Traditional Culture Encyclopedia - Photography and portraiture - Portrait of makeup artist
Portrait of makeup artist
Picture display of makeup artist's head (6 photos):
Figure 1 makeup artist's head
Fig. 2 The head of the makeup artist
Fig. 3 The head of makeup artist
Fig. 4 The head of makeup artist.
Fig. 5 The head of makeup artist
Fig. 6 Head of makeup artist
Makeup-related courses
The first chapter color
The first section color basic theory (primary color, intermediate color, complementary color, color elements)
Section 2 Color Classification
Section 3 Color Perception (Psychological Feeling of Color)
The fourth quarter tone
Chapter II Basic Theory of Makeup
The first section head type (face)
Standard proportional relation of the second section
The third section makeup theory (principle and three elements)
Section 4 Shaping the five senses (eyebrows, eyes, nose and lips)
Section 5 Classification of Various Face Types
Chapter III Cosmetics
Section 1 Characteristics and Uses of Cosmetics
Section 2 Performance and Use of Beauty Tools
Section 3 Cosmetic collocation suitable for all skin types
The fourth step is makeup (preparation before makeup)
Chapter IV Stereoscopic Correction Makeup
Basics Section 1: Purpose, Skills and Essentials (Modification of Various Face Shapes)
Eyebrow correction in the second quarter 1. Classification of eyebrows II. Correction of various eyebrows
Section 3 nose correction 1. Manipulation 2. Necessities; key element
The fourth quarter eye correction (all kinds of eye adjustment)
Section 5 revised Lips 1. The standard of lips II. Impression of several lips 3. Classification of lips 4. Precautions for choosing lipstick 5. The purpose of applying lipstick
Chapter V Modification of Lip Shape of Day Makeup
Section 1 Principles of Daily Makeup
Section 2 Common colors and color matching of daily makeup
Section 3 Advocacy of Fashion Makeup in 2005 (Student Operation)
Chapter VI Middle-aged Makeup
Section 1 Characteristics of Middle-aged Makeup
Section 2 Application of Makeup and Hairstyle for Middle-aged People
Section III Specific Schematic Diagram of Middle-aged Makeup (Students' Practice)
Chapter VII Men's Makeup
The first section groom makeup (makeup steps, skills, hairstyle, student exercises) The second section turns men into soft women (makeup points, steps, illustrations, student exercises)
Chapter VIII Lively and Lightweight Fitness Makeup
Section 1 Bronze Makeup (essentials, steps and exercises)
Section 2 Fitness and Makeup (Skills and Steps)
Chapter 9 European makeup
Section 1 Characteristics of European Makeup
Section 2 Operation essentials of eye makeup, lipstick and European makeup
Chapter 10 Photography and Makeup
Section 1 Black and White Photography Makeup (Features, Skills and Precautions)
Section 2 Color Photography Makeup (Features, Skills and Precautions)
The relationship between light and makeup
Section 4 Projection Angle and Effect of Light
Chapter 11 Bride Makeup
Sweet bride makeup
The first section is pure and sweet
1. Makeup essentials 2. The collocation of hair styles. Style and color of clothes. Jewelry 5. explain
The romantic bride in the second quarter
1. Makeup essentials 2. Hairstyle shaping 3. Matching of accessories. Style and color of clothes. explain
Section 3 A noble and elegant bride
1. Makeup essentials 2. Hairstyle shaping 3. Matching of accessories. Style and color of clothes. explain
Section 4 Compound Bride
1. Makeup essentials 2. Hairstyle shaping 3. Matching of accessories. Clothing 5. explain
Chapter XII Banquet Makeup Modeling
The characteristics of the first section dinner makeup
Section 2 Matters needing attention and requirements for dinner modeling
Section 3 Basic knowledge of evening dress
The fourth stage of makeup (large, medium and small stage makeup, TV makeup)
Chapter 13 Art Makeup Modeling
Section 1 Variety Show Types 1. Feature 2. Focus 3. Matters needing attention
The second section is the relationship between makeup types and roles; The Relationship between Clothing, Hairstyle and Modeling
Section 3: runway model makeup modeling 1. Feature 2. Matters needing attention
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