Analysis of artistic style characteristics of bold and unconstrained words from specific writers' works

Appreciation of Su Shi's Niannujiao. Chibi nostalgia "

As the representative work of Su Shi's bold and unconstrained ci, Niannujiao Ci has always been popular. However, its boldness is manifested in the surge of passion, the grandeur of momentum and the grandeur of the realm. As Hu Yin said, "Make people climb high and look far, give a song".

This word was written in the same period and place as Qianchibi Fu, but each has its own characteristics. Its obvious thoughts and feelings are high-spirited and unrestrained. The opening sentence of "River of No Return" has a high syllable and a wide field of vision, which gives people a magnificent feeling, similar to Li Bai's poem "How the water of the Yellow River moves out of heaven and into the ocean, never to return". Here, the poet first wrote down what he saw and rolled down the Yangtze River. There is no need to add any other adjectives or modifiers. Jiang is a "great river", and going is a "big" word and an "east" word, which is enough. "Big" can remind people of the long history of the Yangtze River, and "East" can remind people of the length of the Yangtze River. "The River Gone for Never" is followed by "The Waves Are Washed Out, the Romantic Figures Through the Ages", which interweaves the feeling of space with the association of time. The river that never returns can be said to have a broad prospect, and the romantic figures of the ages can be said to have profound thoughts. The middle is connected by the word "wave exhausted". The implication is that the characters and times have disappeared with the river, but the achievements and spirit of the characters and the elegant demeanor of the times have been told through the ages and cannot be "consumed" by the big waves. If it's all gone, what is left? Literally, these two sentences are similar to the saying in The Analects of Confucius that "the son is in Sichuan, and the deceased is like a husband, not giving up day and night", which is not new. However, the sentences in the poem contain rich historical content and profound political feelings, as well as the poet's own distinctive personality characteristics, which Confucius did not say in The Analects. A "romantic figure" is generally annotated as "a person with outstanding talent and personality" or "an outstanding hero". Then, why didn't Su Shi say that "the waves washed away all the outstanding figures in the past" or "the waves washed away all the heroes in the past"? "Supergroup", "hero" and "romantic" all belong to flat voice, which meets the melody requirements of words. Su Shi didn't use it because the authority of "superhero" was unusual, and "hero" just made people think of galloping on the battlefield and dominating the situation, and even added a little sadness and generosity. What about the "romantic figure"? It is not only outstanding in talent and personality, but also heroic, childlike and heroic. It is a heroic Confucian demeanor, chic and childlike: the trinity is called "romantic figure". The following "Zhou Lang" is such a trinity "romantic figure". In fact, Su Shi also thinks he is such a figure. Yuan Haowen once said that in this poem, Su Shi "plays with Zhou Lang's own situation" and "his own situation" is "self-comparison". Simply saying "outstanding talent, outstanding personality" and "outstanding hero" are superficial, and I don't understand why Su Shi is Su Shi. The first two sentences of the word are written from the big picture, followed by from big to small, from general to specific. "On the west side of the old base, humanity is the red cliff of Zhou Lang in the Three Kingdoms." The "old base area" is the reality, and the "Three Kingdoms Zhou Lang" is the main reality. Calling out "Three Kingdoms Zhou Lang" with "old base areas" means giving priority to EduardoAntonioPinto. The Three Kingdoms Zhou Lang Chibi can be regarded as a typical figure in a typical environment. "Three Kingdoms", this is the times; "Red Cliff", this is the location, "Zhou Lang", this is the character. The word "Zhou Lang" is not called "Zhou Yu", which was originally in line with historical reality. Zhou Yu was only twenty-four years old when he was a general, and Wu Dong was called "Zhou Lang". At the same time, it highlights Zhou Yu's youth and handsomeness, showing a kind of affection. It says "Throughout the ages", here it is embodied as "Three Kingdoms", above it is written as "Romantic Figures", above it is embodied as "Zhou Lang", above it is written as "Dajiang", and here it is embodied as "Chibi": from large to small, it is like a lens pushing from a distant view to a close view. "Red Cliff" hit the nail on the head. Poets pay attention to bits and pieces. Pointing to Chibi, Su Shi immediately rendered it in three words: "The stone breaks through the air, the waves break the shore, and thousands of piles of snow are rolled up." Depicting the breathtaking and magnificent scenery of Chibi is like the intense scenes and weather in Battle of Red Cliffs. If you don't write like this, it's not enough to deserve a "romantic figure." Be sure to write in strong colors. It's really good. You see: "stones fly in the air" means writing high and focusing on form. The stone is called "Chaos", which looks steep and straight, as if to penetrate the sky and fly to the clouds. "Surging on the shore" is about going down, with the emphasis on sound. The waves roared against the river bank like galloping horses. The water power is fierce, as if it were about to burst its banks, and the crack is faintly audible. "Roll up a dry snowdrift", which is written in the depths and focuses on color. The silvery white waves are vast and billowing up and down, as if connected with white clouds in the sky. This kind of scenery is magnificent and beautiful, and then the poet uses the phrase "picturesque scenery" to summarize that painting is a kind of painting, a work of art, a processed thing, which is more beautiful than the actual thing and real life after the typification and artistic exaggeration of the painter. "Jiangshan" is a natural thing. Things formed by processing are higher than those in natural form. To say "picturesque mountains and rivers" means that mountains and rivers are as beautiful as those processed by artists. Such a beautiful and magnificent country has nurtured countless heroes and provided them with a stage to display their talents. Jiangshan is associated with heroes, which naturally leads to the phrase "How many heroes are there at a time", taking care of the above "Red Cliff of Zhou Lang in Three Kingdoms". The poet's brilliant pen hovers around, glance left and right, as arrogant as Youlong, but there is a treasure around this Youlong, and this treasure is Zhou Yu. The poet used a pen, and the center fell on Zhou Yu.

The next paragraph leads to Zhou Yu from "How many heroes are there at a time" in the last sentence of the previous paragraph.

The first film focuses on the picturesque scenery of the motherland, while the next film turns to romantic figures in history. This is also in line with the general written expression: the first film focuses on scenery, and the second film focuses on lyricism. Here, the poet connects with himself in today's reality from the romantic figures in history, bringing out infinite feelings, which is of course lyrical. "Imagine Gong Jin, early married, a pistol. The black silk scarf of the feather fan was joking and went. " These five sentences are all about Zhou Yu. Please note that it is not about Zhuge Liang. The last movie has already talked about "Red Cliff in Three Kingdoms, Zhou Lang", with "Zhou Lang" as the center. The "old days" here, that is, "Ding Nian" and "Ding Nian", that is, "the prime of life", are promising and young times for young people. Xiao Qiao is Zhou Yu's wife. She married Zhou Yu in Jian 'an for three years (198), when Zhou Yu was only 24 years old. Battle of Red Cliffs was in Jian 'an for thirteen years (208), and Zhou Yu was thirty-four years old, which has been ten years apart. Su Shi does not stick to history. He said that "Xiao Qiao got married for the first time" was intended to set off Zhou Yu's youth and show Zhou Yu's affection for his children with Yan Er's wedding, as if intoxicated with tenderness. I'm afraid that the sentence about "Xiao Qiao's first marriage is handsome and heroic" is an artificial fake in the Ming Dynasty, which is not sufficient. Su Shi and Xin Qiji did not completely follow the rhythm of words when writing words and breaking sentences. The word "le" means that the wedding is not over. At this time, he was full of youth, so he said "heroic", which showed that Zhou Yu was full of pride. "Feather fan nylon scarf" is a common dress of literati, which is used here to write Zhou Yu's elegance, that is, Confucian demeanor. Talking and laughing is Zhou Yu's leisure work. In the midst of thousands of troops, commanding operations is so natural and unrestrained. Rudder refers to Cao Cao's warships. The ending of Battle of Red Cliffs is "reduced to ashes", which shows Zhou Yu's talent and achievements. By writing Zhou Yu in this way, we can go back and understand the actual connotation of the last film "Romantic Figures". Su Shi deliberately wanted to be a "romantic figure" and even regarded himself as a "romantic figure", so his praise for Zhou Yu was so enthusiastic that he could not help but yearn for it. "Wandering in the Old Country" is "Wandering in the Old Country", which is the environment in which the poet wandered in Battle of Red Cliffs at that time. The poet imagined that if he met Zhou Yu, Zhou Yu would probably laugh at himself for being "sentimental" about picturesque mountains and rivers and romantic figures, feeling too much and complaining too much, so that he would have white hair before his twilight years. "Affectionate Ying Xiao Wo was born early" is actually the poet's self-mockery, and he feels that he is wasting his time, which cannot be compared with Zhou Yu, who made great achievements in his prime. Time waits for no one, and the poet can't help but sigh that life is short: "Things are like a dream", and the poet wants to make a difference, but he is demoted to Huangzhou as the ruler. Contradictions can't be solved, fame can't be established, time refuses to stay for itself, so we have to entrust all our troubles and sorrows to the river, and the bright moon "respect for the river and the moon" belongs to the word "river" to take care of the first sentence "river of no return". In the river, we celebrate the moon with wine and drink with the moon, so that the moon can understand her heart and bring comfort to herself. At the end, it seemed very sad and depressed. But in the helpless sigh, Su Shi's emotional ambition is still revealed. He wrote the motherland so magnificently, and the ancient romantic figures so handsome and heroic, which gave people exciting power and made people unwilling to be depressed. Therefore, the tone of Nian Nujiao's words is healthy and uplifting. Comrade Chen Yi's poem "I Read" said: "I like long and short sentences, and Su Xin is my favorite. Dongpo has a broad chest and Jiaxuan is powerful. " "Broad-minded, that is, emotional and broad-minded. This poem "Nian Nu Jiao" is just like this. This is the main aspect of Su Shi's ci, and it is also a good aspect. So at that time, some people thought that Su Shi's ci was "all the way up, refreshing to the world, enabling the author to know himself." "

The boldness of Su Shi's ci is determined by the content, feelings and techniques he expresses, which naturally breaks through the limitation of temperament. Su Shi is not ignorant of temperament. Although he said that he was "inferior to others", that only meant that he was inferior to others, not that he could not sing. He mentioned in the preface of Duo Zi that the lyrics "make melody" make people "sing". His "Mid-Autumn Festival Ci" is based on water and is called "singer Mao Yuan". Linjiang once went to Jinshan to sing to the moon. At the same time, he also wrote the lyrics of Niannujiao in Huangzhou, and he also wrote the lyrics of Linjianggao, and immediately "counted with Hakka songs". It can be seen that the "disharmonious melody" of Su Shi's ci is actually because the poet "does not indulge in melody". Chao, his favorite pupil, said: "Vulgar ci is outstanding, so naturally it cannot be juxtaposed with Song Dynasty." Lu You once said that he "can't sing, but he is uninhibited and doesn't like to cut and stick to his ears." This bold breakthrough in the limitation of temperament embodies the innovative spirit and liberation spirit of Su Shi's ci.

When Ci rose from the folk, its content and subject matter were still relatively broad. By the late Tang Dynasty, the Five Dynasties and the early Northern Song Dynasty, Ci had been confined to the narrow content of love and divorce between men and women. Its style is light and fragrant, and it is regarded as "another family". Although there are Feng Yansi, Li Yu, Yan Shu and Ouyang Xiu, they only express their personal feelings in their poems. Fan Zhongyan, Wang Anshi and others also have some sad works, but they can't fundamentally reverse the style of ci, and their ci works are still mainly pure and easy. It is worth noting that Liu Yong and Liu Yong, while expressing their lack of talent, also described the urban scenery and street life, which made a certain contribution to the content of avant-garde ci.

When Su Shi arrived, he opposed taking Ci as the way and the gentle and charming style of Ci. He made Ci into the field occupied by orthodox poetry, improved its status, expanded its subject matter, enriched its artistic conception and created an unrestrained school with his own creative practice. Su Shi made great contributions to the development of Ci.

Nian Nujiao's Red Cliff Nostalgia is a poem with vigorous brushwork, great momentum and magnificent artistic conception, which shows the poet's love for the motherland, his yearning for history, his pursuit of career and his exploration of life.

From the content point of view, it expanded the theme of the lyrics, shaped the image of heroes for the first time, pinned the author's expectation of rejuvenating the country, and expressed his hard-to-reward mood. It is Su Shi's pioneering work to express such a major social theme in words. "Red Cliff Nostalgia" is the theme of cherishing history, which is often expressed in poetry. Su Shi wrote it into Ci, and skillfully integrated scenery, lyricism and discussion in Ci, showing a bold and broad-minded style and a grand and open realm, which made Ci get rid of the state of lyric poetry only for music and become a new lyric poem that can develop independently. This poem represents the bold style of Su Shi's ci, enriches the realm of ci, improves the style of ci, and changes the style of ci, which has great influence at that time. After the first word came out, some people simply replaced the epigraph name of Nian Nujiao with "No Return to the River" or "Yongjiang Moon", which shows its status and influence. Tunes such as Nian Nu Jiao, Qin Yuan Chun and He Xin Lang are actually generous and uninhibited tunes introduced by Su Shi, which broke through the original norms of Ci. Su Shi's contribution to the development of Ci can be seen only from Nian Nujiao's "Red Cliff Nostalgia".

The main feature of Su Shi's ci is boldness. Doesn't mean that all his works are bold and unconstrained. There are more than 300 poems written by Su Shi, and few of them can be called bold and unconstrained. Most of his works are fresh and graceful. The works with traditional love themes are sincere and interesting, such as "Flowers are Red and Fresh". Some of his poems about objects with the themes of Huayang, Liu Shu and Pomegranate are also touching and beautiful, which can be called graceful works, and the graceful words have developed, far from being comparable to the poets among flowers. Compared with Liu Yong, he has also made great progress. While reading Su Shi's bold and unconstrained poems, we should not ignore some of his graceful and restrained works, such as "It seems not a beautiful flower when we look closely, but a little bit is a tear that leaves people", "There are few willows blowing on the branches, and there are many fragrant grasses on earth", which can be appreciated carefully.

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Finally finished, I hope you are satisfied.

Wish you all the best!