How to evaluate Wang Peiyu, an old Peking Opera student?

No matter the voice or appearance, it can only be considered as a medium level among the young and old actors in Beijing Opera today. In terms of looks, she is not as good as Blue Sky and Feng. In terms of voice, she is not as good as Zhang Jianfeng and Harmony, but she is lucky. She was once praised as "Little Winter Emperor" by Mr. Tan Yuanshou, and became famous from then on. In fact, whether Tan Laokua is appropriate or not, whether it is like Meng Xiaodong or not, Wang Peiyu should know only one thing in his heart: they are all Kunsheng.

Personally, I think it is too early to pay attention to Wang Peiyu's achievements so far. Objectively speaking, Wang Peiyu should be the best Peking Opera actor who combines the promotion of Peking Opera with personal promotion. Please pay attention to my modifiers here: "today" and "combination".

Wang Peiyu studied pingtan first, and then changed to Beijing Opera. He was awarded the title of "Xiao Meng Xiao Dong" at a young age. According to her own memory, the title of "Xiao Meng Xiao Dong" was called by Mr. Tan Yuanshou. Once, Mr Tan Yuanshou watched a performance in Wang Peiyu. After reading it, Teacher Tan praised Wang for "seeing Teacher Meng's performance, this is Xiao Meng Xiaodong" (to the effect). Since then, the title of "Xiao Meng Xiao Dong" has spread like wildfire. Later, when she went to Beijing to perform, Amy Tan co-starred with him in Lost Space. In fact, it can be seen from here that the title of "Xiao Meng Xiao Dong" is more of a support for the younger generation. As for the real comparison, it is hard to say that Wang Peiyu in those days, or even Wang Peiyu today, can be on a par with the "Winter Emperor" in those days. Therefore, it can be concluded that the level of Peking Opera in Wang Peiyu may be the best at present, but it is still difficult to be established in the history of Peking Opera.

Saying these words will lead to the denial of some fans in Wang Peiyu, but the artistic level still depends on the artistic strength, not on unreasonable abuse and unfounded denial. As we all know, Mr. Meng Xiaodong is an apprentice handed down by Mr. Yu Shuyan, but even so, due to gender and other conditions, Mr. Meng Xiaodong's performance and exertion ability are far less than that of Mr. Yu Shuyan. Similarly, the same is true in Wang Peiyu today, including pronunciation in Wang Peiyu. Because of the different physiological structures of men and women, the methods of pronunciation with pronunciation will be different. So we will check the congenital conditions after school.

Let's talk about Wang Peiyu. The records left by Mr. Yu Shuyan are those 18 and a half, but the plays that Mr. Yu Shuyan knows are far from these. Just one martial arts fight was enough to deter Mr. Xiaodong Meng, not to mention Wang Peiyu a few days later. We have seen the performances "An Empty City" and "Catch and Release Cao", but the performances of Kunqu Opera (such as) are rare.

However, limited by the times, we have to say that Wang Peiyu is one of the best performers in contemporary Peking Opera, especially her peers. Although women's gender is her shortcoming, at the same time, Kunsheng is her advantage, because fewer students can come out, so it is more precious.

In recent years, Wang Peiyu has also combined the promotion of Peking Opera with its own promotion. Holding a recital, participating in various variety shows, improving their exposure, on the one hand, promoting Peking Opera to the public as a Peking Opera performer, on the other hand, letting the public know about Peking Opera performers and Peking Opera, so Wang Peiyu is quite successful in publicity and promotion. But whether his promotion has more positive or negative effects on the development of Beijing opera and the public's understanding of Beijing opera, I think it should be another matter, or we should take a look again.

Wang Peiyu is one of the most famous young actors in Beijing Opera. He not only sings well, but also participates in various variety shows across borders many times, which indirectly promotes the development of Beijing opera, so he is affectionately called "Yu Boss" by opera fans.

Wang Peiyu, born in 1978, is still a young actor in Beijing Opera. She/Kloc-was admitted to Shanghai Theatre Academy at the age of 0/4 and began to study drama. She won various awards at the age of 16, and Tan Yuanshou praised her as "Meng Xiaodong of that year". From then on, fans affectionately called her "Little Winter Emperor".

At school, Wang Peiyu studied under Wang Siqi and studied the arts of other schools. Soon, she will give a vivid performance for the old students of Yu School. Wang Peiyu is an excellent student at school. He is not only good at drama, but also served as the monitor and chairman of the student union. Cultural courses, professional courses and personal abilities are all excellent.

After graduating from school, Wang Peiyu became the deputy head of a troupe of Shanghai Peking Opera Theatre at the age of 25. At a young age, he became one of the famous artists, and he also gathered a variety of auras: the fourth generation of Yu School, the Little Winter Emperor in Liyuan, the first person born in Kunsheng today, a famous Peking Opera artist and so on.

Of course, she won all these honors before the fire. In fact, the hottest time in Wang Peiyu is in recent years. In order to promote the art of Peking Opera, she constantly participated in variety shows and frequently appeared in public. She also said that she participated in the variety show in the hope of learning about Beijing Opera in a way that young people like.

In fact, I am quite moved by Wang Peiyu's frequent participation in variety shows, because every time she introduces herself, she will say that she is a Peking Opera actress, instead of directly saying that I am Wang Peiyu. Her performance is that she has always positioned herself as a Peking Opera actress and devoted herself to the spread of Peking Opera, which I personally appreciate very much!

Look at the current Beijing opera world. Before the appearance of Wang Peiyu, a Peking Opera actor, the spread of Peking Opera art depended on word of mouth, and the fans were happy with each other. Compared with the general public, Beijing opera is equivalent to a thick veil of mystery. Even if there is any connotation, it will miss many audiences.

After Wang Peiyu appeared, Peking Opera was displayed in the form of variety shows, and people found it so interesting. Therefore, Wang Peiyu has attracted a large number of fans and made great contributions to the spread of Beijing Opera!

In recent years, an old girl named Wang Peiyu is very active. Besides performing, she has also been a guest, given lectures, publicized and popularized the knowledge of Peking Opera, and even performed the farce of "Cao Yunjin hugging his thighs".

Those who study and inherit the singing art of the Henan School often perform plays such as Searching for the Lonely and Saving the Lonely, Wu Pen Ji and so on, which are deeply loved by the audience and have the reputation of "Little Winter Emperor", which further embodies the artistic characteristics of the Henan School's elegant, meaningful and mellow singing. It seems that she still holds the post of secretary of Shanghai Peking Opera Theatre, and her success in the circle of Shanghai Peking Opera Theatre, which always emphasizes "local characteristics" and only emphasizes refined and popular words, not only shows that she does have artistic skill, but also shows that "this woman is (that) unusual".

To evaluate Wang Peiyu's artistic level, the first thing to say is the artistic characteristics of the remaining schools of vocal music, that is, her patriarchal clan system. Learning a genre is not simply learning vocal music. Yu Shuyan sang "Dulaimi" and I sang "Dulaimi", so I am the remaining school? Pronunciation, rhyming and vocalization are the labels that reflect why this genre is this genre.

My school pays attention to singing and enunciation, just like "a big lion has a little lion in its mouth". If it is too strong, it will kill it. If it is too small, the little lion will fall to the ground. Perseverance is a great test of the singer's skill. Yu Shuyan's voice pays attention to "improving the fluency of the central voice", leaving room, rather than doing his best. The overall singing method is ethereal and elegant, fresh and free and easy, not floating or turbid. Biting one's mouth and being clumsy is against the basic characteristics of Henan singing.

Wang Peiyu, as an old schoolgirl, has a congenital weakness. When singing, she must pay attention to the vocal parts at any time while following the Yu school singing method, and try to avoid too many "female voices". If you follow the singing method of Yu school completely, it will be all inaudible "female voices". To maintain the masculine tone, the vocal parts must be hard and as far back as possible, so as to stay away from the principle of "middle voice" of Yu School.

Singing is the cavity of the remaining faction, not the strength of the remaining faction.

Generally speaking, Wang Peiyu's stay in school is very good, and he ranks among the best among young and middle-aged actors.

This evaluation is pertinent. Is Tan Yuanshou the owner of Mount Tai? Don't! At least Wang Peiyu's singing obviously has a female voice, and this level is low. Not to mention the appearance, not to mention the plain appearance, but the size is not enough. The most important thing is that I often participate in some variety shows, which makes me a little carried away. I haven't reached that yet. It's really not worthy of the name. I'd better keep a low profile and study hard to improve my artistic level.

Talk about my personal opinion.

In my opinion, it doesn't make much sense for Beijing opera actors to do variety shows across borders.

Let's give a simple example. In the early years, crosstalk declined, and a large number of crosstalk performers made sketches, variety shows and even movies across borders. So how much role did they play in the cross talk industry? Whether crosstalk should decline, the difference is nothing more than that some people insist on crosstalk and some people make money across borders.

Beijing opera, like crosstalk, is an art form that relies on theater performance. Variety will only kill the audience's enthusiasm for Beijing opera. When the audience is familiar with the variety of Beijing opera, it is more difficult for them to enter the theater to enjoy it.

I am too ignorant to say how to evaluate Mr. Wang. But in my opinion, Mr. Wang should use the resources he has to arrange some dramas instead of participating in variety shows to speculate.

There is a famous actor in Cantonese opera named Gai Minghui, who is also Kun Sheng. Apart from charity activities, she seldom participates in variety shows, but she accepts movies and plays in Searching for Qin. Why are you doing this? Borrowing her meaning, she said, "It costs a lot of money to run a Cantonese opera club. If you have the ability to make money, you should help more. But she didn't expect to make money by variety show, because it has nothing to do with performance. "

No artificial evaluation can be too objective. However, there is an objective evaluation method, that is, renting venues, selling tickets and singing operas to see if they can be recognized by the public and making money to support their families with their professional skills in full competition in the market. If he can, he is a good actor and has contributed to the inheritance, popularization and development of Beijing opera. Otherwise, you are nothing.

These two days, Wang Peiyu went on hot search again, because she complained that Degang Guo's Peking Opera was unprofessional. But I don't think so. Lao Guo's Peking Opera is methodical, full of charm, and its appearance makes sense.

Wang Peiyu is an old singer, and his singing skills are just so-so. But I always think her looks are more suitable for singing Tsing Yi. [Chuckles]. Moreover, in the present Peking Opera, emperors are the same, young people are not interested in sex, and the audience is mostly old opera fans.

It is an indisputable fact that Peking Opera is not as popular as Degang Guo crosstalk. This isn't Wang Peiyu giving a lecture. Trusteeship. Have you ever been addicted to cross-border crosstalk? Dare she say that her crosstalk is better than Degang Guo's? I believe the audience likes listening to Degang Guo's cross talk.

Degang Guo said that she could insert a Peking Opera into her cross talk. How about some cross talk when she is performing Peking Opera in Wang Peiyu? Isn't that smashing the table to make the audience boo? Find a cigarette! [Cover your face]

Therefore, cross-border addiction to Beijing opera is purely entertaining, and crosstalk is also a necessary skill. Don't be too demanding, it's a bit picky.