Does the Shanghai Photography Competition circle money?

It's not Lu Han, it's "Shanghai Fortress" that sucks!

As a singer, Lu Han's acting skills still need to be strengthened, but as an actor, there are still some representative works, such as the film "Returning to 20" and "I am a Witness", which made him emerge in his early years, and later starred in the well-received online drama "Crossing the Fire Line", and so on. These works are enough to break the doubts about his acting skills.

As for the reason why the reputation of Shanghai Fortress starring him is so poor, the director and script are the key.

Since Shanghai Fortress went to the cinema, it has not given the audience a new vision. The film didn't appear like stagnant water in a pond at all. Who is responsible for its failure?

First of all, the script is not suitable, and the novel focuses on the emotional line, not the science fiction promoted by the film. The film puts the cart before the horse, which makes people look awkward. Jiang Yang, played by Lu Han, is obviously a soldier, but he didn't see the clean experience of the soldiers.

Traffic is icing on the cake, but it won't be a timely help. Whether it is a movie or a TV series, its success depends not only on the flow of actors. To be honest, too many works are too impetuous now. If you want to make money by traffic, works with connotations will be successful and become classics.

Secondly, the quality of a film depends not only on an actor, but the actor may play a decisive role, but I think the director is the key

A film can't be shot only by actors, but by a large number of staff including directors, producers, screenwriters, photographers, lighting, editors and actors. The director is equivalent to the general controller of the whole film crew, and the final screen effect depends largely on the director, not a staff member in the crew.

The key to the quality of a movie lies in whether the writers and directors can turn the tide, seize the hearts of the audience, and make the audience willing to pay for your movie and go to the cinema.

Therefore, it can be said that the failure of "Shanghai Fortress" is various, and the science fiction film itself is a challenge to China films. You can't think about copying just because you see the success of wandering earth. Besides his excellent qualities, The Wandering Earth played a big role in Wu Jing. How many people went to the cinema because of Jason Wu, but Jason Wu still didn't disappoint.

Now people always say that the traffic is not good, but I think the traffic is still very influential. We don't want those inflated and false traffic, and we don't want to show off and be arrogant with "traffic". They are temporary, not long-term.

Look at Wolf Warriors 2, The Wandering Earth and Nezha. These films rank among the top five in China. I said they were all traffic soldiers, soldiers, astronauts and Nezha who was defending his homeland. Which is not real traffic, and which fans don't crush entertainment stars?

It's not the bad traffic, it's the practitioners in the entertainment and film circles, the film companies and filmmakers who can no longer induce the audience in the simple and easy way they think, and can no longer seek benefits from it.