Traditional Culture Encyclopedia - Photography and portraiture - How to evaluate the movie Street?

How to evaluate the movie Street?

The movie is a very beautiful movie with the general charm of prose poetry. The whole story is like a modern version of butterfly lovers. The photographic composition of the film is very particular, and the expression technique is full of symbols and metaphors. The most attractive thing is the narrative of the film. At first, a mysterious guest found a cool screenwriter and wanted to talk about his own script. It was quite suspenseful and very black, but the ending turned out to be as many as "Running Lola". Interestingly, some "endings" are obviously imaginary, while others are temporarily mistaken for the truth by the audience. But too many narrators destroy the rhythm of the film, and those blunt words will make people laugh.

The unique discovery of human tragedy poetry in the ten-year catastrophe in Side Street was destroyed by the "endings" of three fictional schemes. As for the three endings, in terms of artistic expression, the creator deliberately makes them artificially show "drama traces" in an attempt to cause "regret" to the audience and urge them to imagine the ending of the characters according to their own experiences, but the result is just the opposite. In the narrative structure of the film, Xia's first-person narration is difficult to coordinate with Zhong's third-person interruption and ending, which disturbs the audience's artistic appreciation and puts them in a forced position of "watching a peep show".