Traditional Culture Encyclopedia - Photography and portraiture - Who wrote the song "Looking at the Mountain and Looking at the Water to See China"?

Who wrote the song "Looking at the Mountain and Looking at the Water to See China"?

The lyricist of the song "Looking at the Mountain, Looking at the Water and Looking at China" is Wang Xiaoling.

Wang Xiaoling, a famous poet, a first-class screenwriter and a civilian general. Enjoy the special government allowance of the State Council. People from Dingzhou, Hebei Province. Enlisted 1969. 1984 has been engaged in creative work in the comrades-in-arms song and dance troupe of Beijing Military Region.

He has served as the head of the Comrades Song and Dance Troupe of the Political Department of Beijing Military Region, the director of China Musicians Association, the vice chairman of China Musical Literature Association and the editor-in-chief of China Musicians Association. As a judge of CCTV Youth Song Competition.

The lyrics of the main songs are: soldiers, let's dance, on the sunny road, through the wind and rain, praise of the motherland, sisters in the army, the city that never sleeps, love in Shenzhen, when that day comes, female soldiers in the new era, never-ending radio waves, and so on.

The creative background of the song "Looking at the Mountain, Looking at the Water and Looking at China";

On the eve of the Spring Festival on 20 17, the director group of the Spring Festival Evening sent an invitation to the lyricist Wang Xiaoling. At first, he wanted to create lyrics from the perspective of tour guides, but after the lyrics were created, they were rejected by the director group of the Spring Festival Evening because they were too specific.

Later, he discovered "watching lanterns", an activity with China traditional cultural connotation and symbolic significance, and decided to use it to express his love for the motherland, and successfully completed the lyrics creation.

After the completion of the song creation, composer Hu Tingjiang finally decided to use China's musical language to construct the song-adopting pentatonic mode in melody and highlighting the characteristics of national musical instruments in arrangement.