On the relationship between beauty and ugliness in works of art through examples

(4) Beauty and ugliness are mutually inclusive, and there is no difference in essence. "Li Maoji, the beauty of people, the depth of fish, the soaring of birds and the sudden decision of elk are all familiar to the world"; "Li and Shi, restore the orange demon, and become one with the Tao." (5) At the same time, in the history of China aesthetics, Zhuangzi was the first to talk about ugliness, revealing the beauty of ugliness, thinking that the spiritual beauty of personality can make people forget the ugliness of their bodies, so the ugly image can contain strong spiritual beauty. Of course, Zhuangzi did not neglect physical beauty, but he paid more attention to spiritual beauty. Mao Zedong once said: "Truth, goodness and beauty always exist in comparison with falsehood, evil and ugliness, and develop in struggle." (6) Renaissance? Finch also said, "Beauty and ugliness are remarkable because of their contrast." Suva of Germany said: "Ugliness is the background of beauty, which is used to enhance the brilliance of beauty." It can be seen that the contrast between beauty and ugliness in works of art can deepen the appreciation of beauty. Claude, the vice bishop, is not beautiful in appearance, but he is a dignified gentleman. He is a great scientist often consulted by many great men, and he is the standard for measuring knowledge and morality in people's minds. What is despicable is that he is a completely different person from his predecessor. The real him is hypocritical, like a scorpion, stern, calm, gloomy and cunning. His love for estes Mera is not true feelings, not to pay, but to possess and satisfy lust. He once asked quasimodo to kidnap Esmera, but it didn't work. When Lovemeralda was tricked into the arms of Phobos, he took "what he can't get, what others can't get" as his motto, stabbed Phobos in jealousy, blamed Lovemeralda, incited religious fanaticism, and sent innocent girls to the gallows. At this time, he did not forget to bully Melanie to choose between "the gallows and him". Lovemela bluntly said that he was more terrible than the gallows, and finally forced him to expose himself. Finally, when the Beggar Dynasty attacked Notre Dame, it tricked her into diplomacy and hanged her in the hands of officers and men. Archbishop Claude is a "cold and terrible" demon, and the devil wears Prada as a representative of evil. The author uses Claude's so-called "love" to connect him with Esmera, forming a sharp contrast between good and evil, beauty and ugliness.