High definition and beautiful scenery pictures, super clear and beautiful scenery pictures

Beautiful scenery pictures, super clear and beautiful scenery pictures

When it comes to beautiful scenery pictures, everyone knows that some people ask about beautiful scenery pictures. In addition, there are also people who want to ask about beautiful scenery. landscape pictures, do you know what's going on? In fact, are there any computer desktop wallpapers of beautiful natural scenery? Let’s take a look at the beautiful and ultra-clear scenery pictures. I hope it can help everyone! 1. Looking for beautiful scenery pictures

Question: Looking for beautiful scenery pictures, the size of the pictures is 300~300, the more the better, waiting online, urgent! (Want to be taller?

Answer: Search Cicada’s Travel Notes. There are many cities and travel topics in it. The pictures are very beautiful. You can cut the size to 300300. 2. Are there any computer desktop wallpapers of beautiful natural scenery?< /p>

Here is a computer desktop with a scene of waves rushing to the beach. I hope you like it. 3. How to take beautiful landscape photos with a digital camera

Use Taking pictures of various scenery on the road with a digital camera is an important reason for many people to buy a digital camera. However, many people don’t know much about how to make good use of the digital camera in their hands.

Shooting portraits is different from still life such as flowers. Most foreign landscape photographers prefer to break away from the delicate and simple photography idea and use the wide-angle field of view effect of the camera to achieve a majestic and majestic image effect in nature. But this is not the case for domestic photographers. In other words, the thin horse in the west wind of the ancient road is naturally a worthy subject to be photographed, and the small bridges and flowing water are also good objects of expression. Therefore, when photographing the scenery, we should use different ones according to the different subjects.

Make preparations according to the weather

Unlike shooting girls indoors or shooting other scenes in the city, when shooting in the wild, you need to make corresponding preparations. In addition to a waterproof and shockproof camera bag for your camera, you should also bring a lightweight camera that is slightly heavier than your camera, slightly taller than your height, and has a detachable lock on the head. Tripod. Not only can this greatly improve the clarity of images when shooting with slow shutter speeds in the dark, this lightweight tripod can also be used as a walking stick to reduce the fatigue of those journeys. If you are shooting in areas where the sun is very strong and warm, you should put a black cloth to cover your head and a sealable plastic bag in your camera bag. The black cloth can be used to cover your head to help you Use the LCD screen of your digital camera for detailed framing when the sun is strong, and a sealable plastic bag can prevent water vapor from entering the camera and damaging your camera.

In addition, if it is. If you are going to shoot in cold areas, when preparing for the work, you should also prepare an extra spare battery for the camera and a cotton insulated bag that can put the entire camera in but can hold the lens. Generally, in an environment of minus 20 degrees, Under normal circumstances, a camera that can take more than 400 photos at normal temperatures can only take more than 20 photos at a time. Therefore, it is necessary to keep the camera warm. At the same time, if you shoot outdoors for a long time, a pair of gloves is also a must. , the author once shot in the Nairi Mountains. Due to excitement, I shot in the ice and snow without wearing gloves. My hands were pressed on the metal tripod. The sweat on my palms actually froze in a short period of time, so that in the end I suddenly A piece of skin was torn off.

If you are shooting in some rainforests, farmland or mountains, you should try to wear trousers that can prevent punctures and scratches, as well as waterproof and anti-puncture Goel- Professional high-top hiking shoes made of TEX fabric. Wearing such protective gear can effectively prevent punctures from wild thorn plants and bites from locusts and mosquitoes. It can also reduce pressure on the soles of the feet and prevent sprains.

Landscape photography strives for simplicity.

Only through simplicity in form can one convey an artistic conception. It is easy to say, but very difficult to do in reality. What we are facing are various, colorful and ever-changing natural scenery. Amidst the complexity and disorder, we should strive to discover the laws of beauty and express them through photography.

Simple expression is the most common in artistic creation, and it is also a more difficult expression method. High concentration and refinement are its outstanding characteristics.

With a simple sense of composition, when facing the world, what to keep, what to subtract, and how to choose are indeed big problems. I can tell you clearly that this is also a problem without an answer. topic. Since each photographer has a different understanding of nature, nature also has its own criteria for judging landscapes. However, the scope of the camera lens is limited. Framing a certain part of the infinite natural world into the viewfinder is actually a high degree of concentration of nature.

Although there is no unified standard for condensation and refining, there are still some rules to follow. For example: the landscape of the same tone should be retained, multiple lines in the same direction need to be used, and the subject of the picture should be as simple as possible. There must be enough space, etc. These all help us simplify the picture.

Picture balance in landscape photography

Stability and balance are issues that cannot be ignored in all image arts. Stability means that the scenery in the picture does not feel tilted and tilted, and balance means that the left and right sides of the picture do not look light and heavy.

The balance in landscape photography is not the symmetry of the scenery in the picture, or the even distribution of the scenery in the picture. This balance refers to the balance of visual weight, which is a changing balance. If we see an unbalanced feeling in a landscape photo, it must be because the scenery is improperly arranged, or the proportion of light and dark tones is improperly configured, or the use of colors is unreasonable. The reason for these phenomena is that the law of equilibrium is not grasped. The premise of visual balance is the balance of visual weight, and the law of visual weight balance is: big ones are heavier than small ones, near ones are heavier than far ones, dark ones are heavier than bright ones, moving ones are heavier than static ones, and clear ones are heavier than blurred ones. The thick one is heavier than the light one. In short, balance is not the average arrangement of scenes in the picture, nor is it an equal repetition.

The scenery can be more on one side and less on the other, or larger on one side and smaller on the other, but the visual weight should be almost equal. Note that balance is not an absolute balance, which will lead to smoothness, mediocrity and dullness. There is balance within imbalance and stability within instability, which meets the requirements of landscape photography composition.

The echo between the scenes in landscape photography

The echo means that there must be a response and correlation between the scenes, whether far or near or left or right.

In landscape photography, the scenes may not be connected to each other, but they must be connected to each other. This invisible connection is the echo.

Responses can be static or dynamic. There is an echo between the small flowers in the foreground and the distant mountains in the background, and there is also an echo between the birds in the sky and the woods on the ground.

The purpose is to connect and echo, to make the scenery in the picture have a complete sense of unity. This kind of echo relationship can be the echo between the subject and the companion, or the echo between the subject and the subject, or the companion and the companion. No matter what kind of relationship echoes, there must be some connection between them. In landscape photography composition, mastering and handling the echoes between scenes is crucial to the stability and integrity of the composition.

Using lines in nature

Lines play such an important role in our visual perception and thinking activities that it is difficult for people to accept the fact that lines in nature does not exist at all. It is not surprising to draw such a conclusion, because in real life and natural environment, we are familiar with horizontal, vertical, diagonal, and curved objects, and the above-mentioned objects of these shapes all have edge boundaries. These edge boundaries Abstraction will produce a variety of lines. For example: the horizon is a horizontal straight line, the lined forest is a vertical straight line, the meandering river is a curve... These visual lines are very helpful for photographic composition. They not only beautify the picture, but also become the composition. The frame in it becomes the visual center of the picture. The shapeless lines also give people symbolic associations. Long-term accumulated experience tells us that specific groups of stems are often associated with certain things or phenomena, and these objects themselves are associated with certain characteristic shapes and lines, thus forming a traditional concept of dividing lines into Position and direction are used as a symbol, which can make people have certain associations.

The vertical lines represent life, dignity, eternity and the ability to resist change.

Horizontal lines tend to represent silence, stability, and stability.

Diagonal lines mean movement, danger, collapse, uncontrollable emotions.

Circles and curved lines symbolize sea-like fluidity and movement, indicating perfection, elegance, and perfection.

The combination of vertical and horizontal lines represents connection, unity, and wholeness.

Landscape photography pays attention to the beauty of form, so it pays special attention to the design and application of lines. Photographers must not only consider the psychological feelings that lines bring to the audience, but more importantly, learn to discover and refine them. Some lines that are helpful for photographic composition are often contained in complex scenes. Photographers can only discover and refine them through careful and keen observation.

The rhythm of landscape photography

Facing the complicated landscape of all things, our minds are always thinking about how to sort out the factors from the chaos. This is to seek order from disorder, and the so-called order is order. The natural scenery itself does not provide appropriate materials and cannot establish effective contrast, so photographers must be good at observation and find some graphics with the same characteristics in the chaos, and use them in an appropriate way. They may be in the chaos. Similarities in size, shape, orientation, tone, or texture. All in all, a sense is formed through similarities. Just as music predicts beats, viewers of photography can identify a certain underlying perception in a group of similar images and predict its recurrence. After reasonable arrangement, rhythmic movement can guide the audience's eyes to move along the picture, satisfy their visual experience and grab their attention. As photographers, we are inevitably influenced by the rhythmic forces of nature.

The alternation of day and night, the cycle of the four seasons, the waves crashing on the shore, and the beating of the heart, they all have their own rhythms, and they also make us very coordinated. Because rhythm has a certain pattern of ups and downs, it has become an ideal means of excitement and expression of emotion. In addition to its practical emotional role, it is also the most influential factor in the art field of expressing emotions. Rhythm inspires and enriches people's imagination. Rhythm is more visually appealing than any other composition principle. It has great vitality and documents the most prosaic subjects. As long as a certain rhythm is discovered and reproduced, the photos can make a deep impression on people.

There is a saying in traditional Chinese painting about landscape photography: “A sparse place can move a horse, but a dense one cannot let the air flow”. This refers to the layout of the picture, and it is also one of the ways to use simplicity and complexity in the composition to reach the artistic realm. In landscape photography, you have to make some choices about scenery, discard what should be simple, and take what should be complex, so that the picture is dense and sparse. Simplicity does not mean that there is no scenery, but removes unnecessary and redundant scenery; complexity does not mean that everything is used without priority and order, but that the scenery is arranged in layers and changes in the picture. , be complex but not chaotic. The use of simplicity and complexity are complementary to each other, and it is not good to neglect either one. The combination of the two and their interdependence are interesting.

The Interesting Center of Landscape Photography

If a photo does not have an obvious and overwhelming interest center, the audience will be confused after seeing it, and they will subconsciously ask: What do you want? What am I looking at? What's there to see here? Therefore, the audience must understand the photo as quickly as possible and immediately see the key points. The center of interest is also the main body of the picture. The subject does not necessarily have to be a person, a place or an object. It can be a shape, a line, the local texture of an object, or several scenes that are related to each other. When shooting landscapes, many beginners do not make efforts to determine the center of interest, but take pictures at will, causing many meaningful scenery to be ignored, so that the pictures lack intrinsic interest and are difficult to form a dominant position. In addition, there is no Striking shapes and lines make up for this shortcoming. As a result, the audience will not find anything worth looking at and recalling in the photos except for a quick glance. The subject, the center of interest, must be clearly visible in the viewfinder and on the frosted glass focusing screen.

When we discover a shooting subject and feel very excited, we tend to focus on this scene and ignore the distracting factors, which are enough to make the subject appealing. There are many ways to eliminate interference. The most commonly used one is to avoid "all-inclusive". Specifically, it is to learn to "cut off love". If one scene needs to be emphasized and given the upper hand, then everything else in the picture should be eliminated or relegated to a secondary position. Whether it is a long shot or a close-up shot in landscape photography, it is very important to choose the center of interest. Develop a habit: think, find ways to establish a subject, and create your works around this subject. Just as thoughts come before words, the center of interest must be determined before taking a picture. Language without thought is empty, and photos without a center of interest can only be a random collection of meaningless scenery. After selecting the subject as the center of interest, what can be used to strengthen it so that it truly takes the dominant position? There are three factors you can turn to – layout, size and contrast. These three factors occasionally work independently, but often work together.

The role of shadow

Where there is light, there is shadow. The greater shadow is at night, when half of the area is obscured by the other half. As far as photography is concerned, we are dealing with local shadows, such as a cloud covering a large field or pasture. The role of shadow is not small. It can cover some things and highlight others. When it shines on the scene, the brightness of the scene increases. There are many solutions to making the scene the visual center of the picture, one of which is to place the bright visual center object in a darker background. In order to make a single-color landscape stand out, thick shadows should be used as a foil. When there are shadows, there will be contrast. Using light ratio contrast is the basic method of photographing landscapes. Shadows have different positions in the picture and play different roles. Shadows occupy the upper half or most of the picture and play a role in highlighting the subject. Since the large area of ????the background is in shadow, the objects under the illumination are more prominent; the shadows appear evenly in the light-receiving part of the picture. , which plays the role of increasing the level of the picture and enriching the visual language. If the shadow appears in the lower half of the picture, it will stabilize the composition of the entire picture. 4. I want six beautiful and light landscape pictures. There should be no tasks on them. It would be better if they are all the same.

The Promised Place on the Other Side of the Cloud at Five Centimeters Per Second. If you look up these two pictures, they should all match< /p>

The above is the content related to the ultra-clear and aesthetic scenery pictures. It is about the sharing of beautiful scenery pictures.

After looking at the beautiful scenery pictures, I hope this helps everyone!