Where is Xu Beihong's hometown?

1July, 895 19, Xu Beihong was born in Qitingqiao Town, Yixing County, Jiangsu Province, south of China, about15km west of the misty Taihu Lake.

Xu Beihong: (1895- 1953), a master of modern painting, was born in Yixing, Jiangsu. He entered school at the age of four and studied painting with his father. When he was young, he crossed to Japan and went to France the next year to become a teacher. He studied 192 1 year at Xu Liang Institute and Paris National Academy of Fine Arts, and returned to China in 1927 to become an art professor at CUHK. 1933 Paris Art Exhibition, the French government bought 12 paintings and set up a special room for display. He went to Europe and held art exhibitions in Germany, Italy and the Soviet Union. After the Anti-Japanese War, exhibitions of paintings were held in China, Guangzhou, Changsha, Hongkong, India and Sin Chew. Professor Peking University and Guilin Academy of Fine Arts. Later, he served as the president of Beiping Art College. After liberation, he served as president of the Central Academy of Fine Arts and chairman of the All-China Artists Association. In painting creation, he opposes formalism, insists on realistic style, and advocates that "those who are good at the ancient law should keep it, those who are bad at it should continue it, those who are not good at it should change it, those who are not good at it should increase it, and western painting can be combined." Inherit the excellent tradition of Chinese painting, absorb the advantages of western painting and create your own unique style. He is good at Chinese painting and oil painting, especially at sketching. He has profound attainments and is good at vivid expression. The most important ones are the famous oil paintings Follow Me, Tian Heng 500 Scholars and Chinese paintings, Nine Square Heights, Gong Yu Mountain, and United Tokyo. Painting horses is world-famous, with vigorous brushwork, great boldness of vision and avoidance of color, all of which are new. . 1952 during his illness, he created all his life, treasured it all his life and donated it to the country. I have been actively engaged in fine arts education all my life, devoted myself to the development of fine arts in China, and trained many outstanding talents. . 1953 died in Beijing. At the age of 59, he rebuilt the memorial hall of Xu Beihong in his apartment. His masterpiece "Running Horse" is the most popular. Intercropping flowers, birds and cats is also unique and interesting. He is the author of Prudence, Chu Lun, Hong Bei's Painting, Hong Bei's Painting and Hong Bei's Ink Painting.

The shore of Taihu Lake is a gathering place for talented people, poets and painters in China. It is not only famous for its mountains and rivers, but also has a long and glorious cultural tradition of hardworking and brave people. According to legend, in the Spring and Autumn Period, he lived in seclusion with his teacher in Yixing, making purple clay pottery for a living, and was called the ancestor of purple clay. Up to now, Yixing enjoys the reputation of Tao Dou, China. Yixing also has a historic site, Jiaoqiao, which was a place where people killed in the Jin Dynasty. Xu Beihong's father, Zhang Gong, is an upright painter. He is good at poetry, calligraphy and seal cutting, especially painting, and has deep attainments in landscapes, figures, flowers and birds. He doesn't want fame, but he wants Wen Da. He carved many seals to make his mind clear, such as "farming and fishing", "My home is in the sound of reading", "I have time to write a painting of painters for sale, and human sins don't cost money", "My childlike innocence, the courage of a hero ..." His love and pursuit of art and noble character of being a man deeply influenced Xu Beihong and made him embark on the artistic road.

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Xu Beihong began to study with his father at the age of 6, and when he went to Liyang by boat with his father at the age of 10, he had a poem "Spring is green, spring is beautiful, sail is good, and the boat crosses Qian Shan", which is famous for his artistic talent of improvisation. At the age of 9, after reading four books and Zuo Zhuan, he began to learn painting with his father, copying a picture of Wu Youru's boundary paintings and figures every day. Wu Youru is the greatest illustrator in the late Qing Dynasty. He can depict pavilions, insects, fish, birds and animals, exotic flowers and plants, and even hordes in a certain proportion. Every time Xu Beihong goes to town with his father, he will go to the painting shop to see the works of Shi Tao, Eight People and Ren Bonian, and then write them from memory when he gets home. Influenced by his father's diligent teaching and innovative predecessors, he laid a solid foundation for China's painting. In his lonely youth without toys, Xu Beihong quietly fell in love with many animals around him, and made a detailed observation and description of them. The docile cows, Mercedes-Benz horses, quacking white geese, ducks floating on the water, and flowers lying in the corner or trees all appeared in his works.

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/kloc-when he was 0/3 years old, his hometown was flooded, and Xu Beihong, a portable Zhang Gong, was born in a coal mine in other places. Draw people figures, landscapes, flowers, animals, carve seals and write Spring Festival couplets. At that time, there was only portrait photography in the city, so they often painted portraits of people. This is a very strict test for Liu's teenager Xu Beihong, which has a great influence on his outstanding achievements in the direction of figure painting in the future. Of course, this busking career not only honed his artistic skills, but also made him more exposed to the lower classes and working people, which aroused his feelings of worrying about the country and the people. At that time, his paintings were often signed with the names "Young People in China" and "Poor Men in the South of the Yangtze River" to express his lofty aspirations.

Xu Beihong was exploring new painting styles when he was a teenager. There were pictures of animals in the robber brand cigarette box at that time. Beihong loves to collect and watch all kinds of animal specimens, so he sketched them strictly and seriously. Replicas of some western masters made him dream of studying art in Europe. However, the cold reality stood in front of him. The wandering life made his father seriously ill and they had to return to their hometown.

/kloc-at the age of 0/7, Xu Beihong became a famous painter in Yixing, teaching fine arts in Yixing Women's Normal School, Pengcheng Middle School and Shi Qi Primary School. 19 years old, his father died of illness. After deeply burying his father, Hong Bei decided to go to Shanghai to find opportunities for work-study programs. When Zhang Zufen, a Chinese teacher at Yixing Primary Normal School, saw him off, he politely encouraged him to say, "You are young, smart, hardworking and have a bright future. I want you to remember a sentence:' people should not be arrogant, and they must not be arrogant'. I have nothing to give you, just take this kind word as a gift! Xu Beihong felt infinite gratitude from the bottom of his heart and took this sentence as his motto all his life. Until the end of his life, he still said to me warmly: "Mr. Zhang Zufen can be called my first confidant! "

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19 14 years, Xu Beihong came to Shanghai. One of his fellow villagers, Professor Xu Zeng of China College, recommended the painting. The president of this university was highly praised and promised a job. When Xu Ziming accompanied Xu Beihong to see the headmaster, the headmaster was very surprised and whispered to Xu Ping, "He is still as young as a child. How does he work? " Xu Ziming argued enthusiastically: "As long as he is talented, why should you care about his age?" Later, Xu Beihong wrote to the president of Fudan University several times, but there was no reply. So Xu Beihong lives in Shanghai. Xu Ziming introduced him to Yun Tieqiao, editor of Novel Monthly. Xu Beihong took his own paintings and Xu's letter to see Huai Tieqiao, which was well received by Qing. He promised to find Xu Beihong a small job of drawing illustrations in the Commercial Press and told Xu Beihong to listen to the reply in a few days.

At this time, it is already the season of autumn rain. Xu Beihong didn't have an umbrella and went to listen to the answer in the rain. Mr. Yun Tieqiao said happily: "Success! You can go to the Commercial Press soon. " A warm current surged into Xu Beihong's cold body. He immediately rushed back to the hotel and wrote to his mother and friends in his hometown that he had found a job. Newport

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Xu Beihong is writing.

Just issued, suddenly there was a quick knock at the door. Yuntieqiao stood in front of the door, holding a paper bag in his hand, and said in a panic, "Things are desperate!" " Xu Beihong quickly opened the paper bag, only to find that in addition to his own paintings, there was an endorsement: "Xu Beihong's paintings are not suitable." Xu Beihong felt that his heart suddenly cracked and blood kept pouring out.

An uncontrollable pain and disappointment seized him strongly, and he ran to the Huangpu River to end his life. Turbid and rushing sweat beat against the river bank, and the ship's whistle roared sharply. Xu Beihong unbuttoned his skirt and let the ruthless wind hit his young chest. When a cold shiver slowly spread from the heel to the whole body, he soberly said to himself: "It is not cowardice for a person to be at the end of his tether and be able to extricate himself!"

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Xu Beihong returned to his hometown and sent away the first melancholy New Year's Eve without his father. A folk doctor in the town sympathized with him and gave him a small sum of money. So Xu Beihong came to Shanghai again and still couldn't find a job. By chance, Huang Zhenzhi, a wealthy businessman in Shanghai, saw Xu Beihong's works, appreciated his genius and sympathized with his experience, and generously provided him with accommodation. But soon, Huang Zhenzhi unfortunately went bankrupt and Xu Beihong was helpless. At that time, Gao and Xu Beihong, a famous Lingnan painter, opened an aesthetic library in Shanghai, and Xu Beihong drew a horse for them, which was greatly appreciated. Write back and say: "Han Gan is ancient and beyond reproach!" And asked Xu Beihong to draw four more pictures of beautiful women. At this time, there were only five copperplate prints left on Xu Beihong's body, and it took a week to finish painting four pictures of ladies. Xu Beihong can only buy a rice ball with copper coins every day to satisfy his hunger. On the sixth and seventh days, I didn't eat all day. When he finally sent four photos of beautiful women to the art gallery, it was snowing heavily in the street and Brother Gao was not there. Xu Beihong had to give them to the doorman to accept, and because of hunger, he had to take off his thin clothes and pawn them.

Xu Beihong is writing.

When the cold gradually subsided, Xu Beihong saw the job advertisement of Aurora University, registered for the exam and was accepted. However, he had to go to Ruan Zaiguang, a fellow countryman who was not rich, and borrow money from him for the entrance fees he had to pay. Ruan Zhaiguang warmly received and helped him. So Xu Beihong went to school and continued to draw besides learning French. One day, he read in the newspaper that Wise Man University attached to Harbin Garden asked for a portrait of Cang Xie, so he drew a portrait of Cang Xie according to the narrative of ancient books, hoping to get some remuneration and solve the difficulties in life. A few days later, Wise University sent a car to pick him up, praised his works and invited him to teach academics. Xu Beihong explained that he was still studying until the end of the semester.

When the summer vacation came, Xu Beihong went to the wise university with his painting tools. At that time, wise universities often invited some scholars and celebrities to give lectures. Xu Beihong therefore met famous scholars Kang Youwei, Wang Guowei and others. Kang Youwei found that Xu Beihong was a genius in the art garden, asked him to paint himself, his dead wife and his friends, and gave all his collections to Xu Beihong for appreciation. Under the guidance of Kang Youwei, Xu Beihong traveled all over the steles, and his calligraphy was refined and his taste was profound, which gradually formed his magnificent and unique personal style.

Xu Beihong got the pen money from Wise University and decided to study fine arts in Japan. 1965438+In May 2007, Xu Beihong arrived in Tokyo, looking for places to hide paintings all day. I feel that some Japanese painters are no longer confined to the old methods, and gradually get rid of the old habits, and can observe and describe nature in detail, reaching a profound and wonderful realm, which makes Xu Beihong more determined to integrate Chinese and foreign techniques. In Japan, he also became a famous artist Nakamura, and saw many ancient stone tablets of China and China and Japanese paintings in his collection. Nakamura never forgot to entrust Xu Beihong to bring the Japanese version of "Double Editions of Zhou Guangyi" to Kang Youwei.

19 17 12 Xu Beihong came to Beijing and began to make his mark in China with his paintings full of vitality and national characteristics. He was hired by Peking University as the tutor of the painting research society. He saw a large number of excellent China ancient paintings in the Forbidden City, from which he learned rich nutrition. The intelligentsia in Beijing was very active at that time. New Youth, Weekly Review and other publications lashed out at feudal ideas and spread democratic ideas and culture. Xu Beihong was also deeply influenced, making him stand at the forefront of the new culture movement and become the most determined innovator among Chinese painters. In the first issue of the Journal of Painting Research in Peking University, he lashed out at the conservative forces in Chinese painting with the title "On the Improvement of Chinese Painting" and pointedly pointed out: "The study of Chinese painting has declined so far, which is extremely huge. Where the world is civilized, there is no rational milk. Today, Chinese painting alone is 50 steps backward compared with 20 years ago, 500 steps backward 300 years ago and 800 steps backward 1000 years ago. When the nation is weak, it can be generous. " He believes that the reason for the decline of Chinese painting is: "Conservatism means losing academic independence." He lamented and wrote: "It is a great shame to take those people who were caught by our ancestors thousands of years ago seriously." On the question of how to innovate, he clearly put forward: "Those who are good at the ancient law should preserve it, those who are not good at it should continue it, those who are not good at it should change it, those who are insufficient should increase it, and those who adopt western paintings should integrate it." With the help of Bo Zengxiang and Cai, Xu Beihong finally got the public expense to study in France. 1965438+In March, 2009, with the determination to learn science and democracy from westerners and revive China's fine arts, Xu Beihong set off for France by boat and began a turning point in his artistic career.

After Xu Beihong arrived in Paris, he carefully observed the essence of western art in major museums and compared them with eastern art. He did not paint for several months. Then, Liang Xu Painting Academy learned sketch. Later, he was admitted to the National Academy of Fine Arts, where he studied under Flemish and Galmonte. Every time you try, you are among the best. After school, I went to the Louvre and Luxembourg Art Museum to study the similarities and differences of various schools and the achievements of famous artists. Copy the works of Prudence Cave, Della Giulova, Velazquez, Rembrandt and other masters. /kloc-in the winter of 0/920, the French sculptor Don Porter introduced Xu Beihong to Dayang, the leader of the French Chinese Painting Association. Buffalo opposed the conservative French Artists Association and advocated innovation on the basis of absorbing the strength of various factions, which enjoyed high prestige at that time. From then on, Xu Beihong mostly went to Dayang every week to listen to Dayang's teachings and attend the tea party of school artists, especially in the conversation and feelings between people, which was deeply inspired. Dayang encouraged Xu Beihong to say, "It's hard to learn art.. Don't flatter yourself and be satisfied with small achievements. " He asked Xu Beihong to sketch carefully and get into the habit of dictation.

192 1 French national art exhibition opened in April. Xu Beihong looked carefully from morning till night. When he walked out of the meeting, he found it was snowing outside, but he didn't eat and lacked warm clothes. Suddenly he felt hungry and cold, and his abdominal pain was like a twinge. From then on, I suffered from severe intestinal spasm. He often deliberately forced himself to paint, and a sketch he still keeps reads: "People look at my paintings and don't know why I did it. I feel pain every time. "

1948 Xu Beihong took a group photo with his wife Liao, his son Qingping and his daughter Fangfang. This summer, his illness worsened, and his tuition was completely cut off, so he had to go to Berlin. In Berlin, Xu Beihong met CommScope, president of Berlin Academy of Fine Arts, and saw the works of Menser, Sugandini and CommScope. He felt that although he saw many excellent works in France, he was still limited. He likes Rembrandt's paintings best, so he went to the museum to copy them. Everyone kept painting for 10 hours, during which he didn't even drink a mouthful of water. Especially when copying the portrait of the second lady Rembrandt, I made great efforts and felt that I had gained something, but I still couldn't use it in my own works, so I worked harder.

1923, after Xu Beihong returned to Paris, his oil painting "The Old Lady" was selected for the first time in the French national art exhibition. Once again, I admire you, stating that although I have not slackened off in my studies, I have made little progress. Ocean said: "people need to have the habit of suffering, so does learning ... people who have never experienced suffering often lack lofty aspirations." The greatest writers are mostly people with the strongest perseverance, so they can achieve high achievements and complain bitterly for mankind. " Dayang asked Xu Beihong to further refine the sketch. When painting the human body, he should carefully study all parts, understand the subtleties, and don't pursue the striking strokes. Xu Beihong followed Dayang religion, which was very effective, so he worked harder. He has published such masterpieces as Disappointment, Xiao Sheng, Piano Lesson, Portrait Portrait, News from afar, Groom, etc. Only 1927 has 9 works selected for the French national art exhibition and won favorable comments.

During 1925, Xu Beihong also went to Singapore to paint for Chen Jiageng and his Xiamen University, and exhibited his works over the years in Shanghai, which aroused great interest in the cultural circles. Kang Youwei wrote at that time: "10 years ago, Xu Beihong wrote a vivid portrait for me, Wen and Shen Zipei. He is also a genius in painting. I traveled with Japan and studied painting in France and Germany for 7 years. Today, those paintings also show me that they are deep and beautiful, hidden and magnificent, and unique in China. His paintings are unprecedented in China and his painting school is unprecedented in China. "

1926, Xu Beihong went to the museum in Brussels to paint. He loves Rubens' works and thinks he is one of the greatest color painters in ancient and modern times.

1927 In the spring, Xu Beihong went to Italy and Switzerland. Before wandering around the famous sculptures of St. Peter's Cathedral and Michelangelo's frescoes of the Sistine Chapel, he indulged in appreciating the masterpieces of Renaissance masters, visited the western city of Pompeii and experienced the atmosphere of the West as an ancient art.

After studying hard for eight years, Xu Beihong felt that he had a well-thought-out plan before he started writing, and he could write freely and skillfully. As a result, he returned to his long-lost motherland with superb painting skills and extensive artistic knowledge, and devoted himself to innovating the realistic art movement of China's painting. As an honest artist, Xu Beihong's artistic activities are always closely linked with the fate of his ancestors.

1927 After returning to China, Xu Beihong and Tian Han co-founded South China Art Institute. As the head of the Fine Arts Department, Xu Beihong began to create a huge oil painting "Tian Heng 500 Scholars", praising the most precious spirit of the oppressed people, that is, richness and unyielding.

1928 Nanjing central university also hired Xu Beihong as a professor of art, and Xu Beihong suggested that he could not quit his job at NTU. So he taught in South China in October and in China University for half a month.

1929, Xu Beihong became the president of Beijing Institute of Art. He hired Qi Baishi as a professor with a firm attitude of "opposing everyone" and tried his best to promote the innovation of Chinese painting teaching.

Feeling that many talents in China were buried and depressed, he created a huge Chinese painting "Nine Square Heights". After several drafts, a swift horse meets the joy of a bosom friend. Although Jiufanggao is a woodcutter, he has a far-sighted demeanor and shows it incisively and vividly. From 193 1 to 1933, Xu Beihong spent two years painting a huge oil painting "Worry After Me" with the theme of "Classic Book" to express the people's desire to be rescued against the oppressors.

In order to publicize China's fine arts and improve the international status of China's fine arts, Xu Beihong went to Europe to hold the China Art Exhibition on 1933. The exhibition first caused a strong shock in Paris, and 3000 important people attended the opening ceremony. At the request of the audience, the exhibition was extended for 15 days, the catalogue was printed in the third edition, and the first newspaper introduced more than 200 articles. French writer Paul? Valori wrote an introduction for this exhibition. Xu Beihong's works were warmly praised by the public, and his painting Cooper was bought by the French government. French newspapers praised this painting as comparable to Rousseau, the master of barbizon school.

Subsequently, Xu Beihong went to Brussels, Berlin and Frankfurt to hold a solo exhibition, which was a great success. More than 50 newspapers and magazines published praise articles.

Xu Beihong's China art exhibitions in Milan, Leningrad and Moscow also caused a sensation. The documentary of this exhibition was shown all over the country and was praised as from Kyle? The most important cultural exchange after Poirot. Elmy Tashi Museum in the Soviet Union also set up an exhibition room for China's paintings. Xu Beihong wrote in the article "The Promotion of China Fine Arts in Europe": "This time, I held an exhibition of China paintings abroad, and exhibited it seven times in France, Belgium, Germany, Italy and the Soviet Union. I set up four China showrooms in major museums, and there were 20 million articles and magazines praising China culture because of various exhibitions. In all my contacts at the exhibition, I have never used the name of the government, whether internally or externally ... Any institution that claims to have a huge cultural fund has no Bunnosuke, so please pay attention to this. " Xu Beihong brought back precious masks of Lenin and Tolstoy from the Soviet Union and promoted the exhibition of Soviet prints in Nanjing and Shanghai.

From 65438 to 0935, Xu Beihong went to Guangxi and created a landscape painting "Spring Rain on Lijiang River", which described Guilin's landscape as the best in the world by splashing ink. It is the representative work of China's freehand brushwork landscape painting.

After the outbreak of War of Resistance against Japanese Aggression, Central University moved to Chongqing, and Xu Beihong returned to China to teach, creating Chinese paintings such as Ba People Pumping Water and Ba Poor Women, which reflected the hardships of land life.

From 65438 to 0938, Xu Beihong came to Nanyang with his own works, and held exhibitions in Singapore, Kuala Lumpur, Penang and Ipoh successively, with unprecedented pomp. Xu Beihong donated all the income from the exhibition to the refugees who helped the motherland.

From 65438 to 0940, at the invitation of Indian poet Tagore, Xu Beihong gave lectures at India International University and held an exhibition of paintings in Kolkata. Tagore wrote in the preface of the exhibition: "Xu Beihong, the master of Chinese traditional art, provided us with an ancient image that has disappeared from our memory in rhythmic lines and colors, and at the same time showed the local colors and unique styles of his own experience to the letter ... I like these paintings very much, and I believe our art lovers will get rich inspiration from them ... talkative ... In this way, I will lift the curtain of the conversation and lead the audience to a seat. quot

Xu Beihong made more than 10 sketches for Tagore, and according to these sketches, he completed the Chinese painting "The great poet of Tagore people is concentrating on conceiving a beautiful poem, and the quiet and mysterious garden has infinite poetry". It is one of the representative works of Xu Beihong's portrait. Under Tagore's introduction, Xu Beihong also drew a sketch of Mahatma Gandhi.

In India, Xu Beihong created a long-conceived huge Chinese painting "Yu Gong Yi Shan". The picture is shocking, indomitable spirit, and faith will win. At the critical juncture of the Chinese nation's life and death, he used his brush to write a great image worthy of the times for unyielding compatriots. Xu Beihong did more than 100 exercises and sketches for this painting, and finally showed the human body in strenuous exercise with huge rice paper. This is unprecedented in both Chinese and Japanese painting, which opens a new page for the development of Japanese painting and is the perfect combination of history and reality, western painting and Chinese painting.

1942, after Xu Beihong returned to Chongqing, China Academy of Fine Arts was established under extremely difficult conditions. At the same time, he created a lot of excellent Chinese paintings, among which animal paintings occupy a very important position. ※. The animals in his works are endowed with the painter's own spirit and have a strong sense of the times. He likes to write about the lion of beasts in Weizhen, and points out the awakening and rise to the eager nation with the inscription "New life is alive". Zutong was invaded and the people were ravaged. What he made was a wounded lion with a scowl. He drew an indomitable horse.

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1953 On September 29th, Xu Beihong's body was buried in Babaoshan Revolutionary Martyrs Cemetery in Beijing. This is a photo of Xu Beihong's tomb when he was buried.

Perseverance and ferocious bones are loved by people all over the world. "What's the use of asking a gentleman to bear fruit? Be born in Europe", "There is no long night in this world, and there is an end to the poverty in the desert", "Mountains and rivers return to democracy after hundreds of battles, and rough roads are razed to the ground", and the painter's joys and sorrows are integrated with the galloping horse that can be entrusted with life and death. Rooster, sparrow flying against the wind, greedy white goose and chaotic lazy pig are all lifelike and endowed with profound meanings. Their meanings and implications give people a good aftertaste and profound enlightenment.

1943 In the summer, Xu Beihong painted two figure paintings with completely different atmosphere in Qingcheng Mountain, both of which were based on Qu Yuan's Nine Songs. One is lonely Shan Gui in the valley, and the other is a soldier who died for his country in close combat. Whether Shan Gui or mourning for his country, the painter's grief and indignation transcends painting and is closely related to the pulse of the motherland.

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1946, Xu Beihong came to Beiping as the president of Beiping Art College. He hired many influential and capable outstanding artists to teach in the school. In view of the weakness of China's art teaching, he attaches importance to strict basic skills training, and emphasizes that sketch is the basis of plastic arts, and the description of objects should be accurate. At the same time, he also opposed copying physical objects, advocated focusing on selection, advocated realism, asked students to express people's lives as their own responsibility, and advocated the development and innovation of Chinese painting, rather than copying the ancients.

1949 April, attended the first world peace conference as the representative of new China. In the same year, he was appointed president of the Central Academy of Fine Arts and elected president of the National Artists Association. Heavy teaching work and social activities did not stop him from painting. He painted many portraits of famous model workers. In addition, he continues to care about young people outside school. Every day, when the first morning light hits the window, he gets up and goes to work. The first thing he did was to reply to the letter he received the day before. Most of them come from young people who love art all over the country, and some even send their works to him for revision. Xu Beihong replied, pointing out the advantages and disadvantages of each scroll and giving praise, encouragement or criticism and suggestions. As a result, he shortened his sleep time for decades. As a senior painter, he feels a responsibility to care for the younger generation. At the same time, the review of his painting sufferings also burned his enthusiasm for a long time. Therefore, many outstanding contemporary artists have given help or care on the road to success.

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195 1 year, Xu Beihong experienced life in Shandong Daoism Interpretation Project, painted many portraits of migrant workers, and prepared to create a huge oil painting "Contemporary New Gong Yu". During my composition, I suddenly had a cerebral hemorrhage and was paralyzed.

1953, when Xu Beihong was able to get up and act, he went to the Central Academy of Fine Arts to give lessons to the graduating students and teachers' further education group. He felt that there was still a lot of knowledge to teach them, so he worked tirelessly to teach them, changed his plan, and completely forgot that he was still sick. On September 23, the second national meeting of representatives of literary and art writers opened, and he served as executive chairman and presided over the meeting. He had a sudden cerebral hemorrhage that night and died on September 26th. Representatives of literary and art circles from all over the country buried Xu Beihong in Babaoshan Revolutionary Cemetery in the western suburbs of Beijing.

In 65438+February of the same year, the exhibition of Xu Beihong's posthumous works was held in Beijing, and Premier Zhou Enlai personally visited it. Standing in front of Xu Beihong's portrait, he pointed to Xu Beihong's couplet "Look at a thousand fingers coldly, bow down and be a willing ox" and said, "Xu Beihong has this spirit." He praised Xu Beihong's works for combining ancient and modern Chinese and foreign techniques, and thought that his oil paintings and sketches also had a national style, and he was a master of art in his time.

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Xu Beihong's former residence was turned into Xu Beihong's memorial hall, and Premier Zhou Enlai wrote the plaque of "Hong Bei's former residence" in striking font.

Xu Beihong has more than 200 pieces of works 1200, including works by painters in Tang, Song, Yuan, Ming, Qing and modern times, and more than 200 pieces of Chinese and foreign art books, paintings and inscriptions 1000, all of which were donated to the country by their families. Xu Beihong lived only 58 years old, and his life expectancy was greatly shortened. However, his love for the motherland and people from beginning to end will last forever. His works were exhibited in Xu Beihong Memorial Hall in Beijing with strong patriotism and exquisite artistic skills, which excited the hearts of thousands of viewers and aroused people's deep memory of him.