Ask for a composition, the theme is about the emotional skills of ancient China literati when they are sad.

Appreciate the eternal feelings from the image of the high platform —— A brief analysis of China's ancient poems on climbing mountains —— Liu Mu said in Wen Xin Long Fu that "climbing mountains has feelings", which shows that climbing mountains has always been an important tradition for literati to cherish the past by borrowing things. The images in these poems are full of the poet's strong feelings. For example, in ancient poems, the crystal of ice and snow is often used to describe loyalty, the moon represents homesickness, lush vegetation sets off sadness, and fragrant grass is used to describe parting. The feelings of ancient people climbing mountains are not limited to loneliness, but also the feelings of missing, expressing personal sadness when they are hurt, and inspiring works. Poets of past dynasties have continuously injected new emotions into the creation of climbing poems, enriching the content of climbing works, making them more diverse, thus giving them deeper cultural connotations. From RoyceWong, he boarded the Dangyang Building and lamented that "although he believed in beauty but not in my scholar, how could he get less travel", leaving a pioneering poem for later poets, followed by Xie Lingyun, a poet of the Northern and Southern Dynasties. Rejected by the authorities, the poet was sent from Kyoto to Yongjia as a county magistrate, and he suffered from depression. When he got well, he saw that the scenery had changed and the time sequence had been updated. He was homesick and he couldn't get it. He is in a dilemma and very uneasy. In Chuanwang's poem, "Squid is charming and graceful, flying rainbow is far away, and the scenery is full of wind. The new sun turns the pond into spring grass and the garden willows into songbirds. . Hidden dragons in the pool live comfortably under the water, while Hong Fei in the sky flies away loudly, seeking safety and avoiding harm. Although these creatures living in the water world come from different backgrounds and are free to do whatever they want, the poet himself still sticks to this boring place, which really embarrassed Yunfu and condescended to the depths. The poet expressed his inner yearning for freedom through the images of Hidden Dragon and Hong Fei. In the latter sentence, the poet shows the truth and beauty of nature with his vigorous spring vitality. In contrast, what happened in troubled times is even more boring. From the sound of running water and the dangers of distant mountains, the poet got selfless sustenance. The sunshine in early spring changed the afterwind of winter, winter went to spring, spring grass sprouted, and even the songbirds in the willow forest in the garden changed into new species. The beautiful spring scenery here makes the poet linger. From these images, the poet sensitively experienced that living alone, lonely and without a spouse, every day seems too long, and it is rare to have a quiet mood. In this poem, driven by the real situation, the poet's thoughts and feelings are composed of many components. He changed his intention to describe the scenery and achieved "feelings change with things, and things change because of feelings". "Before me, where was the past era? Behind me, where are the future generations? . I think of heaven and earth, and there is no limit, and I cry alone. "This is the elegy of a poet on the high platform more than 1000 years ago. His name is Chen Ziang, and this is a poem he wrote when he was in Youzhou Taiwan. Youzhoutai is the place where Yan Zhaowang, a virtuous corporal, built Huang Jintai during the Warring States Period. In the face of this historical relic, how can we not be deeply touched by the ups and downs of our official career? At that time, he was in the imperial court, although his official position was low, but he dared not forget his country. He wrote many times criticizing the malpractice of the imperial court, opposing the appointment of "private abuse" officials, and proposed that Qiang Bing, a rich country, should stabilize many frontier defense. Later, he was imprisoned because his good friend Joe's beautiful concubine was taken. After his release, he volunteered to defend the border. Commander-in-chief Wu Guyi failed to command and volunteered to lead the troops as pioneers. Wu refused and was demoted to sergeant. Angry at the reality, Chen Ziang stepped onto the platform. He wanted to find this person who treated Guo late and reused for the national plan and poured out his frustration and anguish to him. He thinks that sages are unattainable and then invisible. Suddenly, he felt that the world was long, his life was short, his achievements were difficult and his future was sad. This is an emotional state of lofty aspirations and disappointment for people with lofty ideals, which is full of social and historical content and has outstanding typical significance. The image of high platform exists as an emotional space for poets to vent their anger and sadness, bearing too many sufferings and misfortunes that literati can't bear in real life. The high platform shows the poet's essential attitude towards society and life. It has a more real sense of life. It is no longer a cold object, but appears in poetry as a symbolic image full of emotion. It symbolizes the lonely life situation, and also symbolizes the high standard of loneliness and independence. He is Meng Haoran. When he was forty, he visited Chang 'an. He should be a scholar, but he can't be an official. After returning to my hometown, my mood was very contradictory. He learned from Zhang in "Autumn Country-specific Mountains": "Tanaka wrote that on the North Peak among the white clouds, people with virtue are happy." Now, when I climb this mountain to see you, my heart flies high with the geese. Sorrow begins with a thin grave, if the weather in autumn is not so fresh and clear. I looked down at the riverbank and took a flat-headed rest with the folks who came home. If the trees on the horizon are rough, the moon will buckle the river. I hope you will pick me up, bring a basket of wine and get drunk on the Double Ninth Festival. This poem is a climbing work of the Double Ninth Festival during the poet's seclusion in Xiangyang. Looking up to the distance, asking the geese to express their feelings and expressing their thoughts for their friends can be described as a poem "picturesque, quiet and elegant". Zhang Zirong's noble character is set off by white clouds, and his thoughts are pinned on the geese returning to the south. The trees on the horizon are as lonely as wild buckwheat, and the shallow sandbars are like a crescent moon. I was supposed to meet my old friends on the Double Ninth Festival, but I couldn't. It is very appropriate and natural to use the moon to arouse the poet's feelings. The whole poem is a far-sighted scene, and every sentence is also a pity for others. Jing Qing is beautiful in sense, but his language is relaxed and affectionate. Who fought the sword all over the world, forcing the whole country to write the heroic poem "An Neng destroys his eyebrows and bends down to serve the powerful"? It is Li Bai. Only Li Bai can cultivate the poet's spiritual spirit in this way, and Zhuang Sao's poetic spirit inspires the poet's philosophy that "the five mountains are sacred mountains, and there is no way to think far, according to my unchanging habit all my life". Through the images of wine, sword, horse, moon, harp and flowers in his poems, he reached the realm of "heaven and earth coexist with me, and everything is one with me", presenting a dazzling poetic scene. In "Yellow Crane Tower Farewell to Meng Haoran in Yangzhou", he vividly expressed his affection for his friends and his feelings of parting through the picture of a lonely sail disappearing into the sky on the river. Spitting is not a device. It has a far-reaching influence. Another of his mountaineering works, Sitting Alone on Jingting Mountain, uses birds and lonely clouds as a metaphor for a wandering wanderer, that is, the poet himself, who quietly conveys his worries and bitterness to this beautiful Jingting Mountain and relieves his sadness when sitting alone. These are inseparable from his personal experience. Tianbao was called to Chang 'an in the first year. This turn of events gave him great hope. The beginning is "The youth is down and out in Chu and Han, and the dust is bleak and bitter." Today, he has a chance to show his disappointment in Beijing. His own situation is that "a day flies with the wind, soaring into Wan Li" and "laughing at the sky and going out, my generation is detached." However, when he came into contact with the court life in Chang 'an, he found that it was quite different from his own imagination, so his grand plan was almost nowhere to be put to use. After witnessing the corruption of the upper ruling group, especially the bad king and his subjects, he couldn't bear it, and angrily wrote the poem "Let's go back and sing that hard song". Emperor Xuanzong of the Tang Dynasty concentrated on the exclusive attitude of the court dignitaries towards Li Bai, saying that "it is better to punish him by letter than to repair the courtyard". Li Bai left Chang 'an angrily and started his journey under the situation of "a mass of sand beads, a lot of grass and loneliness". For Li Bai, poetry is his career, his wealth and his life. For decades, poetry and his honor and disgrace with * * *, life and death together. He entered the official position with poetry, retired with poetry, was favored by poetry when he was born, was convicted with poetry, and expressed emotion with poetry. He used poetry to shout. He wrote poetry happily, sadly, angrily, soberly and intoxicated. Poetry has long been transformed into a part of his life, linked by blood and inseparable, completing his poetic life wandering in the world. Living poetically on the earth is always a way of life for human beings. For Li Bai, his soul has long lived poetically in China and China's hometown, and his life is completely free in poetic life. He used his poetic life to show the high vitality of human beings and pursue the spiritual home that human beings yearn for. Do you remember that poem? Climb to the top of the mountain, and you will see that all the other mountains are short under the sky. ? Du Fu was a handsome young man in his early years. His lofty aspirations and high spirits seem to be irrepressible, and he jumps out between the lines, forcefully and forcefully. However, fate likes to play tricks on people. It did not arrange for Du Fu to create the great cause of "The Three Kingdoms are divided and bound by his greatness, and the Eight Faces Castle is built on his fame" and Du Fu's "Eight Arrays". On the contrary, he became the most wise man in the history of China literature and a "poet". Du Fu, who sits at the top of the altar of poetry, is also good at metrical poetry, and the highest achievement of metrical poetry is that this poem "Ascending the Mountain" is really a masterpiece. In the first couplet of this poem, there are rich choices of images, such as "the wind is urgent", "the sky is high", "the apes mourn", "the sand is white" and "the birds fly home". But it is only what I saw and heard when I looked up and bowed my head, and there was not much performance. However, when the poem entered Shun Lian, the whole poem began to swing, and the artistic conception was unparalleled lofty. "Leaves fall like the waves of a waterfall, while I watch the long river roll forward". Every sentence has only one image, "falling wood" and "Yangtze River". However, the meaning group is "boundless" and "inexhaustible". That "boundless" is the vastness of space, and "endless" is the length of time. Boundless has achieved the three-dimensional concept of "infinity" and redeemed the long-lasting concept. Coupled with the desolation of "falling wood", the position of "rustling" and the momentum of "rolling", this "Xiajiang Qiu Jingtu" suddenly became ethereal and active. You can close your eyes and appreciate how poets climb mountains, pitch the heavens and the earth, stay in the universe and observe the myriad feelings of everything. This poem was written in the first year of Gong, less than three years after the poet died forever in 2000. Moreover, the poet had to set foot on the road of wandering again after living in Chengdu Caotang for a short time. At this time, standing in the port of the Three Gorges of the Yangtze River, he seems to have a premonition that the trip is over. So, in the face of this scene and looking back on his life, how can he not feel sad about it? "I came from three thousand miles away. Sad for this autumn "is a true portrayal of his wandering life." Being a guest in a foreign country is a sad experience, not to mention being thousands of miles away, which coincides with autumn, and "normal, all my life, all my life." Seeing that a hundred years have passed, he is still accompanied by the "old sick ship". When I was a teenager, I struggled all my life. Now, I am lonely and lonely, all here and now, turning into a helpless sigh. There are also some excellent works by poets, such as Wang Zhihuan's "Climbing the Crane Tower" and "Mountain Shades the Day, Heiner River". In "But you travel three hundred miles, climb high and look far", the image of the sunset leaning against the mountain and the Yellow River entering the sea shows a majestic momentum, which makes people feel heroic and forward-looking. The enterprising spirit has been fully demonstrated in this "Climb high and look far", which is really an inspirational and inspiring work. Take Bai Juyi's Hangzhou Spring Watch as an example. In the first volume, Liu Ying is a supplement. Li Bo experienced eternal feelings from the image of Gaotai. Looking at the sea tower, the morning light shines, protecting the river, raising the white sand and clearing the sand waves, and collecting in the temple at night. Liu Sechun wears Su black tea to weave persimmon ribbons, and Qing Qi holds flowers to sell wine. Who opened the southwest road of Lake Temple, the grass green skirt lip was raped. The author climbed up the building and looked from a distance. Spring willows, spring grass, spring trees and spring water make the whole city of Hangzhou full of the breath of spring. Pear blossoms, red skirts, colored diamond and wine flags have all been touched and dyed, and they look very beautiful under the brilliance of Asahi. The whole poem is full of the poet's uncontrollable admiration. Then there is Xu Hun's "The East Building of Xianyang City", in which the "H" in Sichuan is described as a high city, Wan Li, leisurely, and Legwailiu is like Tingzhou. At the beginning of the Australian cloud, the sun sets in the west and rain is coming. Under the birds, there are green grass, Qin Fanxi, yellow leaves and Han Hongqiu, all of which are plain and bright. Pedestrians ask about the past, and the old country comes to the Weihe River in the east. This poem is about the poet's shock when he walked to the east building of Xianyang City on a gloomy autumn night, and he felt infinite emotion for the scenery and historical traces in front of him. Images such as willow, cicada and yellow leaves in the poem all set off a sad environment. The prosperity of the Qin and Han dynasties has disappeared without a trace, and people who have visited the ruins of the Han Palace are faced with this kind of desolation. It is better not to pursue and identify the things of that year. The author laments that there is nothing eternal and there is no eternal prosperity in the world, which conforms to the law that everything produced in history will perish in history. In addition, there is Du Mu's "Nine Days on Mount Qi". At the time of writing this poem, he was the secretariat of Chizhou. On the Double Ninth Festival in 1999, he and his friend Zhang boarded Qishan in the southeast of Guichi County. Partly because he was rejected by the imperial court, and partly because he was unable to make ends meet in the capital, he saw many social ills in the long run, but many of his own strategies of governing the country and leveling the world were useless, and his heart was full of contradictions and pains. On this day, I climbed to the top of the mountain and watched the wind. I couldn't help but feel it and wrote this lyric work. The poem said: "Jiang Yingyan first flew, and the guest carried a pot of emerald emblem. "It's hard to smile in the world, and chrysanthemums must be inserted." The first couplet is about phenology and friends in boarding season. At this time, the air is crisp in autumn, Zheng Hong has just moved south, and the river is as clear as a mirror. The images of autumn mountain, Qiu Shu, autumn sky and autumn geese all form images in autumn water, which makes autumn scenery very strong and vivid. The image of chrysanthemum in the latter couplet is quiet, noble and refined, which expresses a broad-minded feeling in this poem. Although chrysanthemum can't be compared with peony or orchid, as the flower of Ao Shuang, it has always been favored by literati. Some people praise its strong character, while others appreciate its lofty temperament. Qu Yuan's "Li Sao" "Drink Mulan dew in the morning and eat autumn chrysanthemum in the evening to stay in England." The poet symbolizes his noble character by drinking dew and eating flowers. "Chrysanthemum", a unitary chess in the Tang Dynasty, "Autumn follows the house like a Potter, chasing the cylinder while the sun sets. It's not that chrysanthemums are preferred in flowers, but that this flower is even more flowerless. " Expressed the poet's pursuit of firmness and noble character. Other poems, such as Cold Chrysanthemum by Zheng Sixiao in Song Dynasty, Cold Chrysanthemum by Lonely East Hedgehog and Two Chrysanthemums after Chongyang by Fan Chengda in Song Dynasty, all express the poet's spiritual quality through chrysanthemums. The chrysanthemum here has undoubtedly become a portrayal of the poet's personality. On the surface of poetry, the poet seems to be very open and able to cope with multiple contradictions and obstacles. In fact, there is something deeper behind it, but this kind of deep expression is just in the form of forcing a smile. The introverted mind permeates the broad-minded words and deeds, and it is more emotional than the general direct expression. During the long climbing journey, the poet pinned his joy, sadness, frustration and unfulfilled ambition on all natural landscapes, such as a grass and a tree, a bug and a bird, a mountain and a water. These images reflect the sense of urgency of life, the sense of value of life and the sense of social responsibility of caring for the country and the people. They can't walk out of the established historical destiny, repeating the experience of the previous generation of poets and carrying on the cycle of life. They can't leave the net of fate, but express their feelings in the mountains and rivers, pour out their grief and indignation on the high platform, get rid of their thoughts in the echo of the valley and calm their turbulent hearts.