Where is Tian Zimao from?

Tian Zimao

The pen name is Woye, and he is from Ulanqab, Inner Mongolia. Member of the Communist Party of China. Famous writer and calligrapher. Member of the National Committee of the Chinese Writers Association and member of the Chinese Calligraphers Association. He graduated from Jining Normal University in 1965 and started working in the same year. He has successively served as Secretary and Section Chief of the Uzbekistan Political Consultative Conference, Deputy Director of the Office of the Propaganda Department of the Inner Mongolia Autonomous Region Party Committee and Director of the Party Committee Organ Library, Director of the Second Secretariat of the General Office of the Central Propaganda Department, Deputy Director of the General Office of the Chinese Writers Association, Director of the Personnel Department, Member of the Party Leadership Group, Secretariat Secretary, member of the Sixth and Seventh National Committee. Started publishing works in 1963. Joined the Chinese Writers Association in 2003. He is currently a member of the Chinese Calligraphers Association and the executive vice president of the China Ecological Calligraphy and Painting Academy.

Chinese name: Tian Zimao

Alias: Pen name Woye

Nationality: Chinese

Birthplace: Ulanqab, Inner Mongolia

Date of birth: 1947

Occupation: Writer, calligrapher

Graduation school: Jining Normal University

Representative work: "Spring in Daxinganling" "Summer, Autumn and Winter", "Winter at Dalai Lake" and "Dreams at Dadu River Ferry"

Character Profile

Tian Zimao was born in Ulanqab City, Inner Mongolia in 1947. He graduated from Jining Normal University. A member of the Communist Party of China, he has served successively as deputy director of the Office of the Propaganda Department of the Party Committee of the Inner Mongolia Autonomous Region and director of the Party Committee Organ Librarian, director of the Second Secretariat of the General Office of the Central Propaganda Department, deputy director of the General Office of the Chinese Writers Association, member of the Party Leadership Group, and secretary of the Secretariat.

Tian Zimao, who grew up in the prairie of Inner Mongolia, began to study calligraphy under the guidance of his father and uncle. Published works on occasion. It was not until recent years that he made great strides and became a blockbuster. His calligraphy has formed its own unique artistic style in terms of shape and spirit. His calligraphy works have been published in many well-known domestic newspapers and magazines and have been well received by the industry. He is currently a member of the Chinese Calligraphers Association and the executive vice president of the China Ecological Calligraphy and Painting Academy.

Art Resume

In 1993, he has been engaged in cultural propaganda work for a long time in units and departments such as the Central Propaganda Department of the Communist Party of China. In the same period, he wrote essays such as "Spring, Summer, Autumn and Winter in Daxinganling", "Winter at Dalai Lake", "Dreams at Dadu River Ferry", etc., and reportage "Principal Dawa", "Xu Renhua", "Li Ziqing Phenomenon", etc., among which "Li Ziqing Phenomenon" Reprinted in full by Xinhua Digest.

In 2003, Tian Zimao served as secretary of the Secretariat of the Chinese Writers Association.

In 2005, he joined the Chinese Calligraphers Association and is currently a member of the Chinese Calligraphers Association. During the same period, he accepted invitations from many newspapers and magazines and published calligraphy works.

In 2008, he served as the executive vice president of the China Ecological Calligraphy and Painting Academy.

Calligraphy works

In 2006, they were featured in the invitational exhibition section of "Guangming Daily" "Wenhui" famous calligraphy and painting works, "People's Daily" (Art Edition, Overseas Edition), "Chinese Books and Newspapers" Expo", "Qiushi", "Literary News", etc., published calligraphy works; in 2007, he published calligraphy works in the art section of "People's Daily", the literary supplement of "Guangming Daily", "Contemporary Calligraphy and Painting", "Art Review", "The Art of Calligraphy and Painting" and "Qiu" It has been published in more than 300 newspapers and periodicals such as "Wenhui Daily", "Xinmin Evening News", "Beijing Evening News" and "Yangcheng Evening News". It has also participated in many national calligraphy exhibitions and has achieved fruitful results. In recent years, he used all his holiday time to thank guests behind closed doors and carefully composed, completing the 72-meter-long official script "Tao Te Ching".

In 2004, he began to hand-copy the Confucian representative work "Four Books and Five Classics" based on the rare copy of "Commentaries on the Thirteen Classics" edited by Ruan Yuan in the Qing Dynasty that was photocopied by Zhonghua Book Company. It lasted ten years and totaled nearly 900,000 words. A huge scroll of regular script calligraphy with a length of 1,651.5 meters, a width of 0.38 meters and a total of 60 volumes has been completed recently. After rigorous preliminary review, data analysis and comparison, the World Records Association certified the scroll on-site on November 29, 2013 as the longest scroll in regular script of the "Four Books and Five Classics" in the world, setting a world record!

National Calligraphy Exhibition

In August 2006, the "Tian Zimao Chinese Calligraphy Exhibition" was successfully held in Guangzhou, Phoenix TV, "European Times", Hong Kong's "Wen Wei Po", "Ta Kung Pao", etc. Many media have made special reports.

In 2006, "Selected Calligraphy Works of Tian Zimao" and "Heart Sutra" edited by "Art Guide" of China Art Publishing House have been published.

In March 2009, we provided full calligraphy work support for the "Harmonious Tiange·Perception of the Tao Te Ching" hosted by the Central Steering Committee for the Construction of Spiritual Civilization and the China Federation of Literary and Art Circles.

Related comments

There is a saying that the writing is like the person, and the words reveal the heart. For those who are good at calligraphy, the style of their works is a comprehensive focus of personality, character, knowledge, aesthetic taste and skills. The "Chinese Calligraphy Exhibition" being held in Guangzhou allows people to enter the world of calligraphy and get a taste of Tian Zimao, a humble gentleman who is generous but witty, confident but not arrogant.

In the Guangzhou Wenli Hall where the fragrance of ink floats, the exquisite exhibition hall is surrounded by nearly a hundred calligraphy masterpieces of various sizes. The reporter was fortunate enough to get to know the owner of the work, the famous calligrapher Tian Zimao, who came all the way from Beijing. Although Tian Zimao currently holds an important position as secretary of the Secretariat of the Chinese Writers Association, he has a strong literary temperament and is as easy-going as a respectable teacher.

A school of its own

Visiting Tian Zimao’s calligraphy exhibits is a pleasing process. The ancients often praised the beauty of calligraphy art due to the changes in nature. This is vividly reflected in Tian's works, which is his own school. He learned from the past without being constrained by it, integrating the charm of traditional culture into his pen and ink, breaking the barriers of time and space, and allowing the breath of modern civilization to flow through his pen.

Tian Zimao has a painting that says "Wind and Sao". He said that when learning traditional culture, we must mention these two words. Confucius is a representative figure who advocated "wind". His famous saying "When three people walk together, there must be one who can teach me." It means that everyone has strengths or something to learn from. Even if you face three failed people, you can still learn from them. He learns lessons from his mistakes and does not make mistakes. He "thinks about others when seeing good people, and reflects on himself when seeing bad people." "Sao" is Qu Yuan's idea. He believed that "although he is young, he can be a teacher."

Tian Zimao realized that the attitude of the ancients towards learning can still provide us with reference today. People often say "to be the best", but to truly achieve this, one must understand the true meaning of traditional culture. No wonder Lei Duo, a famous scholar in Guangdong, made this evaluation of Tian Zimao's works: behind the beauty of his calligraphy works, there is also the truth and goodness of Chinese studies, so truth, goodness and beauty are all present.

The long scroll "Tao Te Ching"

Tian Zimao's most proud work is the 72-meter long scroll "Tao Te Ching" in official script. Although in this exhibition, the audience did not have the chance to see it. However, from the video materials brought by Tian Zimao, the reporter got a glimpse of the true appearance of this majestic work, which took more than half a year to complete, and it is indeed extraordinary.

For this work, Tian Zimao worked hard. From last winter to July this year, he closed the door and thanked customers except for work and holidays. During the Spring Festival this year, I didn’t even answer the phone. After the New Year, when I turned on my phone, more than 260 New Year greeting messages popped up. There was no rice paper dozens of meters long available on the market, so he went to Zhejiang to have it made. There were countless broken brushes and exhausted black ink.

Tian Zimao said that he re-created the "Tao Te Ching" in the form of calligraphy art because he understood the essence of the "Tao Te Ching" that can be used in our era, which is relevant to the construction of socialism today. The mainstream consciousness of a harmonious society has profound internal connections.

So, he chose the Zhonghua Book Company version from the 18 existing versions. "The explanation of this version is most consistent with my understanding of the Tao Te Ching." A 5,000-word "Tao Te Ching" In the Tao Te Ching, there are no less than 30 places where "harmony" is mentioned, which coincides with the ideological basis of "harmony" in "harmonious society".

It is not difficult to find that each of Tian Zimao’s works closely follows the theme of “promoting Chinese traditional culture and building a harmonious society”. This is a unique theme that is incorporated into calligraphy works and exhibited publicly. It is currently the only one in the country.

Being bonded with pen and ink

Tian Zimao, who is now unique in the calligraphy world, said that he has had an indissoluble bond with pen and ink throughout his life. He was born into a cultural family in Inner Mongolia, and his uncle was a famous local calligrapher. His profound family education enabled him to be influenced by the art of calligraphy since childhood. As soon as he started, he copied Liu Gongquan's regular script for 14 years, and then copied Zhang Menglong's Wei stele for another 18 years. Later, he became obsessed with Han Li and is now good at regular script, Xing, Li and Zhuan.

Anyone who has practiced calligraphy knows that it is a "hard job" and you must first endure loneliness. Tian Zimao said that it was indeed not an easy process, but his experience was more about taking pleasure in suffering. He gets up at around 4 a.m. every morning, washes up and has breakfast before starting to write. Writing has become a compulsory course for him every day. He often hangs his wrist and wave a brush for several hours, and is completely unaware that his legs are numb when he stands.

What’s interesting is that Tian Zimao has been “cultivating behind closed doors” for decades, but he doesn’t show his words to anyone. Many people around him don’t know that he is good at calligraphy, and there is no calligraphy in his office. The pen and ink tool used.

Tian Zimao said that calligraphy is his lifelong passion, but he has never thought about becoming famous and starting a family. Until March 2005, by chance, one of his works was published in a newspaper. From then on, he couldn't accept it. Then there was a constant stream of phone calls for manuscript requests. So far, more than 180 works have been published in various media and occasions. . Tian Zimao, who has accumulated a lot of experience, quickly became popular, and was called the "Tian Zimao phenomenon" in the calligraphy art circle, which combines knowledge and skills.

Tian Zimao: a famous calligrapher, writer, photographer, and currently the secretary of the Secretariat of the Chinese Writers Association. He has been practicing calligraphy since childhood and loves calligraphy. After work, I keep writing. In recent years, his calligraphy works have formed his own style in terms of form and spirit. Some of his works have been published in more than a hundred newspapers and periodicals such as "Art Journal", "The Art of Calligraphy and Painting", "Contemporary Calligraphy and Painting", and "Qiushi". Many of his calligraphy works have formed their own style. Participated in calligraphy exhibition for the first time.