Review of the film Micro-World

The documentary Micro-World was translated into Residents on the Grassland, which is the first part of jacques perrin's documentary trilogy. He turned the tiny world into a magnificent spectacle in front of us from a unique angle. The following is a review of the movie "Micro-World" that I arranged for you, hoping to help you!

Chapter one: Overview of the micro-world.

I suddenly realized that there was such a small task today. I went to see the microscopic world. At first, I didn't know it was a movie. Then I went to Baidu and said that Microworld focused on various situations of microorganisms in nature, magnified the situation of microorganisms in front of people, gave people sensory experiences from different angles, and revealed the mystery and significance of life. This film cost a lot of money, lasted for 4 years, and completed countless unimaginable shooting, which is unique in the industry! Made me interested in this movie.

I am a person who is very afraid of bugs. I scream when I see cockroaches. When I opened the movie, I heard all kinds of bugs in the room, accompanied by pictures, which made me uncomfortable all over. But when I was afraid, the picture that caught my eye was the process of a caterpillar's metamorphosis. I saw an ugly caterpillar, which persisted step by step and became a pupa, and then broke through many difficulties and became a beautiful butterfly. Makes me feel that this ugly caterpillar is not so ugly.

This reminds me of the past four years. The earthquake on the 20th was the same as in the past many years. 12 before the Sichuan earthquake, they were as ordinary as caterpillars, but after the earthquake, those who survived were like deformed caterpillars, and their persistence in survival turned them into beautiful butterflies. Even if you encounter any difficulties again, you can persist and become more beautiful.

Looking down gradually, the sound effects in the movie are very interesting, and the shapes of insects are quite anthropomorphic. Let me have a new understanding of insects: Have you ever seen a "kissing" snail? In the film, the production team can be said to have waded through mountains and rivers to discover the love story of these two snails. When it comes to mosquitoes, you will definitely look disgusted, but the birth process of mosquitoes is so beautiful under the photography of photographers. A mosquito was born, struggling to break out of its shell, pious and sacred. When you witness the birth of a life, you have to admire the magic of nature. When two beetles "met", they waved huge pliers for a duel. In order to highlight this shocking effect, the production team used bands to dub their battles, which gave people a shock. There is also such a creature in the film, which looks like a caterpillar. They will only follow their predecessors and never open up new routes by themselves. So that when the first member in the queue can keep up with the last one's tail, the whole queue becomes a ring, constantly walking in circles and stagnating. When several people upset the formation, the result was chaos. It seems that the natural world and the human world have similar laws. The most interesting story in this film is a dung beetles. It is said that a dung beetles was covered in dust and carrying his huge' fruit', but he didn't know that something unexpected would happen. His fruit was pierced by a strange ground. At first, he didn't know what it was. He pushed hard, and the stab only deepened. After a while, he seemed to know what was going on. Slowly push the dung ball out and continue to push it away happily. If we have to give him an ending, it must be that he has found the other half of his life and lived a happy life.

Because of the snail's persistence, this love can be realized. Because of the mosquito's persistence, we see the magic and beauty of nature. Because of the dung beetle's persistence, we feel the happiness of life. Because ... in the film, we have to admire the director's exquisite technology. A rain will definitely bring vitality and vitality to nature. Heavy rain wets the dry land, raindrops fall into the pond, and bugs play in the rain to avoid huge raindrops, but there are always a few unlucky ones. After the rain, everything in nature is nourished by the rain and dew, and it glows with greater vitality. When the camera moves to a small dewdrop on a leaf, you will find that ordinary dewdrops are so cute. It is like a small mirror, and everything around it is contained in his crystal clear belly.

Although insects are insignificant to our naked eyes, and her persistence is insignificant in our eyes, it is precisely because of such insignificant persistence that our nature has become beautiful and moving.

Chapter two: Overview of the micro-world.

This documentary was translated into "Residents on the Grassland", which is the first part of jacques perrin's documentary trilogy. He turned the tiny world into a magnificent spectacle in front of us from a unique angle. We can't help being silent, listening and enjoying this wonderful microscopic world.

The process of watching movies is also an aesthetic process. The microscopic world under nature has given us too many surprises and miracles. We have to admire the talents of the masters of visual angles, so that we can discover and illuminate them, and combine natural images with aesthetic consciousness perfectly, thus creating a spiritual realm and forming an aesthetic image "presented in my heart" found in natural images and natural scenery, that is, describing and generating natural beauty. From the artistic point of view, the director meets the aesthetic needs of "people", makes people lay a good foundation on the basis of the knowledge and experience they have mastered, and promotes the subject's aesthetic consciousness to fit with nature. The so-called realm of "I see how charming the castle peak is, but I expect the castle peak to see me like this" truly shows the micro-world, and the fantasy world produced by the combination of man and natural objects is natural beauty.

The image world illuminates a real world, that is to say, what the film presents is real and true. Different from the natural world, movies have changed the presentation of the micro-world for aesthetic needs. The shooting angle allows us to choose the observation angle, which makes it easier for us to communicate and blend with the world under the grass, making it an aesthetic activity and producing an image world. The image world is to illuminate a meaningful and interesting life world, and returning to nature is "nature". If we want to understand nature, we must get close to nature first, but if we really get close to nature, most people are unwilling or unable to get close to nature because of conditions. This "distance" dispels the generation of aesthetic images and also embodies the foundation of natural beauty. As it happens, the camera helped a lot. Under the guidance of the director, he recorded the life world close to nature. This process is "discovery" and "inspiration". Let us integrate with natural objects from the spiritual level and appreciate the charm of natural beauty.

Ugliness is an aesthetic form. Restricted by natural geographical environment, social and cultural environment and specific life situation, beauty and ugliness can be transformed into each other. "granary knows etiquette." For literati, flowers are beautiful to express their love for the woman they love, while for beggars who have not had enough to eat, steamed bread is beautiful and can be enjoyed beautifully. Beauty and non-beauty, art and non-art, lie in whether the aesthetic subject can sublimate pleasure in his own situation and generate aesthetic images. When we watch movies, the environment and consciousness tell us that we are "free" and "safe". Spiders, caterpillars and ants are far from us. At this time, they are just objects that can be "excited". The "far" mentioned here is the poetic expression of Wang Wei, a poet in the Tang Dynasty in China, that is, the so-called "seeing the mountains from a distance and listening to the water silently". The choice of distance is also a factor that determines the transformation of beauty and ugliness.

The "war beauty" of insect fighting, the "sexual beauty" of mating and the "order beauty" of behavior all really exist in our aesthetic process, no matter what angle or image. Therefore, we can be sure that "the world under the lens" is a vivid, delicate, wonderful and natural spiritual realm achieved by the director's life perception and objective natural scenery, rather than a purely objective world.

Zhuangzi once said: "There is great beauty in heaven and earth without saying anything, there is a clear law without discussing it from time to time, and everything is reasonable without saying anything". The great beauty of heaven and earth is a kind of beauty without right and wrong and difference, which can be understood as pan-American. The beauty in the film is only the choice made by the director from his own aesthetic consciousness. Influenced by the times, culture and other factors, the beauty we found is only a part of the great beauty of heaven and earth. It can be said that we selectively accepted the great beauty of heaven and earth, and then prospered and became beautiful.

The micro-world gives us the feeling and inspiration of the beauty of nature, the sound of nature and the beauty of heaven and earth, all of which need our close attention and appreciation.