Nan Chu's true identity

The real identity of Zhongnan Chu in He Comes from Firelight is a model.

He Comes from Firelight was played by Dilraba in early South China. She is deeply loved by the audience with her kind and lovely image. Nan Chu's real identity in the play is a model. She has a good sense of the camera, a high degree of understanding and a good grasp of all kinds of expressions. With a little contact with the photographer, she will know what the other person wants to feel. She can also easily control various styles. When she is sexy, her small eyes are more charming than a cat and as pure as a white rabbit.

Nan Chu was later signed by a brokerage company and became an eighteen-line artist. Nan Chu didn't delay in filming, and she soon got into the state. When there is no chance, she sits beside reading. She never gossips or gossips, and is indifferent to everything around her. Nan Chu's brokerage team is not good at public relations and loves hype. It's not easy for her to come all the way.

Comments on the series "He Comes from the Fire"

As a genre work that embodies contemporary reality, He Comes from the Fire also pays attention to the survival and destiny of ordinary people. Through the perspective of salvation, the play skillfully presents the common elements such as career, life, family background and life difficulties.

Take the fire in the steamed stuffed bun shop as an example. Through the common livelihood elements in our lives, such as steamed stuffed bun shops, patch panels and sick children, the series has suddenly narrowed the distance with the public. Rent a small shop, do some small business to support his wife and children, and save money for sick children. The picture on the screen is not so much a plot as an ordinary life of ordinary people.

However, "the hemp rope is slightly broken." The aging of the patch panel caused the store to catch fire, the family lost their livelihood, and the problem of seeing a doctor for their children increased greatly. How deja vu this scene is, because such stories are often staged around us. Food, clothing, housing and illness, this is our life.