Chun Xing, what is Leonardo da Vinci's color scheme?

Before you enter the field of color matching from a technical point of view and understand how DaVinci Resolve's powerful color matching tool set works, it is very important to spend some time understanding color matching and its creative media.

Learning color matching tools does not mean that you can color matching, and knowing how to read an oscilloscope does not mean that you are an excellent colorist. Color matching is an advanced creative skill. Just as an excellent editor can tell a gripping story, a colorist can make the audience feel by controlling the color of the picture. Becoming a top colorist is not an overnight success. Like all creative work, color matching will never make you tired, because there is always new knowledge to learn and new styles to explore!

When you choose Da Vinci ResResolve, it means that you have stood on the basis of more than 30 years of color matching experience. DaVinci Resolve has always been a pioneer in hardware and software development in the field of color matching, aiming at improving the artistic style of movies, videos and digital media. Therefore, DaVinci Resolve has an extremely in-depth, subtle and efficient tool set for adjusting the styles of clips in the project and managing these adjustments throughout the timeline.

In addition, DaVinci Resolve has been constantly developing and improving, thanks to the feedback from countless professional colorists around the world, who work at all levels of the film and radio and television industries. Therefore, the tinting page of DaVinci Resolve has been improved according to the colorist's thinking. Even though the technology of DaVinci Resolve is very advanced, it is important to remember that DaVinci Resolve is only a tool, and ultimately the colorist needs to explore its full potential. Of course, this is also the fun of using it!

The following courses cover the basic knowledge you need to learn in your projects, such as movies, TV series, online dramas, short films, sports programs, advertisements or corporate videos, in order to use various tools for color matching pages. No matter what project you do, you will use the same basic color matching technology and basic tools. So, even if you are a novice in color mixing, don't worry. All color experts also start from these basic knowledge, and you will also use these basic knowledge you have learned here in your future career.

Gone are the days when you can't afford high-quality and high-cost color matching. Blackmagic Design sends a powerful color matching tool of Da Vinci's solution to any creator who has a workstation or laptop compatible with Da Vinci. To achieve world-class color matching and retouching effects, just click the mouse on the color matching page.

However, before you start to learn color mixing in detail, it is very important to take a step back and think, that is, what are the meanings of these color mixing tools?

This is a very attractive question, and countless producers and directors have asked: "Why do you take the time to color the film?" This is a good question, because time is money in the film and television industry. If the movie looks good after editing the page, why continue to color it?

The answer is that the film after color matching is better than the film before color matching.

The process of adjusting the contrast and color of each segment in a movie is called color correction (color correction), color adjustment or simply color matching. There seems to be no obvious difference between these technical terms, but most experienced colorists prefer to use "color matching" because "color correction" only means correcting the wrong color, while "color matching" means raising the color of each segment to a higher artistic standard. The colorist never asks, "Is this lens good?" They just ask, "Can it be better?"

There have been many discussions about how the emotional power of color shapes the mood of the audience. Everyone will agree that the scene illuminated by cold blue light and the scene illuminated by warm orange light have a completely different atmosphere. The light green of fluorescent lamp and the orange of mercury vapor street lamp will render different scene atmosphere. If handled properly, it will enhance the narrative effect and increase the audience's perception.

Of course, the meaning of different light sources depends on the color scheme you design. For example, in this film, warm light gives people a warm and romantic feeling, while in another film, it can bring discomfort in the desert. The influence of light and shade depends on the connection you establish between the story and the color matching of the picture. Can this scene be adjusted to the feeling of afternoon? Can these colors be ironed Should the sky be fully displayed? When you fine-tune the image through color matching technology, you are actually controlling the audience's perception and emotions.

Importantly, the color matching page provides you with a variety of tools to shape these associations to meet your creative intent, strengthen, weaken or completely offset them, so as to find the right tone for each scene.

Narrative film photography rarely considers shooting objective lighting effects with completely accurate and neutral colors and tones. Instead, a large number of lighting equipment and rigorous artistic guidance are used to control the lighting and color of the studio, making the scene look more gloomy, magical, scary or sultry. These creative intentions extend to color matching, which means that your job is not to describe the original world, but what photographers and directors want the audience to see.

Documentary photography may often try to present a world view that is considered unadorned (but expressive). However, even this "realistic" world view is artificially constructed, because every adjustment you make is to highlight the subject, enhance the brilliance of nature, make the worn-out archival materials clearer, or skillfully integrate the environment around the picture into the background. The thoughtful and meticulous operation in these color matching processes is no less than the color matching of MV.

The key point is that whether making horror movies, architectural documentaries, marketing videos or car advertisements, we should use color matching tools and technologies to reproduce images in a subjective form. The more control options there are in this form of expression, the richer the content of the emotional color scheme you need to develop.

If you want to learn and stay competitive, especially if you want to do customer projects instead of your own, you'd better be familiar with the current color matching styles and fashion trends. You must have heard the poem "Reading is like writing, and writing is like god", and so is color matching. Watch more movies, TV, MV and online short films. Be careful not to skip advertisements when watching TV. Once you have the opportunity to learn the color matching tools provided by Da Vinci Resolve, you will find that color matching can bring so many dazzling picture styles to your film.

Then, go out of the video field, enter nature and enjoy other visual arts. Read fashion magazines, visit art galleries, walk in the Woods and observe your feelings. Enrich your brain with a large number of images and analyze them for inspiration. The more you know about other visual categories, the more creative inspiration you will bring to your work.

Finally, the problem to be considered is the influence of reasonable price color matching service on TV industry. In the production of most TV dramas, the visual style of TV is almost the same as that of feature films. This remarkable change in quality makes TV programs better than ever before.

An unexpected benefit of this change is that top movie actors are now making TV series, and they can switch between movies and TV freely, because TV is no longer a low-end media. In addition, high-end film crews and facilities can produce a wider range of TV programs and feature films and still maintain their high-end status. This is an exciting time when you are looking for more publishing platforms (such as streaming media services) for high-quality works. This industry is growing at an unimaginable speed, which means that the demand for talented editors and colorists is stronger than ever!

Color matching can be understood as the process of selecting a part of the original image data for display and adjusting this part of the image to the satisfaction of the audience.

The latest generation of digital cinema cameras can almost shoot the original color space image data, or at least record the RGB image data of digital exposure. Doing so can keep the maximum amount of image data for operation in the color mixing process. Although this is very important for the flexibility of workflow and high-quality adjustment, the media captured in this way will make you have to take extra steps to convert it into a visible image for editing and finishing (much like the way film negatives need to be developed and printed to produce a visible image).

DaVinci Resolve simplifies this task through the built-in camera raw data control, DaVinci Resolve color management (RCM) and LUT support, so you can quickly bring the media to a solid starting point and then carry out subsequent color matching.

The photographer's job is to illuminate and expose the image with artistic intention, and as an editor and colorist, your job is to realize this intention by adjusting the color and contrast of each segment, so that the final effect is as close as possible to the requirements of the director and photographer. In this process, you must solve the inconsistency between exposure and color balance, because it is inevitable. In addition, you can fine-tune the warmth and contrast to achieve a certain look and feel that cannot be achieved when shooting, but directors and photographers will like it.

Of course, in some cases, you may find it necessary to repair the media with big problems in color and exposure. In this case, Leonardo da Vinci's tools can modify the image more deeply; However, the modified quality largely depends on the quality and "tolerance" of the source media. For example, the Blackmagic URSA Mini camera can record a large amount of image data in RAW format or minimum compressed media format, which enables you to carry out extreme color matching processing that consumer camera materials cannot.

Fortunately, in either case, the palette page provides tools to process images in a variety of ways, allowing you to adjust images in a variety of ways to get a better look and feel.

When you do all this work, it is very important to remember that for all the creative solutions that DaVinci Resolve can provide, the delivery materials you provide to customers must meet the appropriate signal level required by the distribution channel. In particular, programs specially made for cinemas, radio, television or streaming media usually have strictly agreed brightness, chromaticity and color gamut ranges, which must not be exceeded, otherwise you will be at risk of being returned for violating quality control.

DaVinci Resolve provides a specially designed tool to help you monitor how image data is affected, and then fine-tune the image. In particular, the oscilloscope can display standard waveform diagram, component diagram, vector diagram and histogram, which is convenient for you to objectively analyze image data. Through these oscilloscopes, you can observe the boundaries that may cause problems, and you can easily find small problems and compare the characteristics of one image with those of another.

It is difficult to achieve seamless matching between achromatic lenses. Even with careful exposure, shots from different angles will inevitably have subtle differences and need to be homogenized. For example, when shooting a fast-paced program, one shot changes to another place. Due to the limited manpower and lighting, the lighting and color between shots will change greatly.

No matter whether the difference between shots is big or small, this change will cause the audience to pay too much attention to the clip and separate the audience's attention from the program itself. Balancing the differences between these shots is another basic job of the colorist. Every shot in the scene seems to be shot at the same time and place, and when you switch from one scene to the next and your adjustment of color and contrast is not easy to be noticed, you will know that the work of balancing the scene is completed.

Of course, color matching is not just fine-tuning and correction. For example, when tinting MV and commercial advertisements, it is usually appropriate to incorporate some radical visual styles into the works. In this respect, DaVinci Resolve also provides rich functions for creative image processing. For example, you can use custom curves to create the visual effect of chemical cross printing.

If these are not enough to motivate you to go deep into the next few classes and exercises, please remember that Leonardo da Vinci Resolve has become the first choice tool for major post-production organizations around the world. However, due to its easy availability, in the past few years, Da Vinci Resolve has also become the first choice tool for various small post-production companies and independent producers.

Looking back on the recently completed projects, it is not difficult to find that Da Vinci Resolve has been used in the color matching of many Hollywood blockbusters, such as Rocket Man, Rushing for Success: Chapter 3-Parabelen, as well as independent films such as Seriously Ill and Ghost Stories, not to mention HBO's westworld, AMC's The Walking Dead and Amazon Prime.

Whether you want to gain basic skills, enter the post-production industry as a colorist, or improve your ability to complete personal creative works, the following exercises will guide you into a world of image processing and artistic expression that is more powerful than ordinary nonlinear editing applications.

Finally, color matching is really fun! It's exciting to put your hand on the trackball and hold the emotion of the image in your hand. Nothing else in the world feels the same. You can make real-time adjustments and see the results immediately, and feel the influence of emotions on your mind for the first time.

In addition to thinking with the brain, some jobs need to be understood with the heart, and color matching is one of them. This is also one of those jobs that surprise you every day. It is like an emotional bond, constantly reminding us why we fell in love with the film and television industry without hesitation!

Enjoy this study trip!