Urgent ~ ~ Please help me translate.

Appreciating and watching movies is not only a photographer's patent, but also a photographer who takes still photos can get a lot of lessons from it. Appreciating movies from the photographer's point of view pays attention not to the investment performance of the actors, nor to the thrilling visual effects. So, what are the basic conditions and reasons for photographers to choose movies? First of all, the most important thing is the angle of light and the environment. Secondly, the choice of scene. To this end, we selected the following 10 movies, and the scenes they watched were unforgettable, so I would like to feel them.

Baraka is a non-ancient Islamic Supai word, which means "blessing".

This film has been highly praised since its release, and it has been called "the greatest documentary of the 20th century" by some crazy critics. A few years ago, it was even claimed that if it was exiled to a desert island, only movies would be willing to go ahead. This film is about the evolution of the earth and human beings, and the relationship between human beings and the environment. There has never been a dialogue. It is a positive view that the audience has figured out entirely by themselves.

It is said that Ron Fricke, the director, spent 14 months in three shooting teams and traveled to 24 countries on six continents to make this film. A total of $4 million was spent. For this film that didn't pay a high actor appearance fee, the investment was thoughtful. Such a high investment is another reason for shooting equipment: it uses the expensive Todd -AQ 70 mm format. Meanwhile. For me, the effect of movie music is excellent, which brings you a rare double shock of vision and hearing.

Baraka in the scene is not the dream of any photographer. One minute, you were as dismissive of the Kish faces and imagination as a macaque. One minute later, it snowed heavily and arrived on Mount Fuji in Japan, and it was too late to savor India-the cremation ceremony hanging along the way and the monastery wandering before the Syrian suspension. This is a must-see movie, because the content is so rich that Fu Guang's browser can't fully absorb it.

In addition to the scenery, the director also used computer program control technology to shoot the camera with many delays to reflect the busiest street scenes in Manhattan and Tokyo. This is of course a dynamic feature film, but photographers of still photos can consider using the effect of delayed exposure to express some busy scenes.

With this film, there is a detailed record list of exquisite pictures and various interesting experiences of shooting. At the same time with a large number of color and black and white photos.

If there are any shortcomings in this film, its creation and production techniques seem to be quite similar to a film named Koyaanisqatsi in 1983. Interestingly, Koyaanisqatsi was also directed and filmed by Ron Fricke.

Just as the title of this film is quite strange, it is a masterpiece of visual art dedicated to all who understand and are willing to appreciate it.

Documentary with the theme of the evolution of the earth and human beings and the relationship between human beings and the environment. The director traveled all over the world to shoot in 24 countries, only music and movie pictures, no dialogue, and the effect was absolutely shocking.