"One Sentence is Worth Ten Thousand Sentences" previewed ahead of time, the inner battle begins

In addition to Beijing audiences who can experience this "inner war blockbuster" in advance, eight cities including Shanghai, Guangzhou, Nanjing, Hangzhou, Xi'an, Zhengzhou, and Chengdu will also open advance previews.

Liu Zhenyun and Liu Yulin interacted with the audience on the spot

"One Sentence is Worth Ten Thousand Sentences" advance screening

Director Liu Yulin

Original author and screenwriter Liu Zhenyun

Recently, the movie "One Sentence is Worth Ten Thousand Sentences" held a "Shocking" advance screening event in Beijing. The original author and screenwriter Liu Zhenyun and director Liu Yulin were present in person. In the current noisy film market, this film is slow-cooked and down-to-earth. It attracts a large number of viewers with its thrilling story direction, sharp lines and mysterious relationships between the characters, and the inner feelings of each character are revealed. The level of turbulence is no less than that of war.

In addition to Beijing audiences who can experience this "inner war blockbuster" in advance, eight cities including Shanghai, Guangzhou, Nanjing, Hangzhou, Xi'an, Zhengzhou, and Chengdu will also open advance previews. Industry insiders analyze that "One Sentence is Worth Ten Thousand Sentences" is scheduled to be released globally on November 11, but this time it will be screened on a large scale two months earlier than regular movies. For the film, this is not only a good opportunity to attract tap water and blossom within the industry but also outside, and it is also a reflection of confidence in word-of-mouth. Talking about box office expectations, director Liu Yulin used the new product tasting session at a top Michelin restaurant as a metaphor: "Don't be afraid of being late for a good meal, and don't be afraid of watching a good movie." Liu Zhenyun joked humorously, "The requirements for it are not high, as long as it can exceed 2 billion."

Story——

It is meaningful and expresses the inner flow

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In the era of "bending back" where there is generally no bottom line, it is a joy to see a film that is upright and has something to say. On the day of screening, many people in the industry said that "One Sentence is Worth Ten Thousand Sentences" exceeded moviegoers' expectations and was a rare good movie. As far as the story is concerned, the film vividly and thrillingly displays the tangled psychological process of a man who suspects his wife of cheating, starts stalking, obtains evidence, picks up the knife, and whether to tolerate it or not. More importantly, although "One Sentence is Worth Ten Thousand Sentences" is director Liu Yulin's first feature film, the entire film took two years to produce. The narrative is quite clean, not mystical or artificial, and has a cool sense of zero-degree narrative.

Director Liu Yulin introduced that "One Sentence is Worth Ten Thousand Sentences" is a war blockbuster. "It does not take place on the battlefield or special effects, but takes place in our hearts, our daily lives, and around us." The reason why the movie can attract the audience's emotions and make people immersed in it is because it is a work in which the director, screenwriter, performance, camera and any creative figures are not visible. When the audience watches this film, they only see the characters. I will forget myself and be with Niu Aiguo, Xiao Baihui, and Niu Aixiang in the film, feel the battlefield in their hearts, and find my own shadow in them."

At the same time, Liu Zhenyun also expressed. In my own eyes, "One sentence is worth ten thousand sentences." He believes that this film is actually about an epic story about a cuckold. "In life, maybe everyone pays attention to the cuckold, but in art, the focus is on the epic." In order to make it easier for the audience to understand, Liu Zhenyun used historical events to make it easier for the audience to understand. To spark some speculation, "Wu Song's act of furiously killing Pan Jinlian was magnificent and an epic story of a cuckold"; "Xuanzong of the Tang Dynasty cuckolded his son Li Mao because Yang Guifei triggered the Maweipo Incident and reversed the direction of historical development. This is called an epic "; "Liu Bang cuckolded his father. He said that his mother went to the hillside to cut grass and had sex with a snake and gave birth to Liu Bang. This kind of reverse imagination is called epic." In addition to the imaginative interpretation of the epic, Liu Zhenyun also added. Therefore, the child victims in Syria brought back the video, "In the ambulance, the little boy wiped the blood on his face with his hand and put it down blankly. There is also such a child in "One Sentence is Worth Ten Thousand Sentences", but she The blood that is wiped away is not the blood on the face, but the blood in the heart."

Lines——

Every sentence touches the heart and breaks a thousand knots

The use of line art is no less than that of Wong Kar-wai. As the original author and screenwriter, Liu Zhenyun is known as the "one-line brother", "the king of golden sentences" and the "joke master". This time, he integrated his humorous language style into the movie "One Sentence is Worth Ten Thousand Sentences". The lines that touch the heart and lungs every word complement each other with the "thousands of knots" in the characters' hearts. Coupled with the heart-wrenching, compact and low-key camera language, the instant emotional outburst is irresistible, achieving the effect of a perfect match between sound and picture.

So the question is, what kind of sentence has the thrilling power? Liu Zhenyun explained from ancient Chinese anecdotes: The trigger for Pan Jinlian's "cheating and murderous case" came from the 11-year-old brother Yun who sold pears, who successively reported to Wuhan University and Wu Song, which eventually led to the Dong Chuang incident; Dong Zhuo and Lu Bu were unified during their alliance In the world, others seized the "lustful" lifeblood of the two people, and eventually Diao Chan intervened, causing the alliance to collapse and reverse the direction; the Battle of Chibi was due to Zhuge Liang's word "fire", leaving history with a battle in which less defeated more. Classic battle. One sentence is enough to trigger a murder and reverse the course of historical development. This is Liu Zhenyun's understanding of "one sentence is worth ten thousand sentences".

He used ancient metaphors to describe the present, making the movie "One Sentence Worth Ten Thousand Sentences" full of epic meaning: "There are at least five such earth-shattering sentences in "One Sentence is Worth Ten Thousand Sentences", but it does not happen in Red Cliff; It happens around us, around you and me, inside and outside of marriage.”

Such as “Life is about the future, not the past”, “Everything in the world hides grievances”, “A person. Find another person, find another sentence in one sentence, that is the real loneliness" and other classic lines were also talked about by the audience at the screening. Some fans commented sharply, "The lines touch people's hearts."

Tone -

Gripping, empathetic and high-level

What kind of movie can make the audience unable to leave their seats for a minute? In "One Sentence is Worth Ten Thousand Sentences", every plot point, every sentence, and even a subtle look and action may become a force that promotes the development of the drama. Such a rigorous story pattern also determines that the audience cannot miss any shot. In addition, the contradictory issues raised by the film such as "can't speak and can speak", "to endure or not to endure", etc., triggered empathy and aroused a strong resonance and sense of empathy among the audience. After watching the movie, some media gave high praise, saying, "It is neither an unattainable spring snow nor a sensational cuckold gossip. It directly points to people's hearts and relies entirely on the collision of plot conflicts and character relationships to advance step by step. It is a high-level film." "The inner war blockbuster. After watching it, I can turn the page on Chinese movies."

Many viewers also said that the actors' acting skills are all outstanding, and each character is interpreted very realistically and fascinatingly. play. It is understood that in order to make the performance more realistic and to better fit the character setting, the main creators went to Yanjin, Henan Province one month in advance to experience life. For example, Mao Boy's "shoe repairer" and Sun Qian's "casserole cooking skills" in the film are both Real "real skill".

Box office -

Don’t be afraid to watch good movies, helping Chinese movies to turn over

Different from other comedies, youth movies, and special effects blockbusters, "One sentence is worth one sentence" "Ten Thousand Sentences" was screened on a large scale two months in advance, which is unprecedented. In this regard, director Liu Yulin responded through metaphor: "Every time a top Michelin restaurant introduces a new dish, it will invite the best and most picky connoisseurs in the world to try the dishes in advance. The reason why they have such confidence is because they are one of the few in the world. The Michelin-starred restaurant's dishes are worthy of connoisseurs' appreciation, and "One Sentence is Worth Ten Thousand Sentences" is such a process of connoisseurs tasting dishes. As the saying goes, you won't be afraid of being late for a good meal, and you won't be afraid of watching a good movie. "Director Liu Yulin also believes that, The audience's aesthetic appreciation of movies is also constantly changing. They are now more willing to see movies that are content, touching, in-depth, and heart-warming. ""One Sentence is Worth Ten Thousand Sentences" is a movie that can interact with the audience. A heart-to-heart film, I believe everyone can find his or her own "one sentence is worth ten thousand sentences". Liu Zhenyun also expressed his own opinion when talking about "what is a good movie". Insights. He said that good-looking movies include good-looking movies, good-looking movies with big breasts and no brains, good-looking movies that spill blood, and good-looking movies that don’t speak human words. However, audiences are increasingly disinclined to buy this type of “good-looking” movies, and instead are more interested in them. It tends to look good with content. Foreign media have reported that China is one of the countries in the world that produces the most movies and has the strongest box office appeal. At the same time, China is also the country that produces the most junk movies. In this film environment, China needs films with thoughtful content. When asked about his expectations for the box office of "One Sentence is Worth Ten Thousand Sentences", Liu Zhenyun was full of humor and joked to himself, "The requirements for it are not high, as long as it can exceed 2 billion," which made the audience laugh.

It is worth mentioning that Liu Zhenyun generously revealed at the scene that the movie "One Sentence is Worth Ten Thousand Sentences" has been invited by many heavyweight international film festivals.

The movie "One Sentence is Worth Ten Thousand Sentences" is written by the original work Liu Zhenyun, produced by Jiang Zhiqiang, directed by Liu Yulin, starring Mao Hai, Li Qian, Liu Bei, Fan Wei, Li Nuonuo, Qi Xi, Yu Entai, Sun Qian makes a special appearance, focusing on the inner world of ordinary people and telling an epic story about a cuckold. It will be released globally on November 11.