Traditional Culture Encyclopedia - Photography and portraiture - How to become a diary
How to become a diary
Generally, you must prepare three things to make a record, namely, a record board, a record sheet and a script.
The scoreboard is used to beat the board at the beginning of each stroke. Record the number of sets, fields and mirrors to be shot by the camera on the board. Then take a picture with a camera.
Field notes, field notes have a certain format. First, write down the number of sets, fields, mirrors and test strips. Then write down the content of the shooting. Finally, record the time code. And record the number of articles that the director is satisfied with.
The script is the record of the scene, the director's requirements for the picture, such as how to split the mirror, split the mirror and so on; There are details, such as: what clothes the actors wear in this scene, what shoes need to be connected with which scene, and so on.
Take notes, stay with the director all the time, and record what the director said in time.
Work content supplement:
1, recording each shot and the artistic treatment of the director and creative staff in detail;
2. Check and record the scene number, lens number, shooting content, shooting method, lens length, actor dialogue, costumes, props, etc., to ensure the smooth shooting of divided scenes and many shots, and provide data and materials for later editing, dubbing and development.
College degree or above, love film and television work, have a high degree of enthusiasm, meticulous and patient work; Strong sense of teamwork, strong sense of responsibility, able to work under great pressure, cheerful personality, studious, and strong social and communication skills. Salary quotes The national average monthly salary is 3,000 yuan. Career development path is difficult to record, which is generally the first step for employees to make film and television production. Only by making good records can we further develop.
The main contents of the note list of lens (number) field include: "scene, lens number, content, content description, props, inside and outside, atmosphere, starring, scene, frequency, effect, notes" and so on. Finally, the execution content of the signature is "year, month and day" and the executor content is "signature".
On-the-spot record of each shot in film shooting.
The on-site record sheet is also a memorandum of on-site work of relevant departments.
Record sheet plays an extremely important role in film editing, language collocation, effect, post-production and light distribution. If a shot needs to be retaken or reshaped, it is necessary to find out the requirements of details such as clothing, makeup and props from the record sheet to avoid unnecessary mistakes in shooting and film editing.
In addition to the items specified on the story board, the contents of the record sheet also include the number and length of shots, spare shots or shots handled by different schemes, reasons for remake, day or night scenes, presence or absence of smoke and stunts, etc.
The record sheet should be filled in by the assistant director or the record sheet, and submitted to the relevant departments as a record of daily production progress. The record sheet is usually made in triplicate, one for the director group, one for the editor and one for the development department. Introduction to film and television recording I know that many people use DV to make movies without taking notes. There may be many reasons, either lack of manpower, or not knowing what needs to be done, or the director thinks it is unnecessary. Of course, the completion of a DV film does not necessarily require live recording. Some people even complete all the work from production, directing, photography and art. Special individual examples are not discussed here. As the name implies, field records are field records. Of course, the field record in the film crew is not as simple as recording, so I won't discuss it here. Field recording work
In Hong Kong's film and television industry, there is no recording position. The deputy director is responsible for all the work recorded. The main scope of work is: everything related to it, including grooming, culture, clothing, pottery, the location of the place, the role orientation and so on. Even responsible for urging actors, reminding dialogue, etc. Of course, I am also responsible for recording boards, taking notes on the spot and sending and receiving videos.
In a crew, diary is of great responsibility and is the closest contact with various departments. (Of course, there is also an assistant director) Almost all the mistakes at the scene can be attributed to the diary. Therefore, in the process of making DV, due to the shortage of manpower, it is best for journalists to participate, especially for longer feature films. Of course, we don't have to ask DV to do so much work in film and television dramas. Recording board
Why did you record the board? It is for the convenience and clarity of editing in the future. Many times, our DV director didn't finish the editing work, but naturally gave the film to the editing staff for editing, so the director communicated with the editing staff through the content in the news column in just a few seconds. Usually, when professional editors do the work in the later stage of the film, they all splice the flying films, that is, they see the information of the inner board of the film. The finished film will also retain the contents of these plates, and the inner plate samples will be cut only after the final film is finished. Even if the director completes the editing work himself, these short contents, such as recording scenes, are important information for editing.
If you shoot for seven or eight hours, I can't imagine you rummaging through a bunch of images without a recording board. The content of the scoreboard has no strict format, mainly the number of records, the number of shots, and who is the director and photographer in the industrial field, because it is related to responsibility, depending on your needs. The key is to provide convenience for later editing. Field record sheet
A field film is usually a record of the information of each complete shot. The content includes frequency, scene number, scene, shooting content and magnetic code. The field table is combined with the slate for later editing. We don't have to shoot DV so complicated, and we can remove the scene and lens number, because this can be seen in the slate or in a specific picture, and the magnetic code must be recorded. This thing not only provides convenience for editing, but also can selectively collect materials when we collect materials, saving a lot of hard basin space and editing time.
Or at this time, some friends will find that sometimes the DV tape after shooting may be incoherent, because we may play back or rewind the tape after shooting is interrupted. Therefore, don't rush to watch the playback when shooting, and try to keep the consistency of shooting to keep the magnetic code normal. As for the DV function, it can't automatically find or manually adjust the magnetic code like a professional machine. I don't have enough ability, and I haven't studied it. I hope my friends who know can tell me. Lianxi
What is Ju Lian? Then you'd better talk about what comedy is. In this case, if a person walks into the room from the outside, careful people will find that this person's hair is a little long, so it is not a comedy.
This happened because the outdoor and indoor scenes were shot at intervals, but the on-site records were not carefully recorded. The director is not rigorous enough, and scenes often don't connect in TV dramas. Especially in many of our DV movies, this is one of the reasons why DV gives people a rough feeling. In the process of shooting, in fact, there are many times to pay attention to the problem of cross talk, such as a small turn shot: take a picture of A's back to see B turn around, and then B turns out of the picture to face the camera. When shooting, we may shoot all the dialogues or reactions when A Dai sees B first, then shoot the dialogues or reactions when B sees A in turn, and finally shoot B to turn around and draw. In this way, due to the order problem, when we draw with B's rotating mirror, we may forget the direction of A's rotation, and then there may be a non-stop action. There are many similar problems, and it is difficult for us DV directors to remember them all by the directors. And because most of our actors can't be professional actors, it's almost impossible to ask actors to remember every position in their comic books. Therefore, we must keep a diary to record these things, so as to avoid making mistakes and wasting time during reproduction. When recording these details, the reporter should try to hold the script and record these details in the relevant position of the script. There are many complicated problems in the specific shooting process, and recording the scene is a tedious job. When it is impossible for us to spend money to invite professionals to participate, we need to find a good friend who is careful and patient to act as it. It is best to have some written expression and understanding of the camera.
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