Cindy sherman's main experience

Cindy sherman (born in 1954) is a famous American modern artist and photographer. Sherman's photography career began in the 1970s, when she began to create her own portraits. In the following 30 years, she created a portrait museum representing the social and cultural patterns from the 20th century to the 20th century. Focusing on "untitled movie stills", her most famous photography series include: magazine illustration series from fashion photography (198 1), nightmare fairy tale disaster series (1984- 1986), and historical portrait series imitating historical masterpieces (/kloc-)

Chinese name: cindy sherman.

Nationality: USA

Birthplace: Glen Mountains, New Jersey

Date of birth: 1954

Occupation: artist

Graduate school: Buffalo College, new york State University, USA.

Major achievements: One of the 25 most influential artists in the 20th century.

Representative works: untitled film stills series

Introduction of works

Cindy sherman's first important series, Untitled Film Stills, was produced in 1977 to 1980. The works use the black-and-white effect of the films in 1950s to create a series of touching female images. In 1990s, when the artist won great praise,199565438+February, new york Museum of Modern Art (MoMA) collected 69 complete photos of its "untitled movie stills" series. From then on, Sherman's fame and the price index of his works began to rise for a long time, and the driving force of this increase came from a series of authoritative exhibitions held by MoMA at 1997 to some extent. From an economic point of view, MoMA's collection is very timely, because one work in the series of Untitled Movie Stills, Untitled #48 (first edition 10), tripled in the auction of Christie's in new york in May 2006, reaching 5438+0, reaching 300,000 US dollars. However, when MoMA bought these works at Sotheby's in new york in May, 1995, the market price of a single piece was only $35,000.

The value of the work

The price of Sherman's famous photography, which is now regarded as a classic, has skyrocketed. Untitled #48 shows the back of a traveler standing on a deserted road. This work is usually published in professional newspapers, and as a popular modern symbol, it is quoted by Madonna's Hollywood short film. Madonna and others co-sponsored the exhibition of his work in MoMA. However, the more "confidential" works in Sherman's series were sold for less than 50,000 euros when the buyer changed hands. For example, Untitled # 18 was sold at Sotheby's in new york last April for 55,000 dollars. Today, we need to pay 30,000-80,000 euros to buy a photographic work made in the 1970s and 1980s with less than 50 copies. The price record of an artist's single work was produced in August 2004. Untitled # 92 (198 1 year) was sold at a high price of $420,000 due to the limited number of copies 10.

A version of Sherman's photography 100 copies, quite cheap. This means that buyers can buy her works for less than 2000 euros. But collectors still like to collect their large-scale works: "Doll in the Mask" has 125 copies, which was valued at 2,000 euros by Sotheby's Milan last May, and this work was also sold at 1999. This kind of large-scale work is cheap, so it gives art lovers the opportunity to get Sherman's work at an affordable price: a 48/200 work was sold at Desan auction house in Paris for only 800 euros last year.

Exhibition experience

Partial solo exhibition

1980 Houston Museum of Contemporary Art, USA

1989 National Gallery of Wellington, New Zealand

1992 Museum of Monterrey, Mexico

1996 "Cindy Sherman", Bueman-Bü rgen Art Museum, Rotterdam, Netherlands; Queen Sofia Art Center, Madrid, Spain; SaladeExposicionesREKALDE, Bilbao, Spain, National Gallery of baden-baden, Germany.

1997 "Cindy Sherman: totally unnamed movie stills", new york Museum of Modern Art, USA.

200 1 "Cindy Sherman", Nikolai Copenhagen Center for Contemporary Art, Copenhagen, Denmark.

Some group exhibitions

1982 The 7th Literature Exhibition, Kassel, Germany

Venice Biennale, Venice, Italy

1984 The 5th Sydney Biennale, New South Wales Gallery, Sydney, Australia.

1999 Milan Triennial, Milan, Italy

In 2004, "Shaping Novel-Photography Begins at 1990", Museum of Modern Art, New York, USA.

The early works will be collected in the Gucci Florence Museum.

Gucci Museum is pleased to announce that the third exhibition of modern art is the early work of American artist cindy sherman. These works were provided by M. Fran oisPinault and the exhibition was planned by FrancescaAmfitheatrof. This creative work reflects Sherman's deep participation in gender and identity research, and has continued to deepen since then.

run for the first time

How did CindySherman, an American girl who used to wear mom and grandma's clothes when she was a child, become one of the "25 most influential artists in the 20th century"?

Sherman's works were first presented to the audience in China at the Shanghai Biennale in 2004. At that Biennale, she showed the previously unknown early self-portrait work Bus Passenger (1976) and the latest self-portrait work Clown. The background and posture of bus passengers are very simple, the form is black and white photography, and the size is very small, while the latest self-portrait work is heavy makeup, which combines color photography with digital technology and has a huge size. The extreme contrast between the old and new works makes her great changes in art clear at a glance.

Early experience

Sherman 1954, who is now famous all over the world, was born in New Jersey. When I was studying at the State University of New York at Buffalo, although I studied painting, I fell hopelessly in love with photography. But she first decomposed her own images by photography, then cut and pasted them into a string and pasted them into her works to show a person's certain behavior or psychological process. This is her first attempt to make a work with photography.

From 65438 to 0977, she came to new york with her boyfriend, Robert Langer, who is now a big-name artist, and started her artistic career. On the streets of new york, she finally had a chance to witness the legendary star artists passing by. However, the real question is, how can I surprise and become one of them?

Personal preference

Sherman, who is quiet and introverted, likes watching movies since he was a child and has been "glued" to the TV at home. Different from the previous generation of artists, the tumbling images in her mind are more images saved from watching movies and TV on weekdays than classic works in art history. As she said, "I'm more interested in going to the cinema than going to the art gallery." When she began to think about conducting art experiments in some way, a sentence from her boyfriend Langer made her realize. Langer said to her, "Instead of bothering to change clothes in front of the mirror, take a picture of yourself." So, she began to shoot untitled movie stills, which later became art classics in the 20th century.

In this series, she plays herself as a woman from all social classes in a special situation, such as a female librarian, a white-collar girl who has just arrived in new york, and a fledgling Hollywood actress. The female image in the photo reminds people of the heroine in Hollywood literary films, but people can't tell which one it is. These women often show a pair of expressions that are aware of the outside world, and their eyes often show horror, helplessness and confusion, but they also have a special sense of existence and temptation. She also emphasized the passive existence of women as viewers through the arrangement of lights and the use of lens positions. The woman in the photo is often claustrophobic in her private space, and most of them are immersed in a kind of expectation and fantasy. Through this series of female images, Sherman hinted at the hidden attention and the hidden existence of men in the photos.

She said, "What I like is the feeling of holding your throat. That can probably convey a sad feeling from despair to tears, but I want to say it but I can't say it. When setting various character scenes, I must consider what I am fighting against. Because people want to see faces with makeup and hairstyles. I want people to know themselves, not me. "

catch sb's attention

Sherman caused a sensation in the American art world with his series of Untitled Movie Stills. October magazine, founded in 1976, has been opening the way for post-modernism. Sherman's fledgling works were immediately favored by Douglas Cramp, the main critic of October, and became a timely text to explain postmodernism. Klump wrote an article in the month of 1979 10, and spoke highly of her works. Since then, Sherman has been pushed to the "front line" of postmodernism, and has never been under the "fire line" since then.

As far as photography is concerned, perhaps Sherman's most important contribution is that she denies the myth of "authenticity" of photography through changeable photographic images, and makes photography, which has been limited to real records, gain new growth space and possibility in self-fiction. It is not only a fictional scene, but also described in such a realistic way, which makes people discover another charm of photography.

Dress yourself up as a clown

Center insertion series

After the untitled film stills series, Sherman produced a series of central illustrations at the invitation of American Art Forum magazine. The female images in this series are still self-performing and self-shooting. These female images are more aroused and touched by their inner desires than those in the untitled film stills series. Their eyes and posture are more explicit than those of women in the untitled film stills series. They are empty and melancholy, eager to fall, and seem to be waiting for something or planning something with a horrible and expectant mood. This is a more uneasy, self-confident, self-destructive and confused image.

After finishing these two series, she seems to have no interest in playing this role by herself. In the series "Disaster" made between 1986- 1989, Sherman went against her usual practice and let creepy monsters appear with her. In these works, garbage, dolls and people are crowded together, and the whole picture is messy. People are squeezed out and oppressed for no reason, violence and chaos are rampant, and pictures are full. At this point, there is no fundamental difference between people and those filth. People have long been unrecognizable and are gradually disintegrating.

Terror and surrealism video series

In the series "Images of Terror and Surrealism" by 1994- 1996, Sherman finally couldn't hold back her despair of people, personally arranged various scenes and scenes, and completed the rehearsal of the complete collapse of people's image. Sherman uses artificial models to assemble and organize human behavior, constitute human activity space, and even constitute human body. In this batch of images, she sometimes focuses on the faces of these artificial models, and makes close-ups of these lifeless facial details, which depict people's extreme expressions. Obviously, Sherman seems to have lost patience and confidence in people hopelessly at this time, and she even took out a photo of her work with her face torn open. For these works made of fake things, she said that her purpose is, "At first glance, fake buttocks and fake breasts are as tempting as the nudity in the photo, but once the audience comes close to watch them, they are not only fake, but also things such as faces and teeth have extremely frightening characteristics. Therefore, for those who escape the temptation of nudity, it is a slap in the face and think: I will fall into this situation. " Photography, a visual means of fetishism, has always been an effective means to dismember women's bodies and project their desires in male visual discourse. But now, from the standpoint of women, Sherman pays attention to the local vision with the same fetish, but shows an ugly reality that the naked eye and psychology can't bear calmly, completely subverting men's imagination and fantasy.

Clown series

In the latest "Clown" series, she once again used selfies and digital means to make herself up as a clown. The colors of these works are cheerful, and the clown's expression is bright. However, if you look closely, you will find the helplessness and embarrassment under the clown's bright smile. She expressed a kind of inner distress in a cheerful tone, which caused a huge difference between appearance and heart.

Exhibition of works

Sherman's works have received unimaginable popularity. 1987, Whitney Museum of Art eagerly held a personal retrospective exhibition for her. Generally, those who "look back" are older and successful artists, but she is only 33 years old, so she is "looked back" and "recycled" by the art system. New york Museum of Modern Art bought her untitled film stills series for $6,543,800. From 65438 to 0999, she was named as one of the "25 most influential artists in the 20th century" by Art News magazine of the United States, and won the same honor as artists such as Duchamp, Warhol and Rauschenberg.