Jordan chan's film (54-year-old Jordan chan's new film is released again)

1996, a movie that took only seven days became the top ten box office in Hong Kong.

The film was not only surprisingly short, but also featured a star who was not the top star at that time, but it finally won more than 20 million box office.

Although Xingye and Jackie Chan still had their works exported in the same period, this film, together with two sequels, entered the annual box office TOP 10.

Now is a generation of sentimental memories of "young and dangerous people".

The film was co-created by Liu Weiqiang and Jing Wong, who keenly discovered the theme blank of the film industry and released this gangster film reflecting the underworld life.

Due to the strong sensory impact of the fighting scene and the successful portrayal of characters such as Chen Haonan, the film has achieved great repercussions, and the youthful and dangerous screen image is deeply rooted in people's hearts.

The audience is deeply immersed in young people and dangerous people, and even affects the life of the hero.

For example, Ekin Cheng, the "Hao Nan Ge", has repeatedly faced the helpless situation of gangsters visiting the dock.

Roy Cheung, the villain, was so bad that his car was once "retaliated" by the masses. ...

Even now, when it comes to young and dangerous people, people will still think of Chen Haonan and pheasant friendship days, and Roy Cheung who always knocks on the table.

Young and Dangerous has been filmed for 25 years, and the audience still has so many memories.

But after 20 years, can those young and dangerous people still hold knives?

Recently, Jordan chan, a 54-year-old pheasant, gave the answer with a new book.

In the online drama "There is no smoke without fire" starring Tang He, the pheasant brother once again appeared in the gang after many years.

Thanks to the invitation of many older actors in Hong Kong and the feelings of young people, this film ranks first in the online popularity list.

However, in the context of the popularity, it is a low-star evaluation with a score as low as 4 points.

Even the emotional bonus brought by pheasant brother can't cover up the sharp spit of netizens:

Pheasant, the pressure of having a second child is really great.

Pheasant, are you short of money?

After years as a gangster, Jordan chan picked up the knife, but the audience couldn't afford it.

Is this feeling out of date, or is the audience's taste awkward?

Don't worry, let's start with the plot.

Shan Ge (Jordan chan) is a big shot in Hong Kong gangster and an undercover policeman.

In order to investigate the inside story of gang drug trafficking, Shan Ge has been lurking in the gang for many years, in order to find out "Mr. Jin" who is behind the scenes and the black police of the police force.

The manslaughter of the gang sitting in the pavilion caused quite a shock between the black and white roads.

Uncle Li (Tang) appreciates his talent very much, and his support has strengthened his determination to compete for the museum.

In the following plot, Shan Ge, who wandered between black and white, was in distress many times in the gang struggle, but all of them resolved the crisis one by one.

With the deepening of the investigation, he also approached the truth of the drug trade step by step.

Although many old artists were invited to participate in the performance, the dismal word-of-mouth indicates that Jordan chan failed greatly in this audition.

Judging from the one-hour viewing process, the reason why this film is on the street is very intuitive.

First of all, cold rice is fried very hard, but empty feelings lose logic.

The screenwriter inserted a lot of details linked to "Young and Dangerous", and it was difficult for the audience to recall the feelings at that time.

For example, Jordan chan's character's name is Shan Ge. Well, this mountain is the mountain of pheasants.

In the bloody battle of gangs, his bgm is directly the classic background song of young and dangerous people.

Originally, feelings were very valuable things, but under the bloody collapse of logic, these were all empty words.

In the old "Young and Dangerous", the protagonist didn't have much aura, so he should be killed by a knife and killed. The film also mainly embodies the cruel street rules of flesh and blood.

However, in Jordan chan's new films, directors focus on people outside the chart, and they show the fighting power of young people and dangerous people.

At the beginning of the film, Jordan chan leads a group of people to mow the grass and destroy the villains.

In this plot, a competitor assassinated Jordan chan. He could have run away when he heard the wind, but he blocked the door in the opposite direction with his hand.

Facing the siege of a group of thugs with knives and sticks, the three of them easily repelled all the thugs several times their own.

Here, the siege is the other way around: the three of them "surrounded" their opponents.

Even if Jordan chan is alone, he can take dozens at a time.

When a man is surrounded by a group of people and all kinds of fucking guys, he becomes a "superman with one punch" and defeats the enemies with empty fists.

In this regard, the villain boss also reduced the difficulty for him like IQ offline, not one-on-one, the result is of course to send people's heads.

This series of grandiose force settings make the feelings of young and dangerous people unique.

Judging from the title and plot, the film also uses infernal feelings.

But the screenwriter obviously didn't copy his homework well. The charm of undercover movies lies in the intrigue between the pros and cons, but here the screenwriter plays a crazy undercover number game.

In the film, the gang is full of undercover agents, as if the gang can hold a meeting of the police and the people.

Jordan chan is not only an undercover boss, but his younger brother is also an undercover in another line. Even the policeman Jordan chan didn't find out.

Another example is the eldest sister-in-law Turkish around Uncle Li, who had sex with other women without knowing her role as a policeman, and even became jealous with other women.

However, the image of such a jealous and provocative gangster woman took a turn for the better in the middle and late stages of the film, and the screenwriter turned her into an undercover. The turning point here is very stiff.

Even if undercover plays sea tactics, even the contact information is shocking. They wonderfully chose to park in the fitting room of the shopping center.

Not to mention that the "wall with ears" in the fitting room is easy to be eavesdropped, and the effect is completely equivalent to stealing the clock yourself. Is this picture of a man and a woman mixed together too eye-catching?

Secondly, the slot also includes too bloody plot.

For example, Jordan chan's favorite father.

At the end of the film, the turkey text, which is a colleague, a sister-in-law and a lover, tells Jordan chan that he and the other party actually have a child, and the child is so big.

In this story, the screenwriter pulled out a bloody but illogical triangle for us, which can be summarized in a few words:

Undercover police love eldest sister-in-law, eldest brother wears a green hat early, and eldest sister-in-law has a baby ... can you hide it?

Another example is the brotherly love between Tang and Tang. The play is too bloody and illogical.

In the film, the eldest brother played by Tang is not only a complete villain, but also a sly old fox.

But in the face of Jordan chan, this role was once a bit "silly and sweet".

He said that he knew he was a policeman, but he regarded him as a brother, so he chose to kill Zuo Guan to help Jordan chan.

In addition, even in some routines, the writers who are too lazy to spread out the sentences choose to fast forward n times.

The most intuitive example is the relationship between Jordan chan and the daughter of the villain Lin Xue. They first met by the pool, and they had a brief talk.

But in the next scene, the actress appeared again, but the two became lovers arm in arm. ...

I know you want a routine, but at least there must be a process, right?

The above two slots mainly focus on the plot, but there are still many places for people to play.

The multiple goofs in the film reflect the carelessness of the crew, which can even be divided into visual goofs and auditory goofs.

Visually, when Jordan chan opened the door this time, the hat shape of the photographer's eldest brother was reflected by the reflector.

Auditively, after Lin Xue was shot, the "hahaha" laughter in the background sound was also recognized by the audience. ...

Coupled with Jordan chan's stiff poker face and textbook-like special effects, the whole movie looks like a perfunctory work.

Due to the poor quality of the film, the score of the film is currently only 3.9 points under the repeated complaints of netizens, and from the perspective of nearly 80% of the bad review rate, 3.9 is not the limit point.

This is another masterpiece of 54-year-old Jordan chan. Looking back on his recent experience, there are not a few works with scores of 2 or 3.

Judging from the performance in recent years, Brother Pheasant's appeal has gradually faded, and he can only make a fool of himself in a bad film.

Jordan chan's embarrassment also reflects the helplessness of a large number of actors in the era of Hong Kong films.

Under the torrent of the new era, they have already lost the scenery at the peak of the 1990s and can only be trapped in the feelings of the past.

Take the cast of Young and Dangerous as an example. Although there are movie stars like Wu Zhenyu and Huang Qiusheng, more actors are constantly consuming their feelings.

For example, Wu Zhixiong, the big B brother of "Young and Dangerous" series, has been wandering in the business world for many times now, and he always mentions young and dangerous people every time he appears. ...

Another example is "Haonan" and "Pheasant". These two people, who used to have unlimited scenery, are gradually moving towards the past.

Jordan chan continued to make films like Storm, and Yimi, who was out of touch in the past, joined the rustic camp of "Brothers, come and cut me".

In 20 17, the golden brothers reorganized under the banner of young and dangerous people, and collected the young and dangerous people of the past, but they also suffered a bleak evaluation.

Nowadays, emotional IP, including Young and Dangerous, seems to have changed its taste after being forcibly renovated.

Take "The Storm Without Stopping" under the banner of young people and dangerous people as an example. It's not that Jordan chan, 54, can't hold the knife, but that the audience is really tired of watching it. ...

After all, eating too much cold rice will spoil.

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