"Blueberry Night" Wang's little love song is mysterious and profound, and you can never get tired of listening to it.

Love songs never tire of listening. Wong Kar-wai's love songs are as mysterious and profound as his sunglasses.

For those who like Wong Kar-wai, Night of Blueberries is actually a movie that can't be missed, because it is a review of Wang Xiao's love songs, because all props and techniques, from keys, numbers to food, from color to composition, are testing your familiarity and love for Wong Kar-wai.

Wong Kar-wai, like a singer who prefers to sing in a small bar, still wears sunglasses and sings his little love songs. His charm remains unchanged, and his charm remains undiminished. Watching his movies is like listening to his songs, knowing what his style is, and he loves to enjoy his unique flavor. Of course, Wong Kar-wai's taste is not compromised.

The film begins with lovelorn love and ends with love. The suffering and pursuit of love runs through the four love song stories of blueberry night, and the key legend appears first.

Jude Law is a waiter in a fast food restaurant in new york. He has a small glass jar to hold the keys left by the guests. Every key has a different story behind it, life or death, sadness or joy, or forgetting. Wong Kar-wai, like a shrewd il trovatore, is used to the romance of life, and can always find objects that can evoke people's sighs in the corners of life and feelings, and extract various symbols of love, hate and ignorance.

At first, norah jones was very angry. She wanted to leave the key to Jude Law and asked him to give it to her ungrateful boyfriend, but she didn't want to leave. When she wanted to leave and stay, Jude Law saw a woman's wound, but she also felt her partner's pulse.

Of course, this is not only the interaction between Leslie Cheung and Maggie Cheung in The True Story of Teddy Boy, but also a replica of the love myth of fast food restaurants created by Wang Jingwen and Tony Leung Chiu Wai with thumbtacks and notes in Chongqing Forest.

The note became the key. Different cultures gave birth to objects of different colors, but the smell was still full of sadness. You must admit that Wong Kar-wai is really a master of love songs.

The second player is blueberry pie.

Jude Law's restaurant makes dessert cakes with various flavors every day. Among them, blueberry pie will always be indispensable, but it will always be the worst seller. Norah jones, who was lovelorn and depressed, spent a depressing day chewing the unlovable blueberry pie.

Just like Takeshi Kaneshiro in "Chongqing Forest" went to a convenience store to find a canned pineapple that was about to expire, people were frustrated at the edge, and blueberry pie and canned pineapple were also marginal foods that nobody cared about. In "We are both unhappy", frustrated individuals quietly found a space to warm each other at the end of the day.

However, although repetition is inevitable, besides the theme of deja vu, variation is also necessary, as are food and numbers.

Jude Law later completed his love adventure in the blueberry pie residue left by norah jones's lips. In the Mood for Love, I always pass by in the smoke of wonton, like Tony Leung Chiu Wai and Maggie Cheung.

But Wong Kar-wai planted a camera in a small restaurant, instead of his time photography in Chongqing Forest, to show the feeling of people flow and time passing.

Instead, it captures the loneliness and impermanence floating in the bar air with a clearer bird's eye image, so it is possible to "peek" and "capture" the love gesture of kissing blueberry pie crumbs in Jude Law and witness the love that we all know but can't express.

As for the charm of numbers, it is Wong Kar-wai's love magic that he loved to play since The True Story of Teddy Boy, from Leslie Cheung's one-minute struggle like a hooligan, the commodity symbols that define the time limit for enjoying the taste in Chongqing forest, to the sentimental solar terms of carriages 1224 and 1225 in 2046, every number game is like a naughty child.

Night of Blueberries was adapted into a postcard from norah jones to Jude Law. She was heartbroken by love and chose to leave new york, but every time she drifted to a city, she could not forget new york, clearly recording thousands of miles away.

In principle, the farther the distance, the lighter the wound should be. If it is light, it will be forgotten, and the wound will heal better.

However, every mileage calculation tells her that the old love is unforgettable, and it will be calculated because it is difficult to give up. The farther away, the stronger the lovesickness. Will the only person who can listen and accommodate your feelings be a stranger?

And Jude Law's restaurant is just across the street from norah jones's old lover's apartment, and the love that can be found across the street actually has to go halfway around the United States, and it will take 45,000 miles to wake up. Numbers are the testimony of healing, adding more digital feelings to the road movies that Americans prefer.

Numbers have also become the metronome of love songs. When norah jones returned to Manhattan, the magic number of distance returned to zero, and it immediately turned back to the heartbeat of wild lovers from the long adagio of listlessness. The breathing rhythm of Wang Xiao's love songs is slow and fast, full of charm.

As for the love affair with, just like the encounter and madness between Murong Yan/Yan (played by Brigitte Lin) and Huang (played by Tony Leung Ka Fai) in Time Has Changed, like Leslie Cheung, she witnessed the passing and destruction of love in the bar/restaurant.

On the contrary, Natalie Portman's Gambling and Lies is a combination of Michelle monique Rice and Yang Caini in fallen angels.

But it is precisely because all the stories happened in a small restaurant, full of color and rich laziness, which is actually telling endless suspense and expectation. This is the temperature of the world, and it also makes the happy ending of blueberry night like the scene of milk tumbling and milk pie blending in blueberry pie, full of sweet happiness.