What are the famous literary and artistic works?

100 cultural and artistic classics are the reflection of human life, the record of activities and the accumulation of history, people's needs and demands, their ideals and aspirations for life and their advanced spiritual life. It is a framework for people to know nature and think about themselves. She contains certain thoughts and theories, is people's recognition and observance of ethics and order, and is the way, method and criterion of people's life and survival. Thought and theory are the core and soul of culture, without which there is no culture. Any culture contains a kind of thought and theory, as well as the way and method of existence. Demand is reality, ideal is yearning, desire is longing, and requirements must be met.

Broad sense culture and narrow sense culture

1, the structural anatomy of culture, there are two points, namely material culture and spiritual culture; There are three levels, namely, material, system and spirit; There are four levels of theory, namely, material, system, custom, thought and values. There are six subsystems, namely, material, social relations, spirit, art, language symbols and customs.

2. Culture in a broad sense focuses on the essential differences between human beings and general animals and human social and natural, and focuses on the unique lifestyle of human Li Zhuo in nature, which covers a wide range, so it is also called grand culture.

3. Culture in a broad sense includes four levels: first, the material state culture layer, which is composed of materialized knowledge power, is the sum of people's material production activities and their products, and is a cultural thing that can be perceived and has material entities. The second is the institutional culture layer, which consists of various social norms established by human beings in social practice. Including social and economic system, marriage system, family system, political and legal system, family, nation, country, economy, politics, religious organizations, education, science and technology, art organizations and so on. The third is the behavioral culture layer, which appears in the form of folk customs and is found in daily life actions, with distinctive national and regional characteristics. Fourth, the cultural layer of mentality is the core part of culture, which is composed of values, aesthetic tastes and ways of thinking cultivated in human social practice and consciousness activities for a long time.

4. The cultural level of mentality can be subdivided into two levels: social psychology and social ideology.

5. Social psychology is people's daily mental state and ideological outlook, and it is a popular mentality without theoretical processing and artistic sublimation, such as people's demands, wishes and emotions.

6. Social ideology refers to the systematically processed social consciousness. It is often summed up by the theory of cultural experts, logically combed, and artistically perfected, fixed in materialized forms such as works and artworks and spread across time and space.

7. According to the density of social relations, social ideology can be divided into grass-roots ideology and high-level ideology. The former includes the concepts of political theory and legal rights, while the latter includes philosophy, literature, art and religion.

8. Grass-roots ideology is closely related to social existence and is the concentrated expression of economic foundation, but its emergence and development still have to play a role through the intermediate link of social psychology; High-level ideology is higher, farther away from the material and economic foundation, and has strong independence, but its intermediary with social existence is social psychology and grass-roots ideology.

9. Culture in a narrow sense excludes the part about material creation activities and their results in the historical life of human society, and focuses on spiritual creation activities and their results, mainly mentality culture, also known as "small culture".

10 and 187 1 British culturist Taylor put forward the early classical definition of culture in a narrow sense in his book Primitive Culture, that is, culture is a complex whole including knowledge, belief, art, morality, laws, customs and the abilities and habits acquired by anyone as a member of society. 1. On Painting, Da Vinci, McMahon Zeben, Princeton University Press, USA.

2. Rodin's On Art, translated by Guangqi, People's Fine Arts Publishing House.

3. The Art of Mankind, Hendrik Willem Van Loon, China Friendship Publishing Company.

4. On the Spirit of Art, translated by Kandinsky and Charlie, China Social Sciences Press.

5. laocoon, translated by Zhu Guangqian, People's Literature Publishing House.

6. Philosophy of Art, translated by Fu Lei, People's Literature Publishing House.

7. Interpretation of Dreams, written by Freud, translated by Luo Sheng and translated by Baihuazhou Literature and Art Publishing House.

8. Freud's Essay on Beauty, translated by sigmund freud and Zhang Huanmin Chen Wei, Knowledge Publishing House.

9. Art, translated by clive bell, Zhou, Ma Zhongyuan, China Literature and Art Joint Publishing Company.

10. Abstraction and Empathy, translated by Wesley Wang and Wolinger, Liaoning People's Publishing House.

1 1. Vision and Design, Frye, easy English translation, Jiangsu Education Press.

12. Artistic Style, translated by heinrich wolfflin and Pan, Renmin University of China Press.

13. A Brief History of Modern Painting, translated by Reed and Liu Pingjun, Shanghai People's Fine Arts Publishing House.

14. Art is Experience, Dewey, Commercial Press.

15. The Reality of Beauty, translated by Gadamer Zhang Zhiyang, Joint Publishing Company.

16. On Man: An Introduction to the Philosophy of Human Culture, translated by Liu, Guangxi Normal University Press.

17. Art and Visual Perception, by arnheim, translated by Teng Shouyao and Zhu Jiangyuan, and published by Sichuan People's Publishing House.

18. Art and Illusion, translated by Gombrich, Yang Siliang and Fan Jingzhong, Tianjin People's Fine Arts Publishing House.

19. Sense of Order, translated by Gombrich and Fan Jingzhong, Hunan Science and Technology Press.

20. Ideals and Idols, translated by Gombrich and Fan Jingzhong, Shanghai People's Publishing House.

2 1. Being and nothingness, translated by Sartre and Chen Xuanliang, Life, Reading and New Knowledge Joint Publishing Company.

22. Existence and Time, Heidegger, revised edition, Joint Publishing Company.

23. The Concept of Modern Art, edited by Stangos, translated by Hou Hanru, Sichuan Fine Arts Publishing House.

24. History of Modern Western Art, translated by H·H· Arnason and Zou Denong, Tianjin People's Fine Arts Publishing House.

25. World Artists, 1950- 1980, edited by Max and translated by H.W. Wilson Company of new york.

26. The Story of Lie Bin, translated by Yan Mohan, Chaohua Fine Arts Publishing House.

27. Author, translated by Shi, Yilin Publishing House.

28. An Interview with Duchamp by Pierre Kabanis, translated by Wang Duanyun, Guangxi Normal University Press.

29. Towards Postmodern Art, edited by Fokma and burston, Peking University Publishing House.

30. Super Art, by Oliwa, translated by Mao and Ai Honghua, Hunan Fine Arts Publishing House.

3 1. After the End of Art, by Dan Tuo, Wesley Wang, Jiangsu People's Publishing House.

32. Conceptual Art, Xu Gan, People's Fine Arts Publishing House,

33. Installation Art, Xu Gan, People's Fine Arts Publishing House,

34. Warhol on Art, Chen Jianjun, People's Fine Arts Publishing House.

35. Interview with International Artists, edited by Chang Ningsheng, Jiangsu Fine Arts Publishing House.

36. Modern Western Art and Postmodern Art, Ge, Jilin Fine Arts Publishing House.

37. Postmodern Art Genealogy, by Shimazi, Chongqing Publishing House.

38. Rebellion and Transcendence-Modern Western Painting Art, Chang Ningsheng, Oriental Publishing House.

39. Loss and Transcendence —— A Study of Western Postmodern Art Phenomenon, Sun Zhiyi, Anhui Fine Arts Publishing House.

40. From Heroic Ode to Ordinary World —— China Modern Art Trend of Thought, Yi Ying, Renmin University of China Press.

4 1. Wall, Gao, and Renmin University of China Press.

42. Twentieth Century Art Criticism, Shen, China Academy of Fine Arts Press.

43. Three Books on Aesthetics (three sets), by Li Zehou, Guangxi Normal University Press.

44. Towards New Architecture, by le corbusier, translated by Wu Jingxiang, and published by China Building Industry Press.

45. Pioneer of Modern Design, translated by pevsner and Wang Xiaojing, published by China Building Industry Press.

46. The Bauhaus Ideal, by William Smoak, translated by Zhou Mingrui, Shandong Pictorial Publishing House.

47. Contemporary Architectural Theory and Manifesto, edited by Charles Jencks and Karl Croft, China Building Industry Press.

48. Complexity and Contradiction of Architecture, translated by robert venturi and Zhou Buyi, China Building Industry Press.

49. Twenty lectures on postmodern architecture, Xu Li, Shanghai Academy of Social Sciences Press.

50. Famous Paintings of Past Dynasties, Zhang Yanyuan, People's Fine Arts Publishing House.

5 1. China Ancient Painting Theory Series, Yu Jianhua, People's Fine Arts Publishing House.

52. The Artistic Spirit of China, Xu, Guangxi Normal University Press.

53. Art History and Concept, Cao Yiqiang, Fan Jingzhong, Nanjing Normal University Press.

54. The Story of Art, Gombrich and Fan Jingzhong, Guangxi Fine Arts Publishing House.

55. The Form of Art History Fan Jingzhong, Fu Xinsheng and Li Benzheng, China Academy of Fine Arts Press.

56. The Concept of Art History, Shao Hongfan Jingzhong, China Academy of Fine Arts Press.

57. Sense of Order: A Psychological Study of Decorative Art, edited by Gombrich, Yin Dingbang, Fan Jingzhong and Yang Siliang, Hunan Science and Technology Press.

58. Architectural History of China, Liang Sicheng, Baihua Literature and Art Publishing House.

59. Notes on Horticulture and Metallurgy, Ji Cheng, Chen Zhi, Yang Bochao and Chen Congzhou, China Building Industry Press.

60. History of Modern Architecture in China Zou Denong, Tianjin Science and Technology Press.

6 1. Architectural Space between East and West: Cultural Interpretation of China Tradition and Western Architecture in the Middle Ages, Wang Guixiang, Baihua Literature and Art Publishing House.

62. China Artists: An Analysis of the Design Principles of China Classical Architecture. Li, Tianjin University Press.

63. Modern Architecture: Manfredo Taffry. M, Francesco darko (Dal Co.F) and Liu Xianjue, China Building Industry Press.

64. History of architectural theory: from Vitruwe to the present.

65. Evolution of Modern Architectural Design Thoughts, Peter Collins and Ying Ruocong, China Building Industry Press.

66. Architecture: formal space and order. Frank Ching, Tianjin University Press.

67. The Eternal Way of Architecture, Alexandria, Zhao Bing, Intellectual Property Press.

68. Architectural Pattern Language, translated by Alexander et al., Li Daozeng, Gaoyilan, Guan, Intellectual Property Press.

69. Residential Manufacturing Alexander Waiting, Gao, Intellectual Property Press.

70. History of Urban Development (Origin, Evolution and Prospect), Montford, Song, Ni, China Building Industry Press.

7 1. Urban Image, translated by kevin lynch and Fang Yiping, Huaxia Publishing House.

72. History of Ancient Urban Planning in China, He Yeju, China Building Industry Press.

73. Spirit of Place: Towards Architectural Phenomenology, Christian Norberg-Schultz and Shi Zhiming, Huazhong University of Science and Technology Press.

74. On Montage, by C.M. Eisenstein, China Film Publishing House.

75. World Film History, [France] georges sadoul, China Film Publishing House.

76. The World Film History, Christine Thompson, David Bordwell, Peking University Publishing House.

77. The Film History of New China, Yin Hong, Hunan Fine Arts Publishing House.

78. A Review of the History of Film Theory, Nick Brown, China Film Publishing House.

79. Selected Works of Foreign Film Theory, edited by Yang, Culture and Art Publishing House.

80. Film Aesthetics, Bela Balazs, China Film Publishing House.

8 1. Film as art, [Germany] Rudolf Eidenham, China Film Publishing House.

82. The Essence of Film and the Restoration of Material Reality, siegfried kracauer, Jiangsu Education Press.

83. The concept of film, Stanley Thoreau, China Film Publishing House.

84. The Elements of Film, Lee R Bobuk, China Film Publishing House.

85. Watching Movies, Bruce F Calvin, Guangxi Normal University Press.

86. Analysis of Contemporary Films, by Jacques Aumont and Michel Marley, Jiangsu Education Press, 1987. New Wave of French Film, edited by Peggy Chiao, Jiangsu Education Press.

88. Italian films from 1945, [France] Laurence Shifano, Jiangsu Education Press 89. Edited by Shan Wanli, China Radio and Television Press.

90. Works of art in the era of mechanical reproduction, [Germany] walter benjamin, Jiangsu People's Publishing House.

9 1. Understanding Media, [plus] Gacher McLuhan, Commercial Press.

92. On Photography, susan sontag, Hunan Fine Arts Publishing House.

93. History of Song and Yuan Opera, Wang Guowei, Shanghai Ancient Books Publishing House.

94. A General History of China Opera, edited by Zhang Geng and Guo Hancheng, China Theatre Publishing House.

95. Historical Draft of Modern Drama in China, edited by Chen, and China Drama Publishing House.

96. The History of Calligraphy in China (seven volumes), Cong Wenjun, Jiangsu Education Press.

97. The Complete Works of China's Calligraphy, translated by Liu Zhengcheng, Rong Baozhai Publishing House.

98. The Form and Interpretation of Calligraphy, Qiu Zhenzhong, Renmin University of China Press.

99. Selected Calligraphy Papers of Past Dynasties, Shanghai Painting and Calligraphy Publishing House, Shanghai Painting and Calligraphy Publishing House.

100. Art History of China, Hong Zaixin, China Academy of Fine Arts Press.