Li's life story

Since the tenth year of the Republic of China (192 1), there has been a piano incident in Shanxi. At that time, Shanxi was in power, and the Yayue Department was established in Yucai Pavilion and National Teachers College, and Peng Zhiqing, a hundred disciples of a generation of masters, and ancient masters from Sichuan were invited to preach the piano in Shanxi. Gu, Shen Bozhong, Yang You and others came with him, but also for more than half a year. Peng, Gu and others gave lectures in Jin for two years, and Peng Zhiqing arranged music scores. The music score is now in the Shanxi Provincial Library, and the repertoire includes Yuqiao Q&A (Qin Song), Pingsha Wild Goose, Three Stories of Yangguan (Qin Song), Poem of Returning Home (Qin Song), Puan Mantra, Running Water and Sanmei. From time to time, Qin people such as Sun (Ming Sen,no. Jiangdong Buyi), Zhao Jianfen (post office staff), Zhu (director), Rong Hongtu (garrison commander), Li Guanting and Fu Xiaxian appeared. So they set up a vowel piano club to promote the research of Sanjin piano. The situation has been turbulent in the last two years, and musicians have disappeared. At that time, Sun, a cloth artist in Jiangdong, and five piano players made more than 200 beds, all of which were signed by Sun, a cloth artist in Jiangdong, and the piano players were promoted. Today, not anymore. (For the personnel at that time, please refer to the relevant account in Today's Qin Yu Bao. )

After 1924, Wang Jukui (son), who graduated from Normal University with a major in elegant music, taught piano in the Music Research Association of Normal University, and arranged the lecture notes and piano scores. So, over the years, many normal university students have learned the piano.

1934, Cheng Jiyuan, a student of Normal University (entered Hangzhou Art College for 35 years and then stayed in Japan), taught his younger brother to play the piano. At that time, I was in my teens, and I was familiar with the Puan mantra. 1946, Gao Shou Tian, a national normal student (painter, deputy director of the museum after liberation) founded the Tang Organ Society in Taiyuan. My post office colleague Zhang Liangyuan (later transferred to Guilin) and I joined the club to learn piano. At that time, he performed several times in Taiyuan Radio Station. Colleagues in the post office often mention recruiting seniors. At that time, my piano skills were just playing the piano.

After liberation, it was transferred to Jinnan, and 1959 was transferred back to Taiyuan. After returning to Taiyuan, I was lucky enough to buy more than a dozen famous Guqin records and listen to them repeatedly before I realized the charm of Guqin music. Later, I asked Fu Fuxi, a Beijing pianist, for advice, and contacted more than a dozen letters (most of which were burned during the Cultural Revolution, leaving only one piece), which was quite enlightening. 6 1 year, the work was transferred to Wenshui again until he retired in 84. After retirement, I returned to my wife's home (Madong Village in Wenshui) and was busy with housework such as repairing the house and getting married. Later, I wanted to review my piano skills, but the old silk strings were useless and I couldn't buy any strings. Later, the parties contacted friends to entrust. Until1June, 988, Senior Brother Meng (also a Buddhist student), Vice Minister of Commerce, asked someone to buy the Shang Yin string from Shanghai. Because I was suffering from cataract and my eyesight was not good at that time, I reluctantly insisted on learning more than ten piano pieces. During this period, Zhang Xu (an archaeologist) and Lin Peng (president of the Book Association) came to listen to the piano. 1993, Zhao satirized the old man who also came to listen to the piano in order to forget the opportunity and take photos as a souvenir.

In the 1960s, I met a Tang Qin in the Provincial Cultural Management Committee. The emblem of 13 is a handmade gold ornament with a jade foot, natural and beautiful broken lines and wear, and a warm voice. This is indeed a rare guqin. Later, Zhang Ming said: Lu Ji and Cheng Kuan (a disciple of Guan Pinghu, who once hid Tang Qin) met and found Lei Qin, but now they don't know where to hide it. During the Great Leap Forward, graduates of Yucai Museum were employed by Shanxi Conservatory of Music to teach piano. Soon after, the college dismounted and returned to its hometown, and there was no news again. When Cheng Kuan returned to his hometown, I didn't see him either, and I didn't know if there were any descendants in Beijing.

1994, I had cataract surgery and took off my glasses. I am relaxed and happy, but my body is getting older and older, and my heart can't bear it. Suddenly at the end of the century, I may be the only one left in Shanxi, and it will be a lifelong regret to feel that I have no descendants. Therefore, he distributed leaflets in various musical instruments in Taiyuan, introducing the nature of guqin and teaching it free of charge. Since then, more than ten people have come to the village to play the middle school piano (mostly with college education or above). It has been more than ten years, but the effect is not good. Only three or four people can persist and succeed.