Traditional Culture Encyclopedia - Photography and portraiture - How to take pictures of beautiful flowers in the garden?

How to take pictures of beautiful flowers in the garden?

Every photographer who loves nature, then the garden can easily become one of the ideal shooting places. In the garden, close-ups of petals and leaves show lush green plants, texture details and visual symmetry. We will discuss in detail how to take beautiful photos of flowers in the garden.

Plan shooting in advance

Pay attention to the weather forecast before shooting. If you plan to shoot a set of abstract concepts in theme photography, you can shoot it on windy days.

Shoot more depth at dawn. The bright light at noon is too dazzling, which will filter out the color in the photo and turn the shadow into a black area without details. It's a good habit to shoot on cloudy days-the light will be softer and the contrast will be smaller.

If time permits, please try to change the shooting position in advance or many times before taking pictures to find the ideal angle and object.

Similarly, when shooting, you must choose a windless or windy day to reduce the motion of the subject. The most convenient condition for taking pictures in the garden is that the wind speed is less than 8 km/

There is a greater chance to get a clear image with good depth of field. If you shoot on a windy day and want to capture plants without blurring, you need to use a faster shutter speed, about 1/500 seconds or faster.

Mild use

The best shooting time is early morning or evening. However, don't limit yourself to the basic rules of photography. Shooting in natural light, the bright environment provides a beautiful and dreamy contrast, while the darker lighting settings make the picture more realistic.

You can also use shadows to make the picture more dramatic and three-dimensional.

Use different lenses

Try to capture a wide view of the landscape with a wide-angle lens, or capture the most exquisite details in the garden with a macro lens.

Pay special attention to the latter, because the macro lens is very suitable for natural photography, which can magnify things that can't be seen by the eyes, such as lines on leaves or pollen grains. Many plant photographers specialize in macro photography. This requires practice, patience and the use of tripod and cable release, because the smallest movement will mean completely useless shooting.

Composition of the picture

At the beginning of the composition, please look for eye-catching guide lines to attract the attention of the audience. Lines can form a composition and lead to the key points, but generally they should start from the bottom of the composition outside the composition and lead to the garden.

Anything that can create edges can play their role: fences, walls, streams, rows of plants, hedges, especially roads. Most gardens have paths leading to the depths of the garden-the eyes of the audience will also pay attention to it. If this road is clearly delineated and there are no weeds on it, it will be a good tool for architectural composition.

If possible, add some expressive curves to the picture-this will make the small garden look bigger.

Also, make sure to eliminate any distracting details. According to the specific garden, plant species and the expected use of future photos, you can do some cleaning work-if necessary, you can bring a pair of scissors and a broom to tidy up the scene.

Remember the dichotomy: think of the viewfinder as a tic-tac-toe game field, divided into three vertical rectangles and three horizontal rectangles. Put the most interesting elements in the picture where these lines intersect, and don't hinder the object from being in the center of the picture. This can create a more dynamic composition and make the viewer's eyes move on the image.

Pay special attention to the blanks in the picture.

Blank space is the area occupied by the main object of the work; Blank space is the area around the positive space, which can produce appropriate tension and focus, thus enhancing your attention.

If placing an element in a picture has no specific composition purpose, it will distract the theme. Fill the screen with themes and remove all unnecessary details.

When constructing the composition, please consider that the bright areas stand out visually, while the dark areas gradually disappear. The same is true of colors in pictures: warm colors move forward to attract your attention.

The depth of field is related to the focus and the required plane in the photo. By limiting the depth of field, you can emphasize the main focus.

In landscape photography, it is best to place a green leaf in the foreground so as to frame the subject in the middle. So is the background element-it creates a sense of depth. If the gazebo is not as strong as the object itself visually, it can be played by gazebo, fence or other plants. In this case, it is best to use the depth of field to blur the distracting elements and focus on the desired object.