In addition to the small acting skills, I am more concerned about how the Resurrection was made.

Inarido and photography director Lubetsky said that the whole shooting process was extremely difficult. They called making this film "a once-in-a-lifetime experience" and "the most difficult experience in my life". The whole movie was finished in the remote Rocky Mountains. Individual shots were taken on the Squamish River in Colombia and the Kutney River in the United States. The last scene of the film was finished in ushuaia, Tierra del Fuego.

The whole movie was decided after careful consideration, including its shooting method. Revenant is not a step-by-step project. Alexsandro planned everything at the beginning of writing the play. Every shot should be carefully arranged, and the story should be told with the least editing. The camera should be close to the object, often shooting with a short focal length, and feel the fear and emotion of each character. When shooting, the stories are shot in sequence. Alessandro's directing style is to keep the natural rhythm of the story. Therefore, with the development of the story, the characters will get old and their appearance will change. Shooting with natural light is a good plan decided at the beginning, but we don't know what we will face before shooting, and it is impossible to fully predict what will happen during shooting, so trying to infiltrate this unexpected shooting state into the film is like never predicting what the weather will change. We shoot with natural light because we want to immerse the audience in the world view of the film. We hope that the style of the film can fully present the environment we feel at the moment, and we hope that the film can be as vivid as we imagined. Bad weather, forests, hills and plains, ever-changing sky and lack of sunshine all force the whole crew to be composed of "real filmmakers", full of energy to challenge their own adventures and full of cooperation spirit, just like their legendary stories on the screen. Lubetzki called both cameraman and photography assistant "indispensable" and his "right-hand man".

However, photographer Lubetzki believes that shooting with natural light is not the reason for the delay. "In fact, shooting with natural light will only be faster, because we don't have to bring a lighting group to distribute light on the mountain. The whole movie was postponed because of an unexpected warm winter, and there was almost no snow, so we couldn't shoot the last movie, which led us to stop working for several months in advance and didn't finish shooting until we moved to Argentina. In addition, another big trouble is that Canada's winter forests have very short time for shooting sunlight. " The shooting cycle of The Returnee is 80 days, and the main photography took 9 months. The reason why the shooting time is so long is because we only want to shoot with natural light, and we can only shoot for two or three hours every day, so we must make careful preparations in advance (sunrise from 9:30 to 9:45 every morning and sunset at around 3:45 every afternoon). In early September and early winter, we braved the snowstorm and started rehearsing and testing in Calgary, Canada. On the first day of rehearsal, I had to wear rubber waterproof boots and trudge in the knee-deep cold river, and the snow kept falling. In this opening scene, Glass, his son Hawke and hunter Brij are walking slowly in the water because they find an elk in the distance. Glass hit the elk with only one shot. A few minutes later, a group of Indians walked towards the camp. In this scene, about 200 actors play Indians and fur hunters, dozens of horses, and a large number of bows and arrows, rifles and so on. These are carefully rehearsed and arranged, so the audience will feel immersive.