Write a composition on calligraphy and culture.

1. About Calligraphy Traditional Culture Composition 800 Font I love calligraphy, because it is a unique art in China and an enduring wonder in China traditional culture. From Oracle Bone Inscriptions and Shi Guwen to seal script, and then to cursive script, running script and regular script; In this vast river, many great calligraphers have emerged, such as Wang Xizhi, Wang Xianzhi, Liu Gongquan and Yan Zhenqing.

I envy these calligraphers so much that I decided to practice calligraphy. I began to learn calligraphy at the age of seven. In the course of more than a year's study, not only my calligraphy has made great progress, but also I have learned a lot of truth.

Practicing handwriting is not an easy task. Only by studying hard and persevering can we practice calligraphy well. I also understand that writing good calligraphy can also reflect the sense of cooperation and team spirit.

If one stroke of a word is not in place, the structure of the whole word will be affected. After a year and a half of practice, my handwriting is getting better and better. Compared with the beginning, it is really "a different person."

Every day after school, I go to the teacher's house to practice calligraphy by myself. After studying hard, my calligraphy has made great progress. Won the bronze prize in the 9th World Peace Calligraphy Exhibition, and passed the fifth grade successfully in the summer vacation.

I feel very gratified when I think of the past sufferings and the present gains. There is sweetness without bitterness, so it really should be said. I think writing calligraphy well is to carry forward the cultural tradition of the motherland and cultivate my love for the culture of the motherland from an early age.

2. Calligraphy Art Composition 1500 words China calligraphy is an ancient art, which develops with the development of Chinese civilization.

In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history.

Calligraphy, as an artistic creation, is deeply mysterious. From Oracle Bone Inscriptions, Bronze inscriptions to Da Zhuan, Xiao Zhuan and Li Shu, to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script, running script and other forms were basically finalized. Calligraphy always exudes the charm of ancient art and is loved by generations.

Calligraphy is a meaningful black-and-white composition on white paper, which is formed by the flexibility of brush movement and the richness of ink and wash. Therefore, calligraphy is the art of composition; The calligrapher's pen is an extension of his fingers, and the sharpness, slowness, flying and frustration of the pen are all driven by subjectivity and become the vent of his emotions. Therefore, calligraphy is also an art of expression; Calligraphy can quietly reflect a calligrapher's personal life feelings, knowledge, cultivation and personality through his works. Therefore, there is usually a saying that "words are like people" and "books are paintings for the heart". Calligraphy can also be used to write inscriptions and plaques, so it is also a practical art. In short, calligraphy is a relatively comprehensive art, and it tends to express subjective spirit. Calligraphy embodies the basic characteristics of China art, just as architecture and sculpture dominate other kinds of plastic arts in western art, so calligraphy and painting dominate other kinds of fine arts in China, ranking first in China. Putting calligraphy and painting together puts calligraphy in front of painting, which is called "painting and calligraphy", such as "painting and calligraphy are of the same origin", "Qin Qi painting and calligraphy", "painting and calligraphy" and "being able to write and draw". Calligraphy is closely related to Chinese painting. Especially after the emergence of literati painting in Song and Yuan Dynasties, painting with pen pays attention to calligraphy, and ink painting is similar to calligraphy. China's ancient sculptures also contain the characteristics of calligraphy. The texture of ancient sculpture in China is a combination of lines, and the decoration of modeling is intrinsically related to the seal script in calligraphy. The layout of ancient buildings in China follows the principles of symmetry, balance and master-slave relationship. The implication and borrowing scenery in garden architecture, as well as the ethereal and flying pursuit of pavilions, terraces, buildings and pavilions are closely related to the structure, composition, rhythm and charm of calligraphy. As for arts and crafts and folk arts, they are also influenced by calligraphy to varying degrees. Calligraphy is the soul of China's art.

China's calligraphy has a long history, and his artistic youth is eternal. The social environment of each era is different, people's aesthetic appreciation angles are different, and with the development of culture, calligraphy also has its own characteristics and is constantly improving. Looking through the calligraphy of past dynasties, I found that "Jin people respect rhyme, Tang people respect law, Song people respect meaning, Yuan and Ming" is an incisive summary:

Jin people like rhyme-Jin calligraphy is beautiful and charming, romantic and chic, which embodies the elegance of the literati class and reveals a kind of quiet beauty.

People in the Tang Dynasty respect the law-the calligraphy in the Tang Dynasty is rigorous and magnificent, which shows the national strength and pioneering spirit in the heyday of feudalism and has great aesthetic feeling.

People in Song Dynasty were very interested in calligraphy-calligraphy in Song Dynasty was ups and downs, calm and happy. It is in the situation of "national disaster and prosperity" that literati are dissatisfied with the realistic personalized calligraphy and express their feelings with books.

Since the Yuan and Ming Dynasties, the feudal society in China has stagnated, and the river has gone from bad to worse, which is reflected in the fact that calligraphy advocates antique and is mediocre.

As for the madness of "anti-vulgarity" in the calligraphy circle in the late Ming Dynasty and the rise of the wind of worshipping monuments in the late Qing Dynasty, it is like magma rushing underground, lightning or flint flashing in the night, which reflects a sign of a great social change. "You can think of a thousand years" is true.

Tracing back to the development of calligraphy for 3,000 years, we can clearly see that it is synchronized with the legal development of China society and strongly reflects the spiritual outlook of each era. China's calligraphy is an artistic treasure that our nation will always be proud of. It has a profound mass base and the characteristics of advanced art that no art in the world can match. The art of calligraphy is gradually popularized among the masses, and it is more and more favored by everyone.

Writing an 800-word composition with your favorite grass is a culture handed down from our predecessors. There are many famous calligraphers, such as Wang Xizhi, Yan Zhenqing, Liu Gongquan and Mi Fei. In our life, there are also many calligraphy, such as couplets, banners, inscriptions and so on. I like calligraphy very much, so I joined the school's calligraphy interest group and followed the calligraphy teacher to swim around the world of soft pen calligraphy.

"Return the peak to the peak", where did this sound come from? It's a calligraphy interest group in our school, and it's gearing up for practice. When I walked in, I saw many banners. Of course, these are the works of those students who have practiced before. To tell you the truth, I really envy them and every word they write, such as "aim high" and "in the prime of life" That brushwork refreshed me and said to myself, I must be like them. This is how I felt when I first joined. Why did I choose calligraphy? It's because I learned the elegance of those calligraphers from books, and I deeply admire them. Let's take a look at their hard road to success with me.

Mifei is a famous calligrapher. When he was a child, he liked calligraphy and practiced it carefully, but his handwriting was not decent. Even Mr. Wang said, "You can't, go home and farm!" Miffy went home and thought, I don't believe this. He continued to practice, but the effect was still not good, and Miffy began to lose heart. One day, Mifei was in distress and punched a hole in a big tree at the entrance of the village. At this moment, a scholar came. He went to catch the exam and got lost. He entered their village. The scholar asked him what was wrong. Miffy said absently, I can't write well, but I just want to write. Well, what should I do? The scholar said I could help you. Mi Fei quickly asked in heaven, "How did you write it?" The scholar said, "I'll give you a piece of paper. You can write with it, but it's expensive. It costs five taels of silver." Miffy will write on a piece of paper as soon as she listens. Impossible, but let's have a try. After returning home, he asked his mother for money and gave it to the scholar. The scholar said, I'm going out. I'll go and have a look at it at noon. Miffy began to analyze. At noon, the scholar came back and asked, "Where is it written? Miffy said, I haven't written it yet. " "Then write one," said the scholar. Miffy began to write a word "forever", which was fascinating and well written. The scholar guided him for a few days and then left. Leave a small cloth bag when you leave, and tell Miffy that he was watching when he left. After he left, Mi Fei opened the box and found the five taels of silver. Miffy is as happy as the rising sun.

Later, he practiced hard and finally became a famous calligrapher. "Where there is a will, there is a way." Calligraphy is a rigorous discipline. I must inherit the calligraphy culture like a calligrapher and carry forward the essence of our excellent culture.

4. Write a 500-word composition on the topic of "traditional culture". China is one of the four ancient civilizations. It has a long history and a long culture. In the long history of 5,000 years, it has left us a huge treasure house, which contains many "treasures", including paper-cutting, ceramics and other exquisite folk handicrafts. There are ancient folk arts, such as drama and Chinese painting; There are also unique customs, such as the Lantern Festival ... However, I have a soft spot for national art and Chinese painting. The Riverside Scene at Qingming Festival is an ink painting, and it is also a well-known Chinese painting at home and abroad. It was painted by Zhang Zeduan, a painter in the Northern Song Dynasty. This painting is very long, 528 cm long! The width is 24.8 cm. It depicts a lively scene in the capital of the Northern Song Dynasty. The Riverside Scene at Qingming Festival has a history of more than 800 years, and it is still in the Palace Museum in Beijing! Zhang Zeduan put a lot of effort into painting this painting. There are more than 500 people in the picture alone, including farmers from rural areas, wandering doctors, boatmen with boats, businessmen engaged in various businesses, vendors with stalls, bearded Taoist priests, officials and scholars ... 360 lines, each of which has been painted by everyone. The market there will be very lively. There are shops, workshops, restaurants and teahouses on the street, and all kinds of signs are hung ... very lively. Walking in the street, people come and go in different shapes: some are riding horses, some are driving donkeys, some children are flying kites happily, some are carrying burdens, some are pushing unicycles at that time, and some are strolling leisurely in the street ... Some people in the picture are less than an inch, but we can. China really deserves to be one of the four ancient civilizations! Oh, I forgot, we should not just watch and not carry forward, we should carry forward what has been handed down from our motherland! -It is the transition and alternation from the old year to the new year. The ancients used to wrap a coin in jiaozi. Whoever eats money first in jiaozi will be blessed in the new year, but modern people think coins are too unsanitary, so they use wrapped sugar instead. There are many traditional cultures in life, such as setting off firecrackers in the New Year and climbing mountains on the Double Ninth Festival. Take the Chinese New Year as an example. Why should firecrackers be set off during the Spring Festival? There used to be one a long time ago. You have to divide it.

5. A 500-word composition with the theme of Confucian calligraphy. China's calligraphy has become a unique voice in the world art forest, and it can be the representative of the essence of China culture. In addition to the above objective reasons, more importantly, China's calligraphy art is integrated with China's culture and the spirit of the Chinese nation. The spirit of China culture is the unity of heaven and man, emphasizing monks. This idea, which emphasizes overall harmony, affirms that things are the unity of diversity, and advocates embracing everything with a broad mind and the spirit of all rivers, so that society can reach the ideal realm of "harmony". The ideal realm of calligraphy is also harmony, but this kind of harmony is not a simple balanced division of lines, just like the equal arrangement of operators, but the overall balance, that is, the balance in the sense of "middle" and "harmony", which is achieved by using artistic means such as unevenness, reserving differences to make up for gaps, emphasizing light and heavy, and alternating shades. The trend of reflection between strokes and the posture of looking around pay attention to individual existence while taking into account other functions. For example, the overall elegance and balance of rules are also achieved by constantly adjusting the left and right movement of each vertical line and creating danger. Huang Tingjian's creation of Huangzhou Cold Food Poetry is also a successful example in this respect. It can be seen that little by little paintings contain, grow and set off each other; Every word, every line, every mistake, and mutual praise, the value of "harmony is precious" in China culture is perfectly reflected through the beauty of neutralization in calligraphy art.

Complementarity between Confucianism and Taoism and combination of rigidity and softness is another basic content of China traditional culture. Confucianism advocates being strong and self-reliant, and The Analects encourages the "scholar" of "Hongyi" with "a long way to go". Laozi advocated "being open-minded, quiet and faithful" and guided scholars to get rid of the noisy world with quietism, which became a supplement to Confucianism. The pursuit of masculine beauty and feminine beauty in China's calligraphy art is undoubtedly influenced by the pursuit of ideal personality by Confucianism and Taoism. Of course, the expression of yang gang and feminine in calligraphy art is not either one or the other, but both, each with its own emphasis The calligraphy of Jin people, represented by Wang Xizhi, is generally feminine, implicit, elegant and upright, and combines rigidity and softness because of the value orientation of Jin humanistic people and advocating the spirit of high-pitched, vigorous and free-spirited. On the other hand, the Han nationality in Qing Dynasty had a complex of depression and resentment, especially the prosperity of epigraphy, which gave calligraphers a powerful impetus to release depression. Kang Youwei's and Liang Qichao's calligraphy is a typical representative in this respect, which is both vigorous and elegant, and both rigid and flexible.

In pre-Qin philosophy, Taoist nihilism had a far-reaching influence on China traditional culture. Laozi said: "Use it as a tool, and when it is not a tool, you can use it as a tool. Carve the family into a room, and when it has nothing, it has a room. Therefore, it is beneficial and useless. " Huainanzi said: "Life comes from nothing, but from emptiness". In the art of calligraphy, paying attention to the management of blank space, emphasizing the display of talents where there is no ink, and taking white as black is the concrete embodiment of this view. Such as Yan Zhenqing's Liu Zhongxin's Post, Song Ke's Du Fu's cursive script of Zhuang You, Dong Qichang's Bai Juyi's cursive script of Pipa Xing, and Huai Su's Autobiography Post, there are even more examples of the coexistence of reality and reality. In the art of calligraphy, on a piece of paper, ink is black and ink is white; Where there is ink, it is true, and where there is no ink, it is virtual; Where there is ink, there are words, and where there is no ink, there are words; It is important to have words, especially no words. White is the basis of black, black is the basis of white, and black and white complement each other; Virtual is real, but virtual is a reflection of reality. When virtual and real exist, they are interrelated. Laozi's thought of unity of opposites is vividly reflected in the practice of taking white as black in calligraphy art.

Books are drawn for the mind. Personally, the brush and ink lines in calligraphy works are the expression of the writer's feelings, the expression of his heart and the display of his arms: Preface to the Lanting Pavilion shows elegance, and Sacrifice to My Nephew shows Yan's grief and indignation; Generally speaking, calligraphy treasures from ancient times to the present, with the help of various lines and the statement of China culture, show the national spirit. The bronze inscriptions of Oracle Bone Inscriptions, simple man and Duan Yan all depict the ancestors of Shang and Zhou Dynasties asking God, "Is there a blessing here?" The pious expression of time engraves the solemn expression that "children and grandchildren will always use it"; The stone carvings of Zhongzheng Qin Dynasty show the good intentions of the first emperor to govern the Qin Empire after the unification of the four seas. Even from the writing of a Chinese character, we can understand the connotation of national culture.

China's calligraphy art has a profound and thorough interpretation of China culture and a free and delicate expression of the Chinese national spirit. From the study of China's calligraphy culture, we can see the essence of China culture and the infinite national spirit contained in the art of calligraphy.

6. Write a 600-word composition about the art around you, entitled "The Story of My Learning Calligraphy" (1). Calligraphy is a beautiful art, and practicing calligraphy in my spare time is also a good way to cultivate my self-cultivation.

It takes a lot of time to learn calligraphy well. That's true. But after more than two months of calligraphy practice, I also learned a lot. At least you can learn more about calligraphy knowledge and writing skills, and you can also learn about calligraphers and calligraphers' works of past dynasties, especially to exercise one's perseverance and patience.

Learning calligraphy, if you really put yourself into it, you can feel a lot of fun. Yes, we first came into contact with seal script, then official script, and then regular script. Each calligraphy font has its own characteristics. I think the strokes of seal script are beautiful, official script is soft, and only regular script is vigorous and imposing. And I personally prefer regular script, especially Yan Zhenqing's regular script. Because of this, every time I write, I can confidently write the shape of each stroke. When I write, I don't know what I want to do, but as long as I have its shape in my mind, it's easier to master.

It is not easy to really learn a certain font style, that is, the calligraphy style of calligraphers of past dynasties. First of all, you should have a certain understanding of the calligrapher and his works, and then you should master his calligraphy characteristics and skills. In fact, the realm of calligraphy is indeed infinite. It really takes time for you to learn it well. We should take time to understand a certain font style, and learn more about the calligrapher's background and the birth of his works. Only in this way can we fully master a certain calligraphy style. To learn calligraphy, I think we should start with copying. We should pay attention to learning from others, learning their advantages and absorbing their good things, so as to improve our calligraphy level. We can't enrich and cultivate ourselves if we don't learn from others.

Of course, we can't blindly learn the works of our predecessors, we should gradually form our own style, pay attention to the study of famous posts, learn from each other's strengths for our use, and gradually form our own style and characteristics through continuous practice and exploration.

Finally, I think that to learn calligraphy well, there must be certain aesthetic requirements, and the written works should have aesthetic feeling. We should constantly surpass ourselves in the style of pursuing beauty. In the study and creation of calligraphy, the pursuit of beautiful style depends not only on the physical structure of each word, but also on whether the whole work has changed, such as different brushstrokes, appropriate size, fat beauty, thin and full beauty, chic charm, full of emotion and high spirits. Because everyone's hobbies and aesthetics are different, they must have their own different views, requirements and pursuits. Thus formed their own different artistic styles. In a sense, only by forming a personal artistic style and constantly surpassing others and self can we calmly step into the palace of human calligraphy art.

"Plum blossom fragrance comes from bitter cold". I believe that as long as we work hard, we will learn calligraphy well.

Calligraphy art is the pride of China people, and we should always be proud! Article source: Geng Qingquan's calligraphy art.

(2)

Looking at the large snowflakes flying in the air outside, I think that the plum blossom in Nanjing will bloom more brightly next spring than in previous years, and I recall my experience of learning calligraphy.

I began to learn calligraphy from my father, who gave me a pair of beautiful zhenstones. On that town stone, it says, "The sword front comes from sharpening, and the plum blossom fragrance comes from bitter cold." It means that no matter what you do, you must persevere and persevere, so that you can succeed.

My experience in learning calligraphy is exactly the same: I have been learning calligraphy since my first year of high school, and I practice calligraphy every day. Because of perseverance, my level has improved a lot and my progress is getting faster and faster. In the third and fourth grades, because of too much homework in the cultural class, I couldn't practice every day, but I had to practice three or four times a week. In the fifth and sixth grade, I had more homework in culture class, and I had to practice it two or three times a week, but I never gave up. I just make time to keep practicing. I saw other children playing downstairs, but I was trying to practice my handwriting. I felt wronged and wanted to go out to play, but when I saw Zhen Shi's famous poem, I gritted my teeth and persisted. So step by step to today. With the improvement of calligraphy, more and more fonts are practiced, including regular script, official script, running script and seal script. I began to take the calligraphy examination organized by Jiangsu Federation of Literary and Art Circles in 2003, step by step, and passed Grade 9 this year. He has participated in various calligraphy competitions in China, Jiangsu Province and Nanjing for many times, and won different awards: Silver Award in the 3rd and 4th Children's Calligraphy Competition in Jiangsu Province, Gold Award in the 5th Children's Calligraphy Competition in Jiangsu Province, Diamond Award in the 2nd National Children's Calligraphy and Painting Photography Competition, and the first prize in the 2006 National Children's Calligraphy Soft Pen Talent Selection.

I like calligraphy, and I think it is a beautiful pen tip art. I like to write vigorous and powerful Chinese characters on paper with a brush. I like the hearty feeling, and I prefer to watch the pen tip show its beautiful dance on paper.

Practicing calligraphy is really a pleasure!

I study calligraphy not to accomplish any task, but to relax my mood and relieve my nervousness after studying. Practicing calligraphy can also broaden one's horizons and cultivate one's sentiment, which is really an extraordinary enjoyment.

"The road is long, Xiu Yuan, and I will go up and down." I know that my calligraphy still has a long way to go, and I would like to be the holy plum blossom that blooms alone in the cold. Author Zhu Guyue

7. Write a composition about Yangshao culture. Yangshao culture is an important Neolithic culture in the middle reaches of the Yellow River. Its duration is about 5000-3000 BC. It is distributed in the whole middle reaches of the Yellow River from today's Gansu Province to Henan Province. Today, thousands of Yangshao cultural sites have been discovered in China, with Shaanxi Province as the largest. It is the center of Yangshao culture. The name of Yangshao culture comes from its first excavation site-Mianchi Yangshao Village, Sanmenxia City, Henan Province. Discovery of Yangshao Culture1965438+In June 2006, Professor An Tesheng accidentally discovered a batch of Paleozoic fossils while exploring copper resources in Shanxi. This discovery combined with the unsustainable situation of mineral resources exploration at that time, Professor An Tesheng and Mr. Ding Wenjiang, then director of the Institute of Geographical Surveying and Mapping, immediately adjusted their work focus and turned to the large-scale collection and collation of paleozoic fossils. At the same time, this work was also supported by the Ministry of Agriculture and Commerce of the Republic of China and the Royal Swedish, and Mr. An Tesheng's archaeological career began. It is mainly distributed in the middle and lower reaches of the Yellow River, with the Weihe River Basin in Shaanxi as the center, and the narrow strip in the southwest of Shanxi and the west of Henan. East to central Hebei Province, south to the middle and upper reaches of Hanshui River, west to Taohe River Basin in Gansu Province, and north to Hetao area in Inner Mongolia. Nearly 100 cultural sites have been excavated, and the unearthed cultural relics all reflect the same cultural characteristics. The tools used in handicraft industry and pottery production are mainly grinding stone tools, such as knives, axes, chisels, arrows, stone spinning wheels for textile, etc. Bones are also quite exquisite and developed. And dogs. They also engage in hunting, fishing and gathering. All kinds of daily-use pottery, such as water vessels, retort, stove, tripod, bowl, cup, basin, jar, urn, etc. , mainly fine clay red pottery and mixed sand red pottery, mainly red. Most of them are made by hand, and the walls of containers are flat. Red pottery is often painted with geometric patterns or animal-shaped patterns. I have mastered the process of mud selection, modeling and decoration. Most of them are formed by mud laths, and the mouth is trimmed with slow wheels. The surface of the utensils is decorated with various exquisite patterns. There are pots, pots, bowls, narrow-necked pots, small-mouth, pointed-bottom bottles, jars and coarse pottery urns. Their painted pottery is beautifully shaped, with colored geometric patterns and animal patterns painted in red or black on the surface. Among them, human face, fish pattern, deer pattern, frog pattern and bird pattern are vivid and vivid. Many unearthed painted pottery are artistic treasures, such as water birds pecking fish-patterned boat pots, painted pottery pots with face patterns, painted pottery pots with fish frog patterns, and painted pottery pots with stork titles and fish patterns. Pottery sculptures are also wonderful. There are various animal statues attached to pottery, such as falcon ornaments, sheep's head buttons and birds. There are more than 50 kinds of carved symbols, which may have the nature of original characters. A dragon and tiger pattern made of clam shells was found in Xishuipo, Puyang, which is the most complete image of dragon and tiger in primitive times known in China.