Film review of Changjin Lake shooting techniques and lenses

The film review of the shooting techniques and lenses of Changjin Lake is as follows:

I found that this film used a lot of telephoto lenses to shoot, instead of the wide-angle lens that we used to think of grand narratives. .

For example, the first point is that a telephoto lens can bring distant things closer. This has two advantages: first, when we get very close, you will feel that the scene is extremely crowded, as if you are crowded in the same trench with the soldiers.

The second feature is that those students who are familiar with telephoto lenses will know that this kind of picture must have been taken from a distance. When you realize this, you will have another feeling, that is This is a really cruel war.

Many of the outstanding photography works on the battlefield that we have seen in the two-dimensional photography works were shot at telephoto. Why? Because it was so cruel, reporters were not necessarily allowed to enter the trenches to take pictures, and most of them hid in a slightly distant place and took photos with telephoto lenses.

The third feature is that the perspective effect of near and far in the telephoto lens is not very obvious. This will cause the picture we see to be close, not very close, and not very far. In other words, the overall distance between near and far is greatly compressed, so it is very suitable for shooting scenes with crowded people.

From the first warrior - the nearest one to the farthest one, the difference in size between them is not as big as visible to the naked eye, so they are more crowded together. There are more people, which is another kind of grandeur.

It is precisely because of this that when you shoot several characters with the background of mountains or rocks, you will also feel that the distance between the background and the characters is very close. It feels like this The trench is very narrow and creates a visual sense of oppression.