Ask for a movie:

Also known as bullet in the head/bullet in the head (Hong Kong)

More foreign titles: bullets in the head

Bloody events in the streets ..... (Hong Kong: English title) (literal title)

Movie genre: thriller/plot/war

Length: 136 minutes/Australia: 126 minutes/New Zealand: 125 minutes.

Country/Region: Hong Kong

White language: Cantonese, English, French, Vietnamese.

Color: color

Format: 35mm widescreen system

Mixed: mono

Level: Finland: K- 18 Iceland: 16 Hong Kong: IIB Ireland: 18 Japan: R- 15 Norway: 18 Spain: 18 UK:/kloc-0.

Germany: 18 Australia: r Korea: 18 Italy: VM 14 France:-16 Singapore: M 18 New Zealand: R 16.

Czech Republic: 15 Sweden:

Production cost: 500,000 (estimated)

Shooting format: 35mm

Print format: 35 mm

Region: Hong Kong (location)

Edit the credits of this paragraph.

Director: Wu Yusen Wu Yusen Wu Yusen

Authors: Janet Chun, Tai Xiaozhen.

Patrick Leung Patrick Leung.

John woo, John woo

Actor: Tony Leung Chiu Wai Tony Leung Chiu Wai ... Ben/A Bee.

Jacky Cheung Jacky Cheung ... Frank/Hui.

Li Zixiong Li Zixiong ... Paul/little wings.

Yam Tat-wah Yam Tat-wah ... Luke (male name)

Fennie Yuen Fenni Garden ... Jane (female name)

Zhen Chuqian Zhen Chuqian ... Sally Yan.

Liu Xixian Liu Xixian ... Fat guy.

John woo, John woo ...

Lin Congzhong Lin Yanhong

Producer: Patrick Leung Patrick Leung ... Assistant producer.

Wu Yusen, Wu Yusen ... Producer

Wan Allen ... Deputy Producer: Thailand.

Catherine Liu ... Deputy producer.

Original Music: Romeo Diaz in Romeo Diaz

Huang Yiyu, James Huang Junsheng

Photography Film Photography: Wilson Chen

Lin Guohua, Lin Guohua

Chai Kittikum Som

Yongheng Huang Huang Yongxiong

Editing movies: Wu Yusen, Wu Yusen, Wu Yusen

Wu Dawei Wu Dawei

Artistic Director and Production Designer: Huasheng Liang Liang Zhanwen.

Fashion design: Bruce Yiu

Edit the publication date of this paragraph.

Release date:1990 August 17 (Friday)

Sunset time: 1990 August 3 1 (Friday)

Box office: 545 123

Country/region: Hong Kong1August 990 17.

Canada1September 8, 990 ... (Toronto Film Festival)

Japan +099 1 year

Italy 199 1 year1month ... (Turin Film Festival)

France1August 4, 993

Finland 1997

Edit the introduction of this story.

Version 1

Xi Rong and A B grew up together in the steep area at the end of the rocky promontory. The three of them are like brothers. Although their families are poor, their young hearts have never lost their illusions and longings for the future. Because A B is going to marry his girlfriend Xiaozhen, everyone has different ideas to raise money for A B. Huizai was robbed on the way of borrowing usury, and Huizai was injured and went to the wedding. After that, A B and Hui Zi went to take revenge, killed Qiang, Rong and others by mistake and fled to Vietnam. During this period, the mayor of Saigon was arrogant. For everyone, this is purgatory. In addition, when Yue * * assassinated Vietnamese politicians, Rong decided to make a killing before leaving Vietnam. A Le, a distant relative of Xirong, is a professional killer. Knowing that Vietnamese bully Liang had a gold deal in a nightclub, he cooperated with insiders and took the gold away after a fierce battle. Party A and Party B risked their lives to save Hong Kong singer Chen Xiuqing. ...

Version 2

Tony Leung Chiu Wai, Jacky Cheung and Li Zixiong play friends who grew up in slums. At Liang's wedding, they were forced to flee overseas because of smuggling activities in Vietnam. Three Hong Kong punks walked out of Saigon Airport and saw the remnants of the war. They turned into local underworld killers, were mistaken for spies by Yue, and finally turned against each other for a box of gold. Li betrayed his friend and returned to Hong Kong with gold, becoming a tycoon. Liang took care of Zhang's funeral and went back to Hong Kong for revenge.

Edit this paragraph behind the scenes.

This film is an ambitious work of John Woo at the climax of his creation, which boldly pushes the vision of Hong Kong films to Vietnam on the battlefield, so as to expand the pattern of making action films in Hong Kong. This film is obviously influenced by Vietnamese dust hunters in the character structure and the design of some scenes, but it still has the characteristics of hot and neat action, which also gives full play to the theme of "male friendship" and "betrayal" that Wu has always emphasized.

John Woo is talented, not because of the popularity of Hero, but because Wei Chao has great potential on the big screen. He has found his friend Jacky Cheung to play with him. It is said that Wei Chao was not satisfied with his performance when he first cooperated with Wu Avenue. After watching the premiere, I was introspective for a long time.

Edit a brief review of this film.

This film is Wu Yusen's ambitious work at the peak of his creation. The director boldly expanded the vision of Hong Kong films to Vietnam, so as to expand the pattern of action films made in Hong Kong. It is a leap and progress of Hong Kong action movies. Tony Leung Chiu Wai, Jacky Cheung and Li Zixiong play friends who grew up in slums. At Liang's wedding, they were forced to flee overseas because of smuggling activities in Vietnam. Three Hong Kong punks walked out of Saigon Airport and saw the remnants of the war. They turned into local underworld killers, were mistaken for spies by Yue, and finally turned against each other for a box of gold. Li betrayed his friend and returned to Hong Kong with gold, becoming a tycoon. Liang took care of Zhang's funeral and went back to Hong Kong for revenge. This film is obviously influenced by Vietnamese dust hunters in the character structure and the design of some scenes. But it still captures the characteristics of hot and neat movements, which also plays a good role in the theme of "male friendship" and "betrayal" that Wu has always emphasized.

In the narrative of the story, it is obviously better than The True Color of Heroes 3: Song of the Sunset in the same period. John Woo is John Woo. What he shoots gives people great credibility, and his storytelling ability and skills are amazing. Wu Yusen, who is also a producer, screenwriter, director and editor, knows the burden on his shoulders, so he has done quite well. Look at the clip, the neat and lively gunfight scene, no. You read the story, touching and moving, which is amazing. John Woo deserves to be the representative of Hong Kong's most brilliant golden age gunfight action movie in 1980s and 1990s.

Jacky Cheung's A Hui is the highlight of this film. The fear of being forced to kill after being arrested by Vietnamese soldiers and the pain of being shot in the head are amazing. Hui's painful eyes and trembling cheeks are unforgettable, and his pain is deeply imprinted in my heart. Jianghu is like this, with tragic sacrifice and even more tragic pain. Hui is a representative tragic figure. He is loyal to his friends and brothers, kind in nature and impulsive. Finally, he was reduced to a poor man who helped others kill and take drugs in the street. As a good brother for more than ten years, how can a B see the difference between life and death so painfully? So he personally ended the life of his brother who should have saved people. Tony Leung Chiu Wai's A B is still as sincere as his heart. He was held at gunpoint on the boat. He was desperate. After more than ten years together, he is not worthy of a box of vulgar gold. In desperation, the three men drew their guns and finally avenged Ah Hui, fighting with Ah Rong played by Li Zixiong. Tony Leung Chiu Wai is getting better and better, and he plays these roles just right. In the last scene, all his good brothers were killed, and his desperate cry was simply touching.

How can I forget being so touched? In the last battle of "Hot Blood Street", A B and A Rong ran wildly in the street. Three good brothers who rode bicycles recklessly a few years ago are now enemies of life and death, unable to extricate themselves, and can only avenge their dead brothers. How can this sadness make people not despair? Therefore, John Woo created a series of tragic heroes, which gave us unparalleled shock. John Woo, an unforgettable director's feelings, touched me, Jacky Cheung, unforgettable eyes, Blood Street, unforgettable friendship!

Edit this video and enjoy it.

Wyndell dichinson's Emotion and a Neglected Masterpiece (Yu Mulin)

I saw the blood in the street again and got some insights. I find that I like it more and more, and I get new gains every time I watch it. I gradually understand why John Woo said that this film devoted his greatest efforts, his ideals fell, his loyalty betrayed, and the situation of Hong Kong people ... If you want to fully (maximally) understand this film, you must have a lot of background knowledge and be familiar with John Woo's life track, otherwise it will be difficult to understand the parties involved.

If "Bloody Brothers" is a poem, just like John Woo's masterpiece, then "Bloody Street" is a novel, a novel with the autobiographical nature of the director, a review of his middle age and a commemoration of his youth. There is a very good saying: "When you reach middle age, don't turn back in the wind, and there will be stars all over the sky in one day." Movies are hard to relax, and heavy themes make people think deeply. It can be seen that the director is full of ideals, praising pure friendship and accusing violence and war.

For the former, as long as you feel with your heart, you can understand the director's creative intention, while the latter requires a lot of experience and knowledge.

In wyndell dichinson's two films, some plots are similar. Xiaozhuang in "Bloody Heroes" and A B in "Bloody Streets" both have the behavior of saving children. Wu Shuo Xiaozhuang and A B are both his own names, and the characters used in movies all have a part of Wu's character on them.

John Woo said that if he wasn't a director, he would become a priest. It can be seen that he has a deep religious redemption complex. After saving the child, Xiaozhuang sent the girl to Sacred Heart Hospital for treatment. Sacred Heart Hospital is a Catholic-related hospital. A B saved a child in the street and was rescued by monks after being shot.

At the end of the movie, I heard a B say, "That's my home. I will definitely go back. " Suddenly very touched.

Xiaozhuang said: "Good people are often misunderstood" and good works are usually ignored. Remember what happened in the street, don't you?

Edit this award-winning record

Best Editing of the 10th Hong Kong Film Awards