Personal Experience of Collector Ma Weidou

Ma Weidou, who went to the countryside in his early years, jumped the queue and worked as a machine tool milling worker for several years after returning to the city. 1980 started literary creation.

198 1 China youth daily published his novel full moon tonight. After the novel was published, it was transferred to the editor of Youth Literature.

In the late 1980s and early 1990s, he and Wang Shuo, Liu Zhenyun and others set up "Haima Film Studio" and created influential TV series "The Story of Editorial Department" and "Haima Song and Dance Hall". In 1980s, he began to collect China ancient cultural relics. By the 1990s, his collection had reached a large scale, with 1000 pieces of ceramics, ancient furniture and jade articles.

Extended data

According to Ma Weidou's statistics, China has experienced five "collections fever" in history. The first time was the Northern Song Dynasty, the second time was the late Ming Dynasty, the third time was the prosperous time of Kanggan, the fourth time was the late Qing Dynasty and the early Republic of China, and the fifth time was now.

1982, Ma Weidou bought the first official collection-Siping with 1600 yuan. Since then, his collection has been out of control. The porcelain found in the stall was bought home, and he lay under the bed and felt it night after night. "One is eye-catching and the other is thought-provoking."

1992, the first artwork was shot at Sotheby's in Ma Weidou. Before most people realized the value of art, he was "enlightened".

20 1 1 Ma Weidou said in an interview with Southern Weekend that "the second-rate system is better than the first-rate people". He pointed out, "At present, cultural relics appraisal has not formed an industry at all, and there are no laws and regulations. The knowledge of cultural relics is profound and not everyone can do it. Cultural relics collection is very popular, and many professionals or "suspected professionals" have opportunities. Many "experts" on TV have no basic professional knowledge. "

His words once again remind collectors that the human eye is unreliable and it is unscientific to rely solely on experience. Professional appraisal tools and first-class supervision system can better regulate the collection industry.

People's Network-Ma Weidou and his Guanfu Museum