Traditional Culture Encyclopedia - Photography and portraiture - Top 10 Best Films of 2005 by French Cinema Cahiers
Top 10 Best Films of 2005 by French Cinema Cahiers
Top 10 Best Films of 2005 selected by French Cinema Cahiers
1. The Last Days (Garth Van Sant) Beauty
2. History of Violence (David Cronenberg) Beauty
3. Rule Lover (Philippe Gallaire) Law
4. The World (Jia Zhangke) Middle
5 .Little Police Officer (Xavier Biovois) Law
6. The Best Time (Hou Hsiao-hsien) Taiwan
7. One-third of the Eye (Oli Vier Zabat) France
8. With My Heart (Qiu Jinhae) New
9. In Front of the Theater (Hong Sang-soo) Han
10. Gray The Bear Man (Werner Herzog) Beauty
Sin City (Robert Rodriguez, Frank Miller) Beauty
One of the famous French film magazine "Cahiers du Cinema" The monthly issue announced the just-selected top ten films of 2005. Two Chinese-language films were on the list, namely Jia Zhangke's "The World" and Hou Hsiao-hsien's "The Finest Hours." The two films tied for fourth place and ranked among the top three. The rankings are "The Last Days" directed by American director Gus Van Sant, "Frequent Lovers" directed by French director Philippe Gallier and "A History of Violence" directed by American director David Cronenberg. 》. "Film Fairy Tales"
The annual top ten films of "Cahiers du Cinema" are outstanding works selected from films from all over the world every year. The selected films are considered to continue the development of film art and provide new experiences for world cinema. The best works of the year, based on the unique and lasting influence of "Cahiers du Cinema" on a global scale, the top ten films released each year actually evaluate the status of each region's film culture in the global film pedigree, so each year The selection results attracted global media attention. In addition to two Chinese-language films this year, there are also Korean director Hong Sang-soo's "Film Fairytale" and Singaporean director Qiu Jinhai's "With My Heart". Four Asian films are on the list, and the number of selected films is the same as that of American films, which shows that Asia The movie has a very powerful dynamic.
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