What is the difference between Sony a7s2 and 7ar2 micro-orders?

A7 and A72 cameras have basically the same excellent image quality in many aspects, so you can get the perfect photos you want at any time. Sony's imaging style is more suitable for modern plane rendering.

All a7 series stand out in this respect. A72 is an improved version of a7. They are basically the same, but for many SLR photographers, you can use it more efficiently and comfortably.

Many modern SLR have a lot of consistent feelings in operation, especially when you use M-range. This feeling of completely controlling the camera is as charming as driving a sports car with a handbrake, but I used to get used to the A99 5D3.

D800 SLR users are not very satisfied with holding an a7. A7 has a strong sense of edges and corners, and you often press some keys by mistake. They are too compact.

Shutter is also above the classical camera settings, not in front of modern ergonomics. You know this setting, especially if you are in a multi-system or even Sony's own AE2 camera, it becomes stiff.

So the arrival of a72 solves a big problem. Your fingers will feel tighter, the buttons will become more comfortable, and its shutter sound will be quiet. A7 and a7R are noisy, but more importantly, the internal anti-shake is perfect.

You know, in addition to focusing, the biggest killer of taking pictures is to shake Sony's built-in cmos anti-shake effect, which exceeds Canon IS 4 level and may even be higher and more useful. It will put you in a car with unstable light.

The anti-shake lens brings several times the efficiency. Of course, it can also be linked with the camera for anti-shake, so that you can play without fake hair. This function makes more people look forward to the arrival of a7R2. You know, as the number of pixels increases,

Micro-jitter, which was originally imperceptible, has ruined the arrival of a perfect photo in high-pixel machines, especially in high-pixel shooting equipment such as D800E and a7R. The same jitter condition may show completely different results in A7R and A7R.

This is why A72, including the future 5DsR, adds a lot of new technical work on Cmos for slight jitter, which is very important, and of course it is more important for A7R, so we hope a7r2 will come soon.

A7R is an absolutely excellent camera. Even if you are a critic with strict requirements on image quality, A7R can complete the task perfectly and even pleasantly, which makes it a tester of many shots.

Even cross-platform (here is the structural advantage of a Sony e-bayonet). Sony's a7 series can basically use any other lens you like, whether it's Pinnacle Pentax or Canon's 50L 85L.

You can use it, as long as you like any specifications, you can create your works with great fanfare. The a7R is a model, of course, there are more or less problems in operation like A7.

A7S

The camera is extremely powerful in taking pictures. In fact, Sony has many strong competitors not only in the SLR field, but also in DLSR, especially Canon and Panasonic. You know, many scenes of Transformers were shot with 5D2.

GH3 has also been converted into cameras by many Japanese dramas, and GH4 is more powerful in this function. Sony used a lot of means on A99, trying to make it the first choice for many microfilm creators.

On the other hand, A7S has carried out secondary processing on this basis, including supporting video formats to improve picture quality and compiling more professional audio tracks. Of course, this is also a good camera with outstanding image quality.

Just because there are only 6.5438+0.2 million pixels, it can be said that the area ratio of coms is close to many quasi-commercial photography formats.

Of course, it is also Sony's modern imaging style. This is an excellent camera for video tyranny.

Of course, A7 series, like most micro-displays, has the disadvantage of coms exposure, which means that when you change mirrors frequently, your cmos will be covered with dust, and you must always clean it yourself, which is not common in SLR.

Because of the multiple physical coverage of mirrors and roller blinds, it is not difficult to clean coms, but it does require skill, experience and patience. The a7, including the new a72, is not compact, and dust is easily accumulated in many places.

You can't expect it to go back to the kitchen and turn on the tap to clean up after being buried in mud like Pentax K3.