If you want to take an examination of literature management, film reviews are always bad. I want some film reviews written by famous artists, authoritative and memorized. I hope someone with this info

If you want to take an examination of literature management, film reviews are always bad. I want some film reviews written by famous artists, authoritative and memorized. I hope someone with this information can help me. Grateful or not? Film Review of Hanging the Red Lantern High

The lanterns, which were originally bright to disperse the darkness, became the bait for moths to put out the fire; Bright red, originally a wish for good luck, turned into a grim and ferocious blood tongue; Family, which is a harmonious and warm habitat, has become a killing place of intrigue; Pure and peaceful snow has become the scene of death; Actor, originally a symbol of elegance and beauty, has become a sacrifice of secular patriarchal clan system. All the comparisons measure an abyss, just like the face of "grandpa" in the film, which is difficult to see clearly.

( 1)

Hanging the Red Lantern High, the scene is a chilling Qiao Zhai courtyard. The contrast between the hot and cold colors in the film is particularly great: the suffocating big red, the horrible gray-black and the bleak white surround the living environment of women, which makes the story feel particularly nervous.

What impressed me most in the film was red. The red lantern was originally a symbol of the festival, but it was so dazzling in the eyes of women. In my opinion, red indicates the beginning of women's misfortune and indicates that fate will be dominated by feudalism; The face of the owner of the house has never been seen in the film from beginning to end, but his figure is everywhere. Just like the dark feudal forces, although there are no traces on the surface, they can be seen everywhere. The dark feudal forces control all this, and women have nowhere to hide. In the closed courtyard shrouded in gray and black, in the mysterious and lifeless room, it is so horrible. In winter, it is snowy, and the women in the jstars courtyard are increasingly intrigued. All right and wrong are so bleak and ridiculous in the overwhelming snow. White buries a sad story, but it can't bury the sadness and fear in a woman's heart!

In addition to bright colors, sound is definitely a highlight of this film. One moment is the tight and urgent Beijing opera gongs and drums, and the other moment is the female voice dragged out of Xipi cavity. The Ernai aria born in the play occupies an important position in the film, and even at the end of the story, her oratorio is suddenly played. The ethereal singing has some horrible taste, coming from the ghost after her death, suggesting the horror of the dark forces in the old society. In the film, the close-knit Beijing opera gongs and drums are quite spatial and explosive, and the dialogue is not distorted. The clear dialogue shows the actors' distinctive voices and personalities well. Although the owner in the story never looked straight in the face, his voice left a deep impression on people. The deterrent force of issuing instructions from behind, although invisible, is everywhere. The film itself doesn't have too many sound overlapping scenes, and there are no sound effects added later. For example, in order to show the dominance of the dark forces, the dialogue of the never-seen master is relatively simple, but it is very effective, as if the master does not exist, but holds the life and death of everyone in the compound. Silent style doesn't require much listening, but the director makes good use of Beijing dialect and gongs and drums, just like using red lanterns, so there is no big test for the sound effect of the whole track, and the sounds will not interfere with each other at all, and it is almost perfect after repair.

(2)

Song Lian's stepmother and the owner of the house have no positive shots. They don't appear in the film on the surface, but they are everywhere. They are symbols representing feudal ethics, and they are the chief culprits who hurt women.

Master Chen became the representative and epitome of a feudal family parent. The director only needs to focus on the Chen family, but he makes the operation of the rules of one family universal, which has become a generalization of thousands of feudal families in China in the old society, and extended from the family to the society at that time. Therefore, the process of discipline has been reflected horizontally in the film. This gives the film a kind of tension, which makes the complex individual "rules" embodied in the film rise to a cultural expression.

Hanging the Red Lantern is really a very good-looking movie, and every picture is extremely exquisite. Rich light and shadow changes, bright and pure colors, beautiful people and quadrangles with China charm constitute a rich and exquisite picture, accompanied by unique background music: intoxication. So what else have we seen besides these? The story of a rich family with five beautiful women fighting and hating each other for the sake of "competition for favor" and ending in death or madness is not novel but very interesting, because it consists of a series of "details" such as lighting, turning off the lights, sealing the lights, ordering food, kicking and being haunted, which is novel even for the audience in China. In addition, the director seems to want us to see the root of the tragedy-some deep-rooted concepts and bad habits in culture.

(3)

Almost all characters are related to feudalism, and human nature is unconsciously distorted by feudal forces.

First wife: The most traditional woman has no characteristics. What she said in the movie was very feudal. For example, the fourth wife asked her to punish the servant girl, and she said to act according to the rules.

Second wife: That's her! ! He is very kind and very kind to people. But the heart is the most vicious, and the human face is not as good as the animal! ! Maybe in the face of feudal forces, she just wants to stand firm and do whatever it takes.

Third wife: I don't think she is bad in nature. It can be said that she is actually a rebellious role in the film. For their own lives, they chose Dr. Gao, who was anti-feudal at that time.

Fourth wife Song Lian: I don't know why she is so nice. I can only say that she is very personal, strong and provocative. But she is a girl who doesn't understand the world.

Master: I personally think that the master who doesn't show his true face is the best idea of this film. In the dark, it seems that the owner of the house is in charge of all this. Reality is also dominated by reality.

Yaner: possessive and stubborn. But I'm scared. This is a bit cheap in Song Like.

It's just that the baby face of the new fifth wife doesn't match her face. "Who is that woman? What is she doing? " Let people see her a year ago.

(4)

Feudalism stifled young life and beautiful love.

On the one hand, Hanging the Red Lantern criticizes the family structure in China traditional society, on the other hand, it inherits some horrible descriptions of the dark forces in China society by Lu Xun. This may be mainly attributed to the original novel and the participation of some theorists invited by Zhang Yimou. This film has a strong symbolic meaning and shows people's mood at that time. For those who used to be killed and lived by feudal forces, he locked them in a closed yard shrouded in darkness. In the space where there is nowhere to escape, the deep meaning is skillfully displayed. The red lantern, a traditional symbol of China, is not a symbol of hope, but a metaphor for the existence of controlled human nature and power figures.

Under the invisible persecution of feudal forces, women were either distorted or destroyed-Song Lian's rebellious and aggressive character was finally defeated by his second aunt who hid the knife in the smile; The rivalry within the family caused the waitress to freeze to death, and Sanyi was hanged by "family law". In this Chen family courtyard, the fate of women in old China is best explained.

I accidentally found a dragon painted on the cloth cover of the lamp, so I had to emphasize the status of men in the old society, feeling like the emperor of the people, which was in extreme contrast with women. When the fifth aunt married by the master appeared in the last scene, I suddenly felt how humble the status of women in feudal times was!

Red river valley film review

Beautiful snow-capped mountains and grasslands, magical civilization, simple folk customs, pure love ... all vanished in the artillery fire of shameless war. Red river valley, a national epic written with blood and tears against colonial aggression.

The magical region and long history gave birth to the unique civilization of the Qinghai-Tibet Plateau, where people live a quiet and comfortable life in their own way. They sublimate their lives with their devout religious beliefs and maintain this land that has lived here for generations. There is a pure and profound love between them. Ge Sang, a young Tibetan, has established a pure and sincere love with Cerda Wa, a girl of the Han nationality who is in trouble. Dan Zhu, the daughter of the first person, boldly pursues Ge Sang, and Jones, a young British researcher who lives here temporarily, also has a good impression on Dan Zhu. Three kinds of love are interwoven with different feelings of different nationalities, which has become the most touching factor of this tragedy. Ge Sang and Cerda tile persisted until the end, mutually assured destruction with the invaders; In the face of tyranny and humiliation, Dani sang powerful folk songs and set off the enemy's ammunition pile for sacrifice; British youth Jones, who hated colonial massacre, could only watch everything go up in smoke and accuse shameless colonial aggression with his own eyes.

The film exposes the shameless face of colonialism and makes people think about the hegemony and survival of civilization. British imperialist colonialists tried to replace everything with their industrial civilization and conquer the world with their ships and guns. They tried to use Tibet as a springboard to embezzle the ancient eastern countries and put their evil hands here. Locke is the character I hate most in this movie. The robber who once ran a sinful fire in Yuanmingyuan pretended to be a scientist and went into the sacred Qinghai-Tibet region to spy on the terrain. If an honest and frank kind Tibetan boy hadn't saved him twice, this guy would have died long ago. However, he bite the hand that feeds him, and soon led his colonial army to make a comeback, and carried out a bloody massacre of Tibetan soldiers and civilians by fraudulent means and firearms and cannons. He talked about bringing his "civilization" to foreign people. In fact, he used his imperialism to embezzle and plunder all available resources, and he did not hesitate to destroy all precious lives. His shameless face represents the characteristics of imperialism and makes people hate it. When he saw Ge Sang lighting the lighter he gave him and preparing to ignite the powder magazine, he even said, "Why should we be friends?" In the end, I will die of what I deserve.

The most shocking thing about this film is the spirit of Tibetan and Han people who never flinch in the face of brutal aggression and risk their lives to fight the brutal enemy to the end. Their flesh and blood filled the vast red river valley, and the heroic song they wrote with their lives made us feel the deep affection of the Tibetan and Han families and their passion for life, the country and the nation. When I saw countless sons and daughters of Tibetan and Han nationalities lying in front of the gunpoint being sprayed wildly, when I saw monks in red robes shooting bullets and falling on the cliff risking giving away weapons, I couldn't help but admire and be moved by their epic sacrifice. When grandma and her little grandson walk on the plateau and tell ancient legends, we can see the tenacious vitality of Tibetan compatriots.

Red river valley has done a very good job in characterization, scene layout and music configuration, and the ability of director Feng is obvious to all. The soundtrack of this film is excellent. For example, the theme is pure, conveying tragic anger, which makes people feel noble. The quietly played Tibetan folk songs led by Dani are detached and empty in front, and the chorus of Tibetan soldiers she brought up is even more shocking. Their lofty image of loving life and dying is touching. The affectionate melody echoed in my ears for a long time. ...

"No One Can Be Less" is Zhang Yimou's new realistic work. Different from his previous films, this film reflects the current situation of rural education in China from a unique perspective, and shows the problems that attract people's attention in rural education in poverty-stricken areas. Some people also commented that Zhang Yimou's films are exposing the scars of China people. It is worth mentioning that the films are all non-professional actors. They have never been trained in acting, but they have interpreted touching stories with simple and sincere performances. ......

Every film review is indispensable.

Miss Gao with white hair will take a month off to take care of her seriously ill mother at home. The village head invited 13-year-old teacher Wei to take the place. Miss Gao said to Miss Wei earnestly: More than a dozen students in my class have slipped away, and now these are all left. You must take good care of these children for me, not one of them can be left behind.

The diary of the study committee member is touching and arouses the sense of responsibility and mission of Mr. Xiao Wei. Two days later, a naughty 1 1 year-old boy in the class didn't come to class. The little girl immediately rushed to the boy's house and learned that the boy's father had died and his mother was ill in bed. The family owes a lot of money. In order to pay back the money, the mother asked the boy to work with people in the city and the village to make money. After getting the boy's address, Xiao Wei decided to go to the city to look for students, but he had no money on him. Teacher Xiao Wei took more than 20 students to a nearby brick factory. When the boss was away, he decided to move the bricks himself and then asked the boss for money. When moving more than 2000 bricks, Mr Xiao Wei and his students were reprimanded by their boss. Under the dispute of everyone's efforts, the owner of the brick factory gave it to Mr. Xiao Wei 15 yuan. The students are very tired, but they are going to send Miss Xiao Wei to the city together. At this time, the students' mouths were dry, so everyone came to a shop. After consulting the students, Mr Xiao Wei bought two bottles of Coca-Cola. More than 20 students took a sip, and I handed it to them bite by bite, vying to drink ... It was really touching to see 26 children take turns drinking two cans of coke and notice the expressions on their faces. However, a ticket for 25 yuan was needed, so the students decided to hide and let Mr. Xiao Wei get on the bus, but it was soon discovered by the owner and blown down. Therefore, Teacher Xiao Wei decided to go into the city to look for students. The sun is very poisonous, and it gradually sets in teacher Xiao Wei's step by step. Luckily, Mr Xiao Wei got on a tractor on the road. After entering the city, Mr. Xiao Wei found the student's address after many twists and turns, only to learn that the student had been lost at the station for two days. In order to find the students, Miss Gao gave an explanation. With a few dollars, Mr. Xiao Wei tried his best to find a radio station to buy paper and pens to write about you, but he couldn't find the missing students in the street ... Finally, Mr. Xiao Wei went to the TV station for help under the guidance of others. However, the doorman of the TV station saw that Mr. Xiao Wei didn't have any documents to let her in, so Mr. Xiao Wei had to meet someone at the door and asked, Are you a director? I didn't ask until last night. Miss Wei, who was penniless, had to sleep on the street and pick up some leftover noodles. The next day, it was bright and the sun was already high. Teacher Xiao Wei woke up with the cries of good people. After waking up, Mr. Xiao Wei continued to ask one by one in front of the TV station: Are you a director? Then someone reported to the director: there is a little girl looking for you at the gate. She has been looking for you all day. She camped at the door last night and came again today. The director was very moved when he learned the situation, so he made an education program in remote mountainous areas in rural areas. Teacher Xiao Wei in the program is very nervous. She did not say a word. Finally, when the host asked Mr Xiao Wei what you wanted to say to the students, Mr Xiao Wei couldn't help crying. She wiped her tears and said, Zhang * *, where have you been? Why haven't you come back? I have been looking for you for three days. Finally, Mr Xiao Wei found Xiao Zhang's classmate with the help of the TV station. The TV station donated a lot of chalk and books to the school to help Xiao Zhang pay off his debts and send them back to the school.

There are several things worth thinking about in this film:

First, I'm afraid Wei Minzhi's main motive for finding a partner is for her own 50 yuan (although it may change in the future), and the fact that she is looking for a partner is an out-and-out good thing. In China, people are used to thinking that people who do good deeds are noble, so later the host of the TV station will ask Wei Minzhi in the car: "Why do you have to find him?" She must have subconsciously thought that Wei Minzhi would say, "He is my student, and I can't let him.

Secondly, in the process of Wei's tracing, I met some kind people, such as a middle-aged man who woke up on the road, I hit a nail, such as the aunt in the TV station duty room, and Zhang also met a decent restaurant owner. There is a legitimate reason why these people didn't give further help to Zhang. For example, the middle-aged man may be in a hurry to go to work, and the aunt follows the rules and regulations, so for the restaurant owner, she can get a reward. It seems blameless, but it always makes us feel bad. When we meet an oncoming person on the road and ask the kind-hearted person to give us some money to buy a steamed stuffed bun, we should be like the restaurant owner, the director of the TV station in the movie, or even the person who asks Wei Minzhi to go to the TV station in the station, even if it is only a little help. When we need to see these people in need on TV, we should donate even a little money generously, instead of being as indifferent as the aunt in the mailroom, fearing where they come from. You know, a little effort is nothing to us, but it may be timely rain to them.

Third, at the end of the film, the TV station came forward, and the good people responded, donating money and materials, and all the problems were solved. Today, we can still see such a moving scene. Generally, some patients get donations in this way to get out of trouble, but as we all know, these people are far more in need of help. All the difficulties in the film were solved by the pity of the TV director. In China, it seems that only the media pay attention to work and the leaders pay attention to it. How unreliable it is to rely on people's sympathy and conscience, and relying on media donations can't solve the fundamental problem. Therefore, it is necessary to establish a perfect social security mechanism. From the development of the theme, this film is just a phenomenon, and there is no deep excavation. For example, what will happen if the little teacher goes through all kinds of hardships to get Zhang, a child who is out of school? Find a child who is out of school, and what are the remaining 27 waiting to study? These essential problems have not been deeply revealed in the film.

Peacock film review

The movie Peacock gave me the strongest feeling from beginning to end that it was true. It really hurts. The three protagonists all have their own lofty dreams, including my sister's dream of being a pilot, my brother's dream of getting married and working, and my brother's dream of freedom. These are the true expressions of human hearts and thoughts in real life. But the end result is a dull life for three people. The budding spring at that moment, like a stone thrown into the heart lake, lingered for a long time, but it was always calm. Such an ending is reasonable, savored and expected by the audience.

The title of the film is Peacock, and the peacock only appears at the end of the film for a few minutes. Both the audience and the actors know that the peacock will not open its screen in winter, but it miraculously holds up its proud feathers. This sums up the whole movie and implies some truth: when a dream is within reach, people will always try their best to catch it, even if they are rebellious, they will release their souls and have a positive attitude towards life. But when it opened untimely, "I" and those who had dreams got old and left it. My dream hasn't come to an end yet. I chose mediocrity.

At that moment of elation, I was first surprised and then worried. It seems to open a sour life.

In the film, the memories of the three protagonists in the lush years are burned in turn by montage, and the scenes of "I" recalling five people eating in the corridor are interspersed in parallel. What does a realistic movie really tell people? I have to say that the stories and scenes arranged by the director shocked me. When my sister showed her naked body to the man with her "parachute" in the Woods, I was speechless for directing the "sinister" shooting method that impressed the audience. I just traded my virginity for a hopeless dream, and the chips seem too heavy. And at that time, this kind of thing was absolutely not allowed to happen. Finally, my sister suddenly found a driver and married away. There is too much rebellion in my sister. When she saw the officer playing table tennis with a rich girl, she had resigned. Children from poor families are doomed to have no colorful life. Efforts may not succeed. In this money-oriented society, some extravagant dreams of ordinary people are only dreams in the end.

The film focuses on a part of my sister's life, which is the psychology of modern young people and satirizes people's thoughts at that time. Feudalism is a mental illness after the founding of the People's Republic of China. Perhaps because of this, hundreds of millions of talents in China at that time only cultivated fields and did not know how to live for their ideals and dreams. Perhaps, movies are just to inspire people to work hard for their dreams!

In my brother, we see a kind of "dignity" that people want. The rude fat brother went to give his brother an umbrella, but a series of sad things happened. Don't admit that he is a brother, others mistakenly think that he is a rogue who peeks at girls. Didi couldn't stand the blow of this "scum" brother, so he rushed through the crowd and stabbed his brother with an umbrella. Although he will find a friend to pretend to be a soldier and his brother to send an umbrella to their class in the future, he is still found by his classmates and disdainfully isolates him in disguise.

The director once again expressed his criticism of human abnormal psychology with negative teaching materials. This immature and even abnormal "dignity" is still everywhere, whether in the 1970s or 1980s or today in the 2 1 century. Just for the sake of "face" in front of people, not recognizing your brother actually smells like a big rebellion. The audience's discussion and thinking about human nature are under the control of the director.

At the end of the film, all three brothers and sisters live a dull and happy life. And the wonderful flower on the plain is my brother. He not only has his own career and family, but also has a kind heart. He tries his best to help those who bullied him in the past by letting bygones be bygones. I think this is the greatest success in life.

In terms of color, because the popular colors at that time were not gorgeous, there were only a few green shots in the whole film to make the audience shine at the moment, so as to avoid visual fatigue. The dazzling green suddenly comes into view, which gives the audience a strong visual impact and can adjust the audience's mood from depression to cheerfulness. It is a good regulator.

Gu Changwei was originally a photographer, but the film he directed lacked decisive shooting means and skills. Perhaps he also understands life in this way: "Miracles appear in the plain, and miracles see life."

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