Reef (Modern Poetry by Ai Qing) Detailed Information

"Reef" is a new poem written by the modern poet Ai Qing in July 1954. Through this poem, the poet expresses his sincere praise for this tenacious existence of life, and also provides deep encouragement to the people of the motherland who are experiencing various troubles and squeezes. The language of this poem is concise, using techniques such as contrast and comparison, a calm and objective description technique, and a bystander's narrative perspective to outline the image. It does not elaborate on meaning or emotion, leaving the meaning and rhyme to the readers to understand. It is very rich. In the beauty of poetry.

"The Reef" was selected as a text in the "College Chinese" textbook of China Central Radio and Television University and other universities. Basic introduction Title of the work: Reef Creation year: 1954 Source of the work: "Selected Poems of Ai Qing" Literary genre: Modern poetry Author: Ai Qing Original text of the work, creative background, appreciation of the work, theme, artistic features, comments by famous experts, influence of the work, introduction to the author , the original text of the work: Reef, one wave after another, endlessly rushing towards it. Each wave was broken into pieces and scattered at its feet... Its face and body looked like they had been slashed with a knife, but it still stood there with a smile on its face. Smiling and looking at the ocean... Creation background In July 1954, the poet Ai Qing was invited by the Chilean House of Representatives to visit Chile and congratulate the Chilean poet Neruda on his fiftieth birthday. "The Reef" was written by the poet on July 25, 1954, during this trip. Moreover, at that time, at the beginning of the socialist construction of New China, everything was waiting for success. However, the difficulties faced by China are difficult to disappear. Not to mention the "encirclement of imperialism", in terms of economic construction alone, difficulties and blows have never stopped. In such a new historical period, the Chinese people need spiritual encouragement most, just like during the war. "The Reef" was born at the right time, and it has truly inspired several generations of Chinese people. Appreciation of the Work Theme The image of the reef depicted in this poem is just like a person who has been tested for a long time. No matter the east, west, north or south winds, no matter how many injuries and blows, it cannot move a step, nor can it lose its faith in life. and confidence. The rocks that have withstood the chop of knives and waves are still facing the ocean in a tiny way, and the warriors who have gone through hardships are still living bravely and strongly. Through this poem, the poet expresses his sincere praise for this tough and tenacious existence. This kind of existence can be either a person or a motherland that is in various troubles and squeezes. Artistic Features This poem has no direct expression of emotion, only a calm and objective description. It adopts the narrative perspective of a bystander, as if the poet is just presenting a fact. In the poet's writing, the "reef" has an extremely firm will and a heroic and tenacious fighting spirit. Despite the "endless" strong winds and waves, it still holds its head high; even though "the face and body" are left with "like knife cuts" "Scarred", but without fear, never shrinking, still unmoved, and "looking at the ocean with a smile", with the confidence and incomparable optimism, smiling to face more fierce challenges and withstanding The more severe Chong is the image of a fearless hero. Obviously, this "reef" is symbolic. It can symbolize Neruda, who has called for the independence and development of Chile throughout his life, or it can symbolize the heroic and tenacious Chinese nation, which has fought successively, or it can symbolize "encountering continuous persecution" and "demanding the right to survive" (Ai Qing : "Preface to Selected Poems of Ai Qing") oppressed nations and people around the world who are not afraid of power and continue to fight. "Reef" is like a majestic sculpture with dynamic and static beads. Although the words "pounce, hit" and "spread" in the first stanza of the poem are verbs, they are used to describe waves. The purpose is to reflect the stillness with movement and highlight the firmness, calmness and calmness of the reef. The second stanza uses "stand" Verbs such as "laughing" and "looking" are the proud expressions of the front of the reef. Such a combination of stillness and movement highlights the indomitable and majestic beauty of the reef. At the same time, the author is like a skilled photographer. A teacher and sketch master, he selected the moment that best reflects the stubborn optimism of the reef and its smile against the wind and waves. With just a few strokes, he vividly outlined the unyielding majesty of the reef. In the first stanza, he used a side-contrast technique to write about the "endless waves". The "flutter" of "" is to reflect the firm and tenacious fighting character of the reef. The second stanza describes the appearance and demeanor of the reef through the front, and vividly paints its great image of being indomitable, optimistic and calm. Such a side As soon as it is right, an extremely firm and calm heroic image rises in people's minds. At the same time, this poem also uses analogies in its writing techniques, such as the first and second sentences: "A wave, a wave, "Push over endlessly", using "pounce over" to describe the waves is undoubtedly a way of comparing the waves to "people". The waves, which are originally lifeless, seem to have subjective will and can actively attack the rocks. And what follows It is: writing about the rocks "breaking" the waves also personifies the rocks. The grinding and shaking of objective things seems to be the struggle between people. Here, there are metaphors and personifications. At the same time, on a deeper level, It has the function of "empathy". Objective things originally have no will or purpose, but in the eyes of the author, they seem to have wills and purposes. In fact, the author "projects" his own thoughts and feelings onto external objects, leaving nothing behind. Life things give life.

Just like Du Fu's sentence "The flowers shed tears when they feel the time, and the birds are frightened when they hate farewell." The flowers never shed tears, and the birds are not frightened. However, the author "feels grateful for the time" and "hates farewell", and his heart is sad and full of emotion. Looking at external objects through colored glasses, it seems that external objects are also sad. In the second stanza of this poem, the "face", "body" and "smile" of the reef are further described, which are clearly personified, and the aesthetic psychological activity of "empathy" still permeates it. This kind of writing makes the objective world "humanized", gives life to the heaven and earth, and makes the vitality of life spread in the universe. It is indeed a good poem that touches people's hearts. In addition, from the perspective of the artistic conception of the poem, the short eight-line poem depicts two main scenes for people: the first is of countless waves being broken into pieces by the rocks; the second is of the rocks standing tall, facing the vast ocean. These two pictures are actually the same picture. The difference is that the first picture focuses on the broken waves, and the second picture focuses on the standing rocks. The center point of the vision has changed. Make readers pay attention to different levels. That is to say, the "dominant intention" is different. The dominant intention of the first picture is to reveal the repeated attacks of the "waves", while the dominant intention of the second picture is to highlight the proud standing of the reef. Moreover, the picture constructed by the poetic language is different from the real painting. In poetry, the picture is dynamic, just like in movies and TV, the perspective is moving and the scenery is constantly changing. However, in painting, the author can only adopt a fixed perspective. Although the picture also strives to use special The pen and ink language expresses "dynamics", but in comparison, it is always static. The creation of pictures like poetry is more flexible than painting. However, another difference between the pictures in poetry and paintings is that the pictures in poetry are "indirect", using language and words to describe images indirectly, while paintings describe images directly. In short, this short poem injects the author's emotions through the use of comparison. However, it did not tell everything. Instead, it simply sketched two pictures to capture the characteristics of the things, while adopting an "omitted" approach to its connotations without any explanation, which increased the number of readers. Room for speculation and imagination. In art, "image is greater than thought". Thoughts are often explained clearly, leaving little room for imagination. Without room for imagination, there is no room for readers to "fill in the blanks" and "dialogue", and there is no room for triggering. The reader's "interest", not to mention "comprehension" and "sleep". On the contrary, the language of this poem is concise and adopts the technique of "suggestion". It only outlines the image without elaborating the meaning, leaving the meaning and rhyme to the readers to understand, which increases the beauty of the poem. Famous experts commented on the contemporary writer Yan Huo's "Songs of Maple Poplars and Wild Grasses": "Among the poems collected in "Selected Poems of Ai Qing", I was deeply moved by one poem. Because this poem can represent Ai Qing's spirit. This poem The poem is called "Reef". The poem is very short, with only eight sentences, but the meaning it contains is profound and evocative. "Contemporary poet and writer Wu Xueyin's "Poetry": "Ai Qing's 'Reef' represents. The image of a poet and a warrior who always adheres to the truth and stands proudly in the ups and downs. "Ni Zhengfang, Professor of Hunan University of Humanities and Science and Technology, "Literary Appreciation": "This poem is a way for us to understand the poet, understand the poet, and the poet's poetry. This poem allows us to witness the poet's grace in various historical periods. This poem seems to be easy, but it is actually the crystallization of the poet's life. The more we understand the poet, the more we understand the steely weight of this poem. weight." The work influenced "The Reef" to be selected as a text in college Chinese textbooks at China Central Radio and Television University and other universities. Brief introduction of the author Ai Qing (1910-1996), whose original name was Jiang Haicheng, had pen names such as Ejia, Kea, and Linbi. Modern and contemporary poets. A native of Jinhua, Zhejiang. Studied in France when he was young. He began writing poetry in 1932, and became famous in 1933 when he published "Dayan River - My Nanny" under the pen name "Ai Qing". He is the author of more than 20 poetry collections, including "Dayan River", "North", "Toward the Sun" and "Returning Song", as well as many collections of essays, essays and translated poems. His poems have been translated into more than ten languages ??and are widely circulated.