Color aesthetic film with n-brush trailer

Color aesthetic film with n-brush trailer

The French mission

Director: wes anderson

Screenwriter: wes anderson/jason schwartzman/Roman

Starring Francis/Timothy/Saoirse Ronan?

Length:103min

Every frame of this film is perfect and the cast is very strong.

There is a color scheme called Wes Anderson. His films are full of bold and exaggerated color schemes. All colors are highly saturated. However, TINT, who is highly saturated, does not give people a strong sense of conflict in the pictures directed by Weiss.

Under his lens, the soft light makes the contrast between light and shade of objects very low, and even there is almost no shadow in many cases. The whole presents a very quiet aesthetic feeling.

Since the bottled rocket of 1996, wes anderson has been insisting on his imaginative mind and advanced and rich sense of humor. At the same time, the rich and saturated chromaticity and almost completely symmetrical lens have also become one of the symbols of his films.

Color: In "To France", the trend of large-scale color matching of the same color system is continued to enhance the drama of the story and the layering of the picture. The light in the picture is soft and the difference between light and shade is low, showing a color effect with almost no shadow.

Composition: Symmetrical composition is also vividly reflected in the film, which shows a parallel effect by relying on lines and looks directly at the audience.

Depth of field: Even when shooting a scene, wes anderson will compress the foreground and background, presenting a relief-like "flat effect", which is why his movie pictures are closer to the vision of children's picture books.

Frame: In The Grand Budapest Hotel, the change of frame in different periods also participated in the narrative of the film, and the special frame in the French mission also continued this role.

Film genre, plot, comedy, love and America