Why is the documentary "I am repairing cultural relics in the Forbidden City" popular?

First of all, because this drama is the only large-scale documentary that systematically shoots the story of the restoration of rare cultural relics in the Forbidden City, there are three episodes of "I Repair Cultural Relics in the Forbidden City", and each episode shows several masters of cultural relics restoration with close relationships and different temperaments.

It shows China's unique craftsman spirit and great country temperament, and arouses people's patriotic enthusiasm. It is such a professional crowd. To sum up, it is actually a film that thinks about the significance of the work in a sense of history. Restoring cultural relics is a special occupation and life experience that spans ancient and modern times and talks with people a hundred years ago. People who participated in the restoration of the Forbidden City are very proud. I've seen some films with clapping techniques before. But I don't want to repeat this tune: a group of virtuous people are doing something that no one wants to do, sticking to the last faint light of mankind, and filming is no longer a historical theme, but a real life, with both restoration skills and collections, as well as people with different temperaments in the Forbidden City, and the details of their lives, combining traditional things with modern interests and making movies that everyone likes to watch.

Of course, the success of this play is inseparable from the efforts of the director and the crew. The peak of on-site shooting is seven people, and when an outreach producer who specializes in photography and coordination comes in, there are seven people, usually five people. Two photographers, each with an assistant, are going to shoot a dozen handicrafts this time. On average, each group has to take care of five or six crafts. At the same time, the two assistants also serve as on-site producers, directors' assistants and other tasks, and they have to string various rooms, sort out materials and write scripts.

Then this time, there are no gorgeous special effects. All the shots are simple plots, true and without the affectation of women. They show the simplicity of China's craftsman spirit, and include the display of prices and characters' emotions. They have photographed the long history and profoundness of China's traditional culture, which has aroused the pride of countless people, so they may be more popular.