount Tianmu in a Dream, The Battle of the South of the City before An Shi Rebellion, Twelve Drinks on a Cold Night, Antique and Feathers Like Meteors, Laicheng Wine, Popular in the North, Farewell and so on. After the Anshi Rebellion, there were ancient bodies, lotus mountains in the west and east.

Bai Juyi

Bai Juyi, also known as: Xiangshan laity gender: boy's death year: 772 ~ 846' s: Tang Dynasty mainland: Asian countries: China published works: more everlasting regret songs ... Other books: Bai Juyi's poetry anthology Bai Juyi's poetry appreciation Notes Bai Juyi's poetry translation and analysis.

Bai Juyi (772 ~ 846) was a poet in the Tang Dynasty. The word Lotte,No. Xiangshan lay, Mr. Drunk Sound. Originally from Taiyuan (now Shanxi). In his later years, the official prince was young and rich, and posthumous title was a white father and a white man. Bai Juyi was born in Xinzheng, Zhengzhou (now Henan) from the seventh year of Dali (772) to the fifteenth year of Zhenyuan (799). Smart since childhood, learned to write poetry at the age of 5 or 6, and was familiar with phonology at the age of 9. 1 1 years old, because of the war between the two rivers, he fled from Xingyang to Fuli, Xuzhou (now Su County, Anhui Province), and soon went south to Vietnam and became the cousin of the county magistrate in Hangzhou. During his wandering life in 1956, Bai Juyi came into contact with the sufferings of the people and was influenced by two poets, Wei and Fang Rufu, who were the secretariat of Suzhou and Hangzhou at that time. He wrote poems such as "A Letter to Xuzhou Brothers for Sending a Guest to the North from the South of the Yangtze River" and "Farewell to Ancient Grass". At the age of 65,438+05,65,438+06, he decided to be a scholar and work hard. Later, when my father died and my mother became ill, I lived on my eldest brother Bai Youwen's meager salary and traveled between Poyang and Luoyang, and my life was very difficult. From his official career, he was demoted from the 16th year of Zhenyuan (800) to the 10th year of Yuanhe (8 15). In the sixteenth year of Zhenyuan, Bai Juyi was twenty-nine years old and a scholar. In the eighteenth year (802), he took the "Excellent Book Judge" with Yuan Zhen. This is where their engagement began. Later, they became famous in the poetry circle and were called "Bai Yuan". In the spring of nineteen years, he was awarded the provincial school secretary. In Yongzheng (805), Wang Zhiyi and Wei Zhiyi carried out political reform. Bai Juyi wrote to Wei, suggesting that we should open our minds, select talents, punish evil and promote good, appoint talents and appoint people, and lose no time to reform quickly. But soon, Wang and Wei were successively demoted, and the political reform failed. His suggestion was not adopted, and he wrote poems such as Moral to express his regret. In the first year of Yuanhe (806), he dropped out of school and wrote 75 articles "Celin", which put forward a governance plan for major social and political problems and was an important material for studying his political thoughts. In this year, "both talent and learning are combined with the study of body and use", and "Watching Wheat" and "Song of Eternal Sorrow" were written. In Yuanhe two years, he was sent to Jixian College of Science. 1 1 month, awarded the bachelor's degree of academician courtyard. The following year, I was awarded the left supplement. In five years, Cao, a resident of Jingzhao Prefecture, joined the army, all of whom remained as Hanlin's bachelor. Drafting imperial edicts and participating in state secrets. Under the guidance of Confucianism, he was not afraid of offending powerful people, and wrote articles in succession, such as playing Gade's music program, talking about the character of his subjects, talking about harmony and the form of imprisonment in townships and counties, all of which were important documents related to the national chaos control and people's lives. At the same time, he also consciously used poetry as a weapon to "assess the situation" and "vent human feelings", promoted the new Yuefu movement, and wrote a large number of satirical poems, which complemented his political efforts. However, due to the increasingly corrupt state affairs, his plays and poems attracted the envy and attack of the authorities. In the sixth year of Yuanhe, Bai Juyi returned to Beijing as the doctor of Prince Zuo Zanshan after serving his mother's funeral. In the tenth year of Yuanhe, the separatist forces in the two rivers joined forces against the Tang Dynasty and sent people to assassinate Wu, the prime minister who advocated the separatist regime in the region. Bai Juyi took the lead in getting rid of the murderer to avenge his country. However, he was attacked by corrupt bureaucratic forces for exceeding his authority, fabricated the charge of "damaging the name of religion" and was demoted to Jiangzhou (now Jiujiang, Jiangxi) Sima. This is a heavy blow to him. After being demoted to Jiangzhou, he was transferred from the 11th year of Yuanhe (8 16) to the 2nd year of Daiwa (828). In the second year after Bai Juyi arrived in Jiangzhou, he wrote Pipa Xing. Through the unfortunate life experience of a famous prostitute who is good at playing pipa in Chang 'an, the poem expresses her political frustration. Before that, he had seen the darkness of the imperial court and had the idea of leaving as soon as possible. After this blow, the thought changed sharply from "the best of both worlds" to "only doing good deeds", and he was determined to achieve "the career path will be different from now on, and the world will be silent from now on" ("Heavy Topic"); "Sorrow and joy are eliminated on the surface, and right and wrong are eliminated in the chest" (Yong Huai). However, he did not resign and retire, but chose a road of "official seclusion". While hanging idle posts, I built a thatched cottage in Lushan Mountain and made friends with monks, friends and lovers in order to be satisfied and peaceful. In line with this, leisure poems and sentimental poems describing the quiet realm and expressing personal feelings began to increase, while the satirical poems with strong fighting in the early stage were relatively few. In the thirteenth year of Yuanhe, he served as the secretariat of Zhongzhou. In fifteen years, he was recalled to Beijing, worshipped the minister of history as a foreign minister, moved to the doctor, studied the imperial edict, and entered the Chinese book to give up people. Due to state affairs, the cronies of the DPRK and China have been in conflict with each other and have repeatedly refused to listen. In the second year of Changqing (822), he requested to go abroad and go out to be the secretariat of Hangzhou. After that, I worked as a short-term Suzhou secretariat. When I was in Hangzhou, I built a lake embankment to store water and irrigate more than 1000 hectares of land. And dig six wells in the city to drink. On the day I left Suzhou, people in the county sent each other tears. In the first year of Emperor Wenzong Daiwa (827), he visited our company. The following year, he was transferred to assistant minister of punishments. In his later years, he retired to Luoyang in the hot sun for three years (829) and Huichang for six years (846). Bai Juyi began to live in Luoyang at the age of 58. He has served as a distinguished guest such as Prince, Henan Yin, and Prince Shaofu. In the second year of Huichang (842), he became an official with the minister of punishments. In Luoyang, he lived a life of drinking, playing the piano, writing poems, traveling and "telling his family". He often sings with the famous poet Liu Yuxi and calls him "Bai Liu". In his comfortable old age, he still often thinks of the people. At the age of 73, he also invested in digging Longmen Bashi Beach to facilitate navigation. He died two years later. Buried at Pipa Peak in Xiangshan, Longmen (see the color map of Bai Juyi's tomb in Luoyang, Henan Province). The poet Li Shangyin wrote an epitaph. It has become a tourist attraction.

Xian Xinghai Gender: Male Country: China Published Works: Yellow River Chorus Related Awards: China Music Golden Bell Award in the National Young Singer TV Grand Prix.

China composer. He used to be Huang Xun and Kong Yu. 1905 was born in Panyu, Guangdong province; 1945 was born in Macau on June 3rd, and/kloc-0 died in Moscow on October 30th. In his short life, Xian Xinghai wrote and lived for about 65,438+00 years, and composed hundreds of songs (more than 250 existing songs), 4 chorales, 65,438+0 operas, 2 symphonies, 4 orchestral suites, 65,438+0 rhapsodies and many solo and ensemble pieces of instrumental music such as violin and piano. Among Xian Xinghai's creations, the most numerous and influential are all kinds of pop songs. Among them, China people's anti-Japanese struggle, national salvation songs, youth marches, defending Lugou Bridge, going behind enemy lines, etc. There are Taihang Mountain, Guerrilla and Counter-offensive, which show the magnificent battle scenes of the people's war and combine lyricism with agitation or descriptive with generality. There are "Top Difficult", "Plough Song", "Shifu Song" and "We Open the Road", which show the working life of workers and peasants and are written in a specific labor tone and rhythm. There are also "I'm afraid I won't resist", "Children of the Motherland" and "Women's Day Songs written for women and children in War of Resistance against Japanese Aggression" and so on. In these mass songs, Xian Xinghai created musical images with different personality characteristics according to different contents, or expressed passionate and generous feelings and majestic momentum with an impactful rhythm and a tall and angular melody; Or embody the rich inner world of the revolutionary people with broad melody, slow and calm rhythm and lyrical tone. The Yellow River Cantata is the most important and influential representative work of Xian Xinghai. /kloc-0 was made in March, 1939, and was rearranged and processed in the Soviet Union in June, 1994/kloc-0. With the Yellow River as the background, this work by the poet Guang Weiran enthusiastically eulogizes the glorious history of the Chinese nation and the indomitable fighting spirit of the people of China, bitterly accuses the invaders of their cruelty and the people's deep disasters, widely displays the magnificent picture of War of Resistance against Japanese Aggression, sends out a battle alarm for national liberation to China and the whole world, and shapes the heroic image of the giant of the Chinese nation. Lyric solo songs play an important role in Xian Xinghai's song creation, and most of them are interludes for stage plays and movies. These works reflect the experiences and inner feelings of specific people in real life from different aspects, or pour out their love for the motherland and the people, or express their feelings of longing for battle. For example, "Singing at Midnight" and "Don't mention it" are full of passion and fantasy, singing the painful feelings and battle cry after being persecuted by feudal forces and losing the country; "Hot Blood" and "Love in the Yellow River" are both generous elegies, expressing the strong will to fight for freedom and the confidence to win; Making cotton-padded clothes, marching in the south of the Yangtze River and hypnosis in wartime. Express the patriotic feelings of women in the Anti-Japanese War with beautiful, cordial, simple and fresh folk tones. In order to express the broad real life and make songs more national, Xian Xinghai also explored and created some song styles with the characteristics of the new era. Among them, there are songs that organically combine different expressive features of lyricism and militancy, such as "On Taihang Mountain" and "Song of March 8 Women's Day"; An Acura "Praise for New China"; There are also narrative songs that combine folk rap music with combative mass songs, such as Liang Hongyu and Down with Wang Jingwei. He is very good at exploring the rhythmic beauty of lyrics language and giving it musical play on the premise of expressing the theme image. He is also very good at using various forms of singing, such as solo, chorus, lead singer, chorus and rap. Especially in the form of round singing and two-part chorus, it had innovative significance and extensive influence in the anti-Japanese war singing at that time. In addition, during his visit to the Soviet Union, he mainly used China's classical poems to create artistic songs, and also made achievements in exploring new genres and national styles. Another important contribution of Xian Xinghai to music creation is the creation of a chorus with national characteristics, which expresses the revolutionary struggle of our people. The four choruses are the same in the realism of theme and content, the nationalization and popularization of expression techniques, but they are treated differently according to different themes and contents, which makes each work have different characteristics. The production chorus, composed in March of 1939, combines singing, dancing and drama performances, and shows the productive labor and anti-Japanese life of the people in the liberated areas through four scenes: spring ploughing, sowing for war, autumn harvest assault and bumper harvest. Music has a folk flavor, and the chorus is rough and simple. Among them, "February Comes" and "September 18th Chorus" created to commemorate the eighth anniversary of the September 18th Incident are narrative choral works with the formal structure of symphony and Rondo. The whole song runs through and appears repeatedly with a musical theme with dance characteristics and a long and deep sub-theme, which is interspersed with many paragraphs with different personalities, showing the people's review of the course of the Anti-Japanese War when celebrating their victory and inspiring their determination to carry it through to the end. Among them, the female solo and chorus passage "Midnight Song of September 18th" uses the plate variation technique in traditional Chinese opera and rap music, which has dramatic effect. The band accompaniment of "September 18th Chorus" and "Production Chorus" is very distinctive in the application of national percussion instruments and the rhythm of China music style. "Ximeng Choir" was created in March of 1940. It is a mass song choir for the anti-Japanese death squads who sacrificed the National Salvation Corps in Shanxi Province. It includes six paragraphs, including chorus, solo, rotation and chorus, and has a distinctive local color.

Lu Xun

Also known as Yucai Gender: Male Nationality: Year of Birth and Death of Han Nationality:1181936 Belonging to: Modern Former Residence: Beijing Lu Xun's Former Residence Country: China Biography: Lu Xun's Biography and Published Works: That's all ... Background Research: Research on Characters of Chinese Left-wing Writers' League: From Lu Xun's in Beijing

Zhou Fuqing: Grandpa. The word is surprised and the word is quoted. Before Lu Xun was born 10, his grandfather was a scholar, and Jishi Shu of imperial academy was "hand-picked" to study in a general museum. Three years later, he was elected as the magistrate of Jinxi County, Jiangxi Province, and served for four years. 1878, the instructor was re-elected, and in the second year, he was promoted to the Cabinet Secretariat and served as a "backup" in Beijing. 1888 When Lu Xun was eight years old, his grandfather actually awarded a cabinet book. 1893 bribed the examiner for his son and children of relatives and friends who took the rural examination. He surrendered himself and was sentenced to death by Emperor Guangxu, with a suspended execution, 190 1 year or released home. This is the main reason why the Zhou family fell. Zhou Fengyi: Father. After being admitted to a scholar, I tried several times after taking the township entrance examination, but I failed again and again. The last time I was "reprimanded" for my father's case, I completely broke the road of studying as an official, and the fire of life was about to go out. When Lu Xun was sixteen, his father left his wife and four sons before he was thirty-seven. Lu Rui: Mom. Rural people have acquired the ability to read books through self-study. Lu Rui was born in the countryside more than 30 miles away from downtown Shaoxing. Her father, Lu Qingxuan, Lu Xun's grandfather, is also an official. After the election, he served as the director of the housing department in Beijing. Lu Xun's mother is exceptionally kind, considerate and resolute. Zhu An (1878- 1947): A native of Shanyin County, Shaoxing. She married Lu Xun in 1906 and came to Beijing in 19 19. Mr. Lu Xun once said, "This is a gift from my mother. I can only support it. Love is something I don't know. " She has been with Lu Xun's mother since he left Beijing. After Lu Xun's mother died, she guarded her former residence alone./kloc-0 died in June, 947. A brief introduction to Lu Xun's life Lu Xun [1881.9.25—1936./kloc-0.19] is a China writer, thinker and revolutionary. Yucai was originally named Zhou Shuren and was born in Shaoxing, Zhejiang. Born in a dilapidated feudal family. Youth was influenced by the theory of evolution, Nietzsche's superman philosophy and Tolstoy's thought of fraternity. 1902 went to Japan to study, originally studied medicine at Sendai Medical College, and then worked in literature and art in an attempt to change the national spirit. 1905- 1907 participated in revolutionary activities and published papers such as Moro Poetry and Cultural Prejudice. During this period, I was ordered by my mother to return to China to get married, and my wife Zhu An. 1909 Co-translated the Collection of Foreign Novels with his brother Zhou Zuoren to introduce foreign literature. He returned to China in the same year and taught in Hangzhou and Shaoxing. After the Revolution of 1911, he served as a member of the Nanjing Provisional Government and the Ministry of Education of Beijing Government, and taught in Peking University and Women's Normal University. 19 18 in may, the diary of a madman, the first vernacular novel in the history of modern literature in China, was published for the first time under the pseudonym of Lu Xun, which laid the foundation stone of the new literature movement. He participated in the work of New Youth magazine around the May 4th Movement and became the leader of the May 4th New Culture Movement. During the period from 19 18 to 1926, he successively created and published Novels, Wandering, Essays, Graves, Essays, Poems, Weeds, Essays, Hot Air, and so on. Among them, the novella The True Story of Ah Q published in19212 is an immortal masterpiece in the history of modern literature in China. 1in August, 926, he was wanted by the Beiyang warlord government for supporting the patriotic movement of Beijing students, and served as the head of the Chinese Department of Xiamen University. 1927 1 month, went to Guangzhou, the revolutionary center at that time, and served as the academic director of Sun Yat-sen University. 1927 10 arrived in Shanghai and began to live with his student Xu Guangping. 1929, son Zhou Haiying was born. 1930, successively participated in China Freedom Movement League, China Left-wing Writers League and China Civil Rights Protection League, resisting the dictatorship and political persecution of the Kuomintang government. From 1927 to 1936, he created most of the works and a large number of essays in the Collection of Historical Novels, which were included in Ji You, Sanxian, Erxin, Mobilizing from the South to the North, Pseudo-Free Book, Quasi-Romantic Talk and Lace. Lu Xun's life has made great contributions to China's cultural undertakings: he led and supported literary groups such as "The Unknown Society" and "Chaohua Society"; Editor-in-chief of literary periodicals such as National New Newspaper Supplement [B], Mangyuan, Yusi, Running, Germination and Translation; Enthusiastic care and active cultivation of young authors; Vigorously translate foreign progressive literary works and introduce famous paintings and woodcuts at home and abroad; Collect, study and sort out a large number of classical documents, compile A Brief History of Chinese Fiction, Outline of China Literature History, sort out Ji, compile Miscellaneous Notes on Old Books in Huiji County, Gougu Novels, Legends of Tang and Song Dynasties, Notes on Old Novels and so on. 19361June19 died of tuberculosis in Shanghai. Tens of thousands of Shanghai citizens spontaneously held public sacrifices and funerals and were buried in Hongqiao International Cemetery. 1956, Lu Xun's body was buried in Hongkou Park, and Mao Zedong wrote an inscription for the reconstructed Lu Xun's tomb. Complete Works of Lu Xun (20 volumes) 1938 published. After the founding of People's Republic of China (PRC), the translated works of Lu Xun have been compiled into Complete Works of Lu Xun (ten volumes), Translated Works of Lu Xun (ten volumes), Diary of Lu Xun (two volumes) and Letters from Lu Xun, and various ancient books edited by Lu Xun have been reprinted one after another. 198 1 year, The Complete Works of Lu Xun (16) was published. Luxun Museum and Memorial Hall have been established in Beijing, Shanghai, Shaoxing, Guangzhou and Xiamen. Dozens of novels, essays, poems and essays by Lu Xun were selected into Chinese textbooks for primary and secondary schools. The novels Blessing, The True Story of Ah Q and Medicine were adapted into movies. [Adapted from Ci Hai (1989 edition)]