How would you rate Hiroyuki Sawano?

Hiroyuki Sawano’s birthday is on the same day as Hans Zimmer. Both of them attracted the world’s attention for their majestic electronic orchestral music. I don’t know if this is a coincidence. Hiroyuki Sawano added heavy metal guitar and people. The chorus makes the music ignite higher but not the highest. When you first come into contact with his music, it is easy to be infected by this atmosphere~~ The Japanese soundtrack industry is very divided. It does not mean that whoever is famous will be hired to do all the films. Documentary soundtracks are usually done by national veterans such as Taro Iwashiro and Toshiyuki Watanabe. Some films by veteran directors rely on mainstays such as Joe Hisaishi, Akira Senju, and Takayuki Hattori. The soundtracks for commercials often include Taro Hakaze and Josuke Hata who are active in daily life. In the field of New Age, Shigeru Umebayashi and Kenji Kawai are often used as foreign aids to write soundtracks for Chinese films. Hiroyuki Sawano is obviously more popular in the second dimension than in the third dimension. The third dimension does not need to be so exaggerated as the second dimension. In recent years, The leader in Japanese drama soundtracks is Yugo Suganno. He sticks relatively to the traditional approach but is also innovative and his style is not exaggerated. His movie "Amalfi: Reward of the Goddess" was astonishing, so he has established a firm foothold in the three-dimensional world~ ~Hiroyuki Sawano's more than ten or twenty works have a serious homogeneity phenomenon. In his early years, "Catch a Wave", "Tokyo Tower", "Poetry of Self-Abuse", and "Blooming to the Cloudy Sky" were considered attempts at diversification. His scoring technique, after "Medicine Dragon", "Triangle", "Mobile Suit Gundam Unicorn", and "Max's Mountain", it was like a blowout that he used all the techniques he commonly used now. In "Guilty" "Crown" has reached its peak. This year's "Platinum Data" and "Attack on Titan" are not at the best level of Sawano Hiroyuki. If "Guilty Crown" is regarded as 100 points, "Attack on Titan" is only 75 points at most. Degree~~The appearance of so many homogeneous music works may not be Sawano Hiroyuki’s original intention, but the producers feel that their film needs such music to enhance the atmosphere. It must be ignited. After listening to a few songs, it feels good. But after listening to dozens of pieces, I don’t really like it anymore. This kind of music that lacks delicate emotions will never leave too many traces in people’s hearts. Touching music is not reflected in how complicated the arrangement is and how interesting the tunes are. How exciting, how dense the notes are, and how deafening the volume is~~ Hiroyuki Sawano's team now has more than a dozen people. It's not clear how it works, but there are a few people who are quite good, such as Yuki Hayashi and Toyo Yamada. His musical talent is only higher than Hiroyuki Sawano's. If Hiroyuki Sawano can expand his team like Hans Zimmer and attract more outstanding musicians of different styles to join, his works are still worth looking forward to. If he still sticks to his current route If it doesn't change, it won't be worth listening to in the future. There are many capable people in Japan, and there will always be someone to replace him