The art in TV plays knows what it is.

production designer originally refers to the person in charge of setting design in the film. Recently, it is often called "PRODUCTION DESIGNER", which is responsible for coordinating the overall visual style of lighting, photography, special effects, clothing, props and editing.

nature of work

1. Theoretically, production designer should be responsible for any category related to the aesthetic feeling and aesthetics of the film; But in fact, production designer's job scope will be different according to the different requirements of the decision-making unit, producer or director and the influence of external market factors.

1. (Mise-en-scene)

i. Props: Design related props according to the requirements of different movie scripts. Make and purchase in person or contact relevant personnel.

ii. Scenery: design indoor or outdoor scenery according to different story backgrounds and individual special scenes to meet aesthetic requirements.

iii. Lighting: design the coordination of color and lighting to enhance the artistic expression and appeal of individual scenes.

iv. Photography: adjust the camera angle and move the camera to match the visual effects of different scenes. And calculate the beauty of the continuity and fluency of shots in different scenes.

v. Role and costume design: including clothing, Hairstyles and make-up. Design the characters' story roles according to different story backgrounds.

vi. Computer stunts: design surreal scenes and effects that can't be achieved by actual technology.

vi. Data collection: collect all the art materials related to the film and refer to other related creations. Workflow

1. After receiving the work, read the relevant scripts first to understand the outline of the story and the relevant production requirements. Make a rough idea and preparation.

1. Meeting with producer, director and related production units (including actors), mainly listening to the requirements of decision-making units such as directors and producers, understanding the nature of production, budget and limiting the scope of their own responsibilities will have different requirements for production designer due to different productions), and making preliminary exchanges with other units to obtain preliminary knowledge.

1. Begin to carry out substantive ideas and collect data for related ideas. In the process, of course, we should keep close contact with relevant units to avoid overlapping with the work of other units or being different from their ideas or requirements, which will help improve work efficiency.

1. Combine ideas and related data into a draft and make a budget.

1. After detailed examination, implement the draft and make it a formal draft (although there will still be one in the future) Have a meeting with relevant units such as art assistants, scenes, hairstyles, make-up and guides, etc. Ask them to make preparations for the relevant items according to the implemented ideas, or ask them for advice. < P > 1. Before shooting (taking individual shooting times and dates as the calculation unit, not the whole production), the relevant units will produce the ideas implemented by production designer, while production designer will mainly take the role of supervisor and follow up the related productions. And make relevant contingency for the temporary requirements of the production unit or the immediate changes at the scene.

⒐ After the filming is completed, production designer may have to participate in the post-production of the film, especially the processing of animation and special effects.