Bourne ultimatum's film reviews ~ ~

If you still have unfinished business-such as the stove is burning with water, the children haven't been fed, or even your bladder is swollen, I don't recommend you to watch The Bourne Ultimatum 3: ultimatum. You should know that this is not the best time for such a sincere and direct action movie.

bourne ultimatum 3 is the last episode of this pure trilogy starring Matt Damon: Jason Bourne, a patriotic young man, is a famous "3 million" Mr. of the CIA and a senior agent with a "license to kill". In this episode, he continues to chase and fight for his true identity. Originally, the story background of the novel was set in the cold war period when the United States and the Soviet Union confronted each other. The screenwriter changed course and put Bourne under the confrontation between the individual and the huge state machine. Instead of stiffly shaping Jason Bourne into a typical American hero, it makes people more aware of the dilemma of the hero. This ingenious replacement is profound and innovative.

Jason Bourne's cool head and precise movements in this film cover up his anxiety as an amnesiac agent, and his split personality. In the face of waves of deadly attacks from inside the conspiracy, one opponent after another is incalculable, Bourne's primitive animal nature of survival becomes an instinctive reflection. Hitchcock, the "master of suspense", created MacGuffen, a missing billionaire heir, in his last film, Family Plot, which caused more confusion. From then on, this central figure that affects the pulse of the plot has been called "MacGuffin" motif by film scholars. So Jason Bourne in Bourne 3: ultimatum is such a motif-his identity is almost clear, so the focus of everyone's attention is no longer how his patriotic enthusiasm is abused, but whether he can escape the pursuit of the master. Based on this psychological hint, the audience's enthusiasm naturally shifted to Bourne's precarious life.

In addition, I have to mention that in Bourne ultimatum 3, the setting of the scene is clear and clear-the master has overreached. Both sides are experienced senior agents, so they are deadly and never drag their feet. The CIA monitors the Guardian reporter's bridge, fast-moving shots and sharp editing, and the exchange of movie pictures and monitor pictures-the director uses the characteristics of hand-held cameras and lens conversion to make the audience feel as if they were there. In the scene of the confrontation with Desh, there is no camera language at all, and the whole process is to create an oppressive atmosphere by using the change of follow-up and position. The two agents made a fierce move, and the hardcover book became a weapon in Jason Bourne's hands. Aside from those unnecessary details, the whole process even echoed with breathing, which was more real in cruelty.

Ultimate is the end, and this movie based on the great spy novel-in my opinion-has a happy ending. If you don't know who Robert Ludlum is, then at least take a look at these The Bourne movies.

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/. Then we found that this guy is more concise but actually more delicate, more calm but actually more emotional, more practical but more lonely. If James Bond has achieved the hero and heroine in that series, and Tom Cruise has achieved Ethan Hunt, a man who always walks on the edge of the impossible, Matt Damon and Jason Bourne have achieved each other completely. Matt Damon presents a perfect Bourne, and Bourne's role has pushed Matt Damon's acting popularity and the whole career development to a new level.

unlike an agent like 7, Bourne doesn't have anyone's help, he's not a darling, he doesn't have high-tech weapons, he doesn't have a car that can be operated by a mobile phone, he doesn't have a woman around him, and he doesn't even know who he is. Therefore, Bourne is a transcendence of the image of an agent. We can't see the aura of Bond in Bourne, and Bourne is more real and ordinary, although he is equally talented.

let's see what Bowen is like. He was fished up at sea and lost all his memories, but fortunately his stunt was not lost. He is proficient in many languages. He has keen observation, extraordinary skill and accurate marksmanship, but he is always helpless because he can't understand himself clearly. He has no means of transportation. In three movies, we saw that he traveled almost all over Europe. His means of transportation was only the train and subway. He needed to steal the key to win a motorcycle on the streets of Morocco. He used the wire friction to drive the motorcycle more than once. He is a superb driver, so every time he chases a car, it is the other side who is unlucky. He will also lie down and drive without looking ahead, because he has to avoid bullets. He has no weapons on him, and he always grabs the other's weapons after unarmed fighting. He didn't have a woman. The first woman he met was in a lot of trouble at that time. He didn't promiscuous. He had hoped to take good care of that woman, but she died because of him. He walks very fast and never looks back when he walks. There is no expression on his face forever, and all his feelings are hidden in his heart. His skills are practical and not fancy. He can use alcohol to relieve pain, and he can put magazines in the toaster and then turn on the gas to make an explosion. All these show that he is very real. He can sneak in and pick locks. He always sneaks into other people's homes and says softly when others open the door, don't be afraid, I won't hurt you. He knows the function of the Internet. He will look up an address on the Internet and leave quickly without hesitation.

ok, that's enough. he is very concise, both in his actions and motives; He is calm, because he can always predict the danger as quickly as possible and try to hide in the past; He is very delicate and sensitive, and he is sad for his woman although he doesn't show it on his face. He is very lonely. He lets people around him leave again and again, whether it's Mary or Nicky.

If James Bond is perfectionist and Ethan Hunt is idolatrous, then Jason Bourne is realistic.

come to the movies.

As a Hollywood commercial film and an agent action film, the story itself is not a selling point, but the structure of the story is still good. After reading three movies completely, you will find that three of them have formed a complete story, and the agent with amnesia has recovered his memory and himself, and the person who should be arrested also deserves it, which is very satisfactory. In fact, personally, I think the story of the first film itself is relatively complete, and it is acceptable if it ends at that time. The second film and the third film are more closely related, and the two films are even connected at the beginning and end. The success of the film story lies in that he caught a good clue, that is, Bourne's amnesia and his constant attempt to retrieve his memory. Amnesia is not a new stunt, but the director still used the length of three films to tell the story, and no matter which one did not deviate from this main line, the story was naturally very compact. The purpose of every trip and attack of Bourne was very simple, and he went to the place he had been to again and again (the second part of Neski's hotel)

the narrative rhythm is very fast, which is in line with the rhythm of the film itself, and this is also a rhythm that the director hopes to achieve. The development of the story is not procrastination and nonsense. It comes up with chasing and fleeing, looking for clues related to one's past. If you find it, you will go directly regardless of the willy-nilly. When you go, you will start fighting, run after you finish, and then chase. Very coherent, so people feel very enjoyable and cool.

as an action movie, the point of view is of course action. There are already many genres in Hollywood's action world, such as Jackie Chan's funny fighting, the elegant style of getting angry, crouching tiger, hidden dragon, and the gorgeous style of killing Bill. Bourne's style of play is a little close to that of Jet Li or even more than that of Jet Li. This style of play is very practical and simple. He doesn't need martial arts, Muay Thai and so on, but he can do it directly. Moreover, the movements are basically close combat, and the punches are quick and capable, with no extra movements, not good-looking, only practical. Practical enough that everything can be used as a weapon, a pen, a rolled-up book, a towel and everything around you can be used.

The roof chase and indoor fighting in Morocco in the third film is the highest point of the fighting scenes in the three films, and it is even regarded as a rare classic fighting scene in recent years. The previous chase was very exciting. Bourne flew around on the roof, then rushed into your living room and fell into his bedroom. On the other hand, Nicky is desperately trying to avoid Deshi's pursuit. Before the climax came, there was still a short pause. In the dark room, the previous compact music disappeared and was replaced by Nicky's gasps of fear. Then the camera returned to Bourne and the music resumed. Then the music stopped, and the tension increased. You can't see clearly when you are playing this drama. When Deshi holds a razor, Bourne's weapon is a towel. The strong shaking of the camera will make you lost in the action, but the sound of the razor is somewhat amplified, so when you can't see clearly, you can hear clearly, and your tension is greatly increased. Finally, Deshi was strangled in the bathroom by Bourne, which is much more cruel and real than being shot in a romantic way.

When watching this long chase and fight, my palms sweated. You know, it's hard to appear in a room with no heating and heavy snow outside.

when it comes to opera, there are two points that cannot be ignored. One is lens editing, and the other is music.

If we use an adjective to describe the lens editing, I think of the fierceness. After the first spy film, the director changed, from Doug Liman to greengrass, who is famous for his realism (Flight 93 came from him, which is realistic enough). In the first film, the director tried to create a little romantic atmosphere, including kissing and love, and Matt Damon's absolutely warm smile when he got up after tenderness. In the second film, realism became the main theme, and romance basically disappeared. In fact, the way of lens editing is the most important reason for the success of film action drama. During the fight, the camera shook so strongly that it seemed that all the shots were taken by photographers with shoulder cameras. The shaking was so serious that people could hardly see what happened. In addition, the editing also adopted a quick method, and the shots from multiple angles kept switching back and forth, such as the processing of scenes with many people and many people, and all angles showed the situation at that time well. Therefore, the rapid switching between the cutting and the sharp shaking of the lens, combined with the simple and clean action, makes the sense of speed in the play very explosive, so it is very enjoyable soon.

The rendering of music is very suitable. The music is not complicated, that is, strong rhythm and drums. The speed of music is in harmony with the speed of camera switching and the shaking of the camera, so the film is very active and not boring. This feeling is difficult to describe and needs to be experienced by yourself. If you are not too timid like me, you will definitely be nervous because of that atmosphere. I believe.

Of course, the highlight of the film is the car chase. I thought of Michael Bay, the car chaser in Hollywood. He is a film owner who doesn't know how to make a movie unless you give him money, so his films are full of explosions and big scenes. The spy's car chase scene can't be said to be small, but it feels very different from that. First of all, he didn't have many explosion scenes, but he kept crashing but didn't explode. Not only did he not explode, but the car broke down no matter how it was installed, and finally he could drive on. In addition, the focus of the lens is mainly on the driver, that is, Bourne. Even if it is critical to life and death, he is still calm and calm. In addition, the scene of car chasing has changed a lot, not just the highway. From the Indian fields to the streets of new york, the excitement of car chasing has not changed no matter whether the scene is changed or not. I still think that the car chase in the third part is the highest point, and there is a rollover in this part. At the end of the car chase, Bourne's own car also overturned, and there is a bridge where the car fell from the upstairs. In addition, there was a reverse car this time. At that time, I suddenly thought of the reverse car technology of Transformers' sister. Of course, the car chase scene is still inseparable from the strong shaking and cutting of the lens, and it is really enjoyable to play with the rendering of music.

There is little expression on Bowen's face, but it is not difficult to see his inner activities. For example, at the beginning of the third film, when he was sitting on the train and reading the newspaper, when he was at Neski's daughter's house, he was gentle with Nicky before getting on the bus, and when he looked at Mary's sinking body in the water, although his expression was not obvious and he didn't even laugh from beginning to end, it was not difficult to see his inner pain and loneliness.

He pointed the gun at others again and again but gave up. At that time, he still had no special expression on his face. He just gasped, but it was easy to see his inner struggle.

The film changed the background of the confrontation between the United States and the Soviet Union in the original work, and put Bourne under the framework of the state machine. He lost his memory. He was not only looking for himself, but in the process he touched something behind the scenes of the state machine. He is lonely, but it can make him a hero. What he gave to Pan condemned the senior officials, and he also found himself. To put it simply, he won a victory in the confrontation with the state machine, but in fact, he finally realized that he was a pawn of the state machine, he was a government asset, he was a volunteer, and he killed for the government but foolishly thought he was saving American lives.

When he had a little knowledge of his own history, he wanted to get rid of his identity, but he couldn't get rid of it all the time. He shaped himself. At that time, after he shot and killed people, he was never his original self, and he could never go back, because what he had done could not be erased after all.

So, when you retrieve your memory after amnesia, you find that it is not what you want at all. This is a kind of sadness. This kind of sadness is Bourne's strength, which is somewhat shocking.

The Bourne series is over. Matt Damon once claimed that the Bourne series was over, but then his backtracking statement, together with the suspected foreshadowing of Nicky and Bourne's past, made people vaguely see the shadow of Bourne 4, but I don't want Bourne 4 or even Bourne 5 or Bourne 6. Bourne 123 is a classic, and it is quite complete and complete enough. It doesn't need to turn Bourne into the next endless James Bond, does it?

speaking of which, isn't Nicky's last slightly upward smile beautiful?