Bohe Aesthetic Photography Baoji

I don't know if you feel this way. As more and more films are watched, the taste becomes more and more awkward. We no longer pursue simple plots, but long for complex stories. A straightforward story can only cause yawning in the sky and become more and more ugly.

This is a sign that your aesthetic level has improved. Maybe you don't know the origin of this feeling, but you can find that the story you used to love is boring now. You begin to crave more interesting and different movies.

At this time, you can choose some movies that break the time and are not in chronological order.

We like to sort out the story in chronological order, which is just the habit of listeners. As a storytelling director, he will not indulge his habits blindly, which stems from his pursuit of aesthetics. For storytellers, they are like navigators, leading the audience to swim in the ocean of time. They can't let the boat slide out of the water, but they can change course at any time.

Violating the chronological order is an adventure. The most common narrative is from beginning to end. This continues the Millennium tradition, which is not only in line with the habit of most people listening to stories, but also in line with our general consensus on the development of events. If you do the opposite, you will split time and your untrained mind will soon stagnate. Neurons light up a red light, giving us a warning of "don't understand" or "don't understand", eager for time to get back on track.

But in fact, whether it is the real world or the screen space, what is the real sequence? We capture information from flowing light and shadow, connect cause and effect, and explain stories, in fact, only to satisfy our desire for an orderly world. But the so-called coincidence is not a book, and the real beauty comes from accident. In the long journey from cause to effect, it is only a series of accidents that push the story to the other side.

The real world is the fruit of accident. As viewed from a macro perspective, it seems that people can infer historical laws. But if you look into the details, you will find that only the word random is the only lighthouse in the turbulent history. But we long for stability and order, and we can't stand a broken puzzle. This impulse forces us to seek answers from memory and try to make up for our shortcomings. But even the most vivid memories can only reflect one aspect of the facts, because narrow subjectivity always unconsciously embellishes the details. Just like the frozen moment in the photo, the truth you can capture is limited to the time side.

By manipulating time, the director makes abstract accidents concrete, and this experience will also boost our aesthetic ability. What touches the photographer to press the shutter is often just a flash of thought. What triggers the decision and affects the fate may be only temporary and accidental emotions. Just like the last straw that crushed the camel, a seemingly ordinary chat and a gesture may arouse a spring in my heart. It will instantly destroy the rock-solid reason, press the switch between cracks and change fate. Although it seems unreasonable to onlookers, on second thought, it is understandable. These accidental emotions are the source of drama.

Drama has made the film itself and the emotional experience that the audience yearns for. And if emotions want to be moving, truth is the only benchmark. Movies that break the narrative order of time and space are just in line with the normal state of the real world. The so-called aesthetic promotion is also an understanding of this normal state. Once you cross this threshold, you will find that this beauty does not come from the subversion of form, but from the essence of content. The film will be accidentally loaded into the melting pot, stirred by the time wand, and refined into a panacea to awaken emotions.

When the director waved his wand, the dial of the story was upset. This touches the neurons in our brain that perceive time, and the original focused thinking becomes divergent. This divergence stimulates the feelers to jump. It leaves the small cells in the prefrontal cortex and becomes a memory corridor deep in the brain. It's like going back to your old house after a long separation and carefully brushing the dusty manuscript in the corner. When the floating dust cleared, the light in the depths of memory began to appear, and the numb mood also woke up. As a result, we began to be sensitive, emotional and enjoy the pleasure of beauty. The director who knows the magic of time has triggered our aesthetic experience.

1. Before reservation (20 14)

Director: Michael Spirig/Peter sperry

Screenwriter: Michael Spirig/Peter sperry/Robert A. Heinlein.

Starring: ethan hawke/Sarah Snook/noah taylor

Speaking of robert heinlein, he is a famous figure in science fiction. He was once called one of the four great talents in the golden age of American science fiction. The Powerful Moon and Star Trek both represent a trend of the times. Based on his short story "Your Resurrected Bodies", this film is short, pithy and dreamy.

In fact, many people have a misunderstanding about science fiction movies. It seems that science fiction movies must have amazing special effects to deserve the word science fiction. But the core of a successful science fiction film lies in its story structure. Those frameworks that restrict real movies don't exist for science fiction movies, which gives imagination a bigger stage to play. It can unscrupulously play with concepts, adjust its structure and draw fantastic pictures.

Time, a mysterious term, is also one of the favorite themes of science fiction movies. This film focuses on the cycle of time and space. Can time travel reshape fate? And is the picture after that expected? This film has caused us to think about these problems. As the plot progresses, you will constantly doubt your destiny, and the appearance and exit of each new character will trigger a new thinking experience. As the truth is revealed, when the time dimension opens before your eyes, you will find how shallow your understanding of it is.

Movies about crossing, duality and time and space are not uncommon, but it is really rare to see such a complex and logical film as Once Home. Appreciating such a sci-fi movie is like watching an art exhibition with the theme of time. Every corner of the exhibition hall may surprise you. Think about it repeatedly, and you will have a different experience every time. Just as looking back on the past can improve our understanding of ourselves, watching this film can also deepen our understanding of time.

2. Mint (1999)

Director: Li Cangdong

Screenwriter: Li Cangdong

Starring: Song Jinggu/So-ri Moon/Yeo-jin Kim

Li Cangdong, as one of the best Korean art film directors. He is not only the best director of Venice Film Festival, the best screenwriter of Cannes Film Festival, the best director of Turin Film Festival, but also several laurels. He also joined the government cabinet and became the Minister of Culture of Korea. He is best at digging up the stories of little people, with an impartial angle and a calm mood. In this film "Mint", he shows the contrast between personal tragedy and real history to the fullest.

To thoroughly analyze the turning point of a person's fate, we can use time as a yardstick. "Mint Candy" seems to tell the tragedy of a nobody, but actually reflects the turbulence and changes of the whole Korean society in the past 20 years. Time no longer appears in the film with a vague background, but becomes a sharp knife in the director's hand. Step by step, according to the basic point of age, show the fragmented life fragments in front of your eyes.

Flashback is the most important means in the film, and each paragraph is the punctuation of time. Looking back on Jin Yonghao's life, we can see that he changed from a soldier to a policeman, and then set up a company. His career failed, his marriage broke down, and various tragedies were staged one after another. Although the exhibition of each story is short, it is full of details, which are interrelated, which is not only a magic weapon for us to interpret the story, but also a means for the director to show the whole social picture.

As the title of the film, mint is a prop to bear the plot, which also implies that mint itself can not really bring coolness, but only brings temporary numbness. This numbness is the reason why Jin Yonghao came to the end. As an individual, he can't resist the trend of the times. He was assimilated and eroded in hemp, and then became an accomplice to violence. He can't extricate himself and is destined to embark on the road of destruction, but this road not only belongs to him, but also is a sad road that everyone may embark on in the high-pressure era.

3. Time lovers about time (20 13)

Director: richard curtis

Screenwriter: richard curtis

Starring: Domnell Gleason/Rachel McAdams/bill nighy

As you can know from the title, this is a movie about time travel. But it is different from other time-themed stories. Time in this film is endowed with certain philosophical significance. In order to change the status quo, the protagonist Tim can go back to a certain point in the past at will, but he can't completely rewrite the event. Compared with other travelers, the protagonist of this film is more like a bystander of time. He learned wisdom from the past, not to rewrite the past, but to face the future.

There are few stories that don't cause a sensation. The hero is very ordinary, has no figure and face value, and throws away his super powers like ordinary people. This close-to-reality setting makes it easier for us to bring in the plot and appreciate the emotion. Time is not a tool to show off skills in movies, but a means to highlight the theme. It makes the audience understand that every bit of ordinary life is the source of happiness.

This film also embodies the characteristics of English comedy: full of affection in light humor. Different from the madness of American comedy. Romantic Traveler in Time and Space is full of warm and exquisite highlights. Fresh and harmonious image style, smooth scene scheduling, and warm bridges that appear from time to time make the whole movie wrapped in a happy atmosphere.

When we appreciate this kind of sketch film, we don't have to pay too much attention to its temporal and spatial logic. Excessive intervention of rational thinking will inevitably destroy the feeling of experiencing wonderful emotions. If you can find a little feeling and some highlights in the plot, it will be worth the fare. Just like the theme in this film: knowing every detail in time is the key for ordinary people to live a good life.

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