Deluk thinks cameras are like fountain pens, right?

Delluc thinks that cameras are as wrong as fountain pens.

In the forties and fifties of the 20th century, a young French film critic (who later became a famous director) Alexander Astruc put forward the theory of "camera-pen", thinking that filmmakers should and can be the same as writers.

Use the camera to freely describe life and express feelings and thoughts. Camera-fountain pen: The Birth of the New Avant-garde was originally published in French Painting Screen (No.144), 1948 on March 30th, by Alexander Astrucci (related link: The Birth of the New Avant-garde: French Camera-fountain pen).

The Chinese translation (translation) was first published in World Film magazineNo. 1987 06, and later included in the Film Theory Reader edited by Yang (published by World Book Publishing Company on 20 12). This paper is of great significance to the study of the origin of the French new wave film movement, and also to the study of digital movies, especially mobile movies (see mobile movies: ideas and their evolution). The relationship between Astruc and the new wave in France; Astruk and his photographic pen; Documentary society and new media era.