What's beyond the desert-the ashes of time

In the desert, the wind is still strong; White camel mountain, people go to the building; Peach blossom valley, weak water 3 thousand. Drinking a jar of drunken dreams can't solve the regret in my heart. What's beyond the desert? Are the people on the other side of the mountain still there? Can a woman waiting by the water wait for someone who comes back? Ashes of Time may be a story about this side and that side. Unique broken lens switching, dazzling multicolor light alternating. With the intersection of time, space and memory, there is always a * * * similarity in the ever-changing picture of the movie Ashes of Time: the waiting figure. Male or female, crying or laughing, standing or lying down. Wong Kar-wai's strange thinking, Du Kefeng's strange photography, Zhang Shuping's ever-changing color design, and broken memories frame a complicated relationship between characters, and everyone is thinking about a question about winning or losing. "What's beyond the desert?" "Desert or desert." Trust your own judgment too much, but the result is not necessarily what you want. "He must have decided that I would wait for him all my life, but I won't. I want him to know the pain of loss. " Ouyang Feng's emotional entanglement with his eldest sister-in-law stems from his "overconfidence". He always thought that she loved him, but he didn't expect that she would marry her eldest brother, so he was defeated in the wrestling of love. How is she? "I thought it was very important before, because I thought some words were said all my life. Now that I think about it, it makes no difference whether I say it or not. Some things will become hungry. I always thought I won, until one day I looked in the mirror and knew I lost. " Because at the best time of her life, the person she loves is not with her. Where birds fly, life has withered. At the age of 18, China was teetering and Fang Yi was unsuccessful. Tears drop by drop to make the final fall, watching her sit by the window and die of depression, watching the flowers in her hand fade away. It's always risky to jump to conclusions too early. If you are not careful, what you lost will never come back. Sometimes there is a glimmer of hope, though it is slim. Just like Yang Caini's character. Everyone will stick to their beliefs. Although others think it is a waste of time, it is necessary for her whenever possible. Ouyang Feng refused her request, even though it was raining heavily, she didn't leave. Nobody knows what will happen tomorrow. The waiting girl got her revenge after all, so she was the winner. What's beyond the desert? No one really knows, because no one has gone out to see it. In the dreary plot, the only role that can make the atmosphere jump is Hong Qi, a beggar. He wanders around and has no fixed place, but he seems to have nothing, but he is richer than anyone else. He is the only happy person in this movie, and his appearance broke all the set endings. Take your wife and set foot on the road outside the desert to see what is outside the desert. Maybe it's an endless desert as Ouyang Feng said, so it doesn't matter. After all, I have seen it with my own eyes. If not, he will get a different surprise. Poor beggars don't stubbornly guard what they can't catch. At first, he didn't want to take his wife on a trip, but at last he changed his mind and had to admit it. But when his wife fed him, he was the most enviable person in the whole movie. His success lies in his directness and simplicity. In the face of the impossible, I can't let go of myself, the ultimate injury. The same is true of Huang. Every year when the peach blossoms are in full bloom, Huang travels back and forth between the desert and white camel mountain, telling the people he is waiting for to his loved ones, but always hiding something, hoping that he still has a chance, until one day he clearly knows that he lost in this relationship that does not belong to him from the beginning and swallowed half an altar. The man in a black and white gown, his hair blowing wildly, his face cold and vicissitudes. The humble hut next to it is the place where he waits, bearing slim expectations. Finally, a big fire passed, and Du ended his lost period. He finally wants to visit the desert. As time went on, things changed. What's beyond the desert? You won't know until you get there, although it's not clear whether the ending is happy or sad. Hopeless waiting and wrong persistence are fruitless. In the endless speculation on this side of the desert, everyone's spiritual hometown has been missed. Compared with Ouyang Feng, who is extremely lonely in waiting and persistence, and Hong Qi, who wanders barefoot with his wife, the girls holding donkeys and carrying eggs are lucky. Instead of closing their lives in one place, they keep walking, even if the desert is still there, the mountains are still there. Repeated scenery is better than boring waiting. Time flies, running water under the bridge. Missed youth can never be picked up, and withered peach blossoms can never be recovered. The purpose of life is not to push stones up the mountain in Sisyphus, but on the way to Ithaca. A big fire passed and it was all over. As director Wong Kar-wai said, when you are young, you feel that everything has an answer, but when you are old, you may feel that there is no such thing as an answer in life. Nothing in this world is out of date.