Traditional Culture Encyclopedia - Photography and portraiture - Is there a female directors who makes martial arts films in China?
Is there a female directors who makes martial arts films in China?
Li Nan, 1955, born in Suzhou, Jiangsu Province, is a representative of the fifth generation female directors in China films. 1969 joined the Second Independent Division of Sichuan Military Region as a soldier. 1978, admitted to the director department of Beijing Film Academy. 1982 was assigned to Beijing Film Studio as a director. 1983, deputy director Li, Bao's sons, 1983, people who go out to earn money, 1984, director Qingshui Bay and Danshui Bay, 1988, murder of silver snake, 1990, director, bloody morning. 199 1 won the Best Film Award of Shanghai Film Critics Association, 1 won the Excellent Film Award of Zhong Shi Evening News in Taiwan Province Province, 1992 won the Best Film Gold Award of Nantes International Film Festival, and 1993 won the Best Film Gold Award of Berlin International Film Festival. 1992 Director of Forty Don't Confuse, 1992 Director of Locarno International Film Critics Award,1994 Director of Pink, 1995 Director of Silver Bear Award of West Berlin International Film Festival, 1995 Director of National College Student Film Festival. 65438-0997 Director of Red Suit, 65438-0998 won the "Hua Biao Award" for the best film by the China Municipal Government, the Best Film Award and the Best Actress Award by the Shanghai Film Critics Association in Wen Hui. In 2004, he directed "Baby in Love" and "Door" in 2006, and won the best photography award at the 26th Golden Rooster Film Festival. Producer and producer of the TV movie Absolute Privacy series, co-producer: Gao Xiaoping. These 65,438+00 digital movies are Life and Death, Brothers, Happiness Crossing Evil, People in Beijing, Feeling of Longing for True Love, Absolute Privacy, Chen Yue's Wedding Dress, Confession of Feng Qi, Forget the Past and Don't Ask the Future, and Zhao Jun's Secret. Artistic Features Many people think that female directors is masculine, so should Li. It is wrong to think so. In life, she laughs that Li's works are feminine, she is feminine when she is shy, she talks about feminine topics, and she is feminine when she smokes ... As a woman and director, Li feels that she has many emotional advantages. Women are emotional animals, and men are rational animals. From the perceptual point of view, it should be both difficult and beneficial for women to get involved in male-dominated film and television art. In the film and television works directed by Li, people can always clearly see her attention to female consciousness and her personal and feminine understanding of society, life and women themselves. Because of this, she can perfectly integrate exotic works with China's situation in bloody morning and tell a profound fable of modern China. Only in "Orange is Red" can she write subtle feelings with classical and aesthetic brushwork. Li's "femininity" is revealed from her generous and cheerful manners, and it is this introverted "femininity" that has made her career. In the process of filming A Dream of Red Mansions, Li Yun used a lot of Kunqu opera, and skillfully combined the euphemism of Kunqu opera with the original text, which made it achieve a dreamy effect. Li himself called it. Jin's online promoter believes that A Dream of Red Mansions will definitely make a group of actors popular, while Li will become famous with this drama and climb to the position of first-class director in China. From the unique perspective of women, it can be said that shooting A Dream of Red Mansions is well deserved. Prior to this, the Dream of Red Mansions Draft launched by Beijing-Taiwan United Network made the play popular all over the country, and its marketing method was quite successful. Her main experience is 1969. When she was in the third year of Beijing No.11 Middle School, she joined the Second Independent Division of Sichuan Military Region as a soldier and engaged in propaganda work. 1978, admitted to the director department of Beijing Film Academy. 1982 After graduation, he was assigned to Beijing Film Studio as a director. He used to be the deputy director of the films "Bao's Dad Plum", "People who go out to earn money" and "Clear Water Bay and Freshwater Bay". 1988 independently directed the film "The Murder of the Silver Snake", which was deeply loved by the audience. Since then, she has won the right to direct the film independently, and she herself has attracted the attention of the film and television industry. From 65438 to 0990, he directed the film Bloody Morning, which revealed the other side of human nature and analyzed people's inner world, and attracted great attention from experts and critics, calling it a masterpiece that shocked the world. The film won the Grand Prize of Nantes International Film Festival in France. 1992, directed the film "Forty Don't Confuse", which was well received and won the International Film Critics Award in Locarno, Switzerland. From 65438 to 0994, he directed the film Pink, which described women with different personalities and analyzed their psychological state, and at the same time strengthened that the love of the characters in the film is also the theme of human nature. The film won the Silver Bear Award at the West Berlin International Film Festival, the Peacock Award for Best Film at the 27th India International Film Festival, and the Best Director Award at the University Student Film Festival. 1998 The Red Suit won the Best Feature Film Award of China Municipal Government and the Best Director Award of Shanghai Film Critics Association. In 2004, he directed the film Baby in Love. In 2006, the director's work was The Door with a thriller theme.
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